Macunaíma

I first saw Macunaima in a World Cinema class here at Rutgers University. The film is about a native Brazilian born fully grown as he is depicted as defecated more than born, a dark Black baby to a White mother and all White siblings.Macunaima faces the harsh reality of his color, as he picks out the scraps a pig's end trails as his brothers eat the succulent flesh.He then finds a well which spurts water which turns him White, in a fantastically colorful sequence, Macunaima revels in his new color, as it changes his life and opens doors of opportunity to metropolitan Sao Paulo as he meets a guerrilla assassin femme fatale with whom he bares a Black child. She is killed, he seeks to avenge her death and realizes being White isn't all its cracked up to be. Macunaima has to wrangle with blood sucking neocolonialists. Despite its serious subject matter, Macunaima creates a carnivalesque atmosphere, light hearted wit and sexy mystique that defines Brazil

Macunaíma is one of the weirdest films I have watched and, I may also state, is a quite overrated movie. An adaptation (probably a very personal and loose one) of modernist classic novel by Mário de Andrade (which I did not read), Joaquim Pedro de Andrade's Macunaíma is less magic but not more realist. Indeed, it seems to seek a cubist or mosaic-like outcome, such as the books's mood: it does it through changes in style and in characters' traits, and through a very chaotic story. Bright and colourful, noisy and alegoric, it was a meeting of Cinema Novo with Chanchada, two opposite Brazilian cinema "waves". Besides that, in many situations it emulates animated cartoon aesthetics, although doing it with live action in genrrally raw sets. It could have been nice, but serious sins led it to what I consider a failure. First of all: racism (the hero is considered ugly when is born as black but when becomes a handsome prince he is white Paulo José; not to mention the native characters who are whites or blacks); if there were ironies and sarcasm, it was supposed to be more clear and not open to be taken as acceptable. Secondly: mysoginy; there is a gag on sexual harassment and rape (not to mention the psychological role of all women in the whole movie)! I do not know if racist and sexist traits were already present in Mário de Andrade's book, or if they were there but in a more critical view of society and as an undoubtful mockery. The third sin is that the absurd situations, be them surrealist of absurd, should have been more well connected to each other. Unfortunately, seriously disagreeing with Brazilian experts, I think it lays far from what should be expected due the importance of the director and many actors: besides Grande Otelo, the best ever in Brazilian cinema and television, there are Hugo Carvana, Paulo José, Joana Fomm, Rodolfo Arena, Jardel Filho, Milton Gonçalves...

Macunaima is Monty Python meets Jodorowsky and Robert Downey Sr. in a pool of piranhas. A full-grown black man, a " Brazillian hero", is birthed from a white woman in drag in the middle of the jungle. He discovers a magical water fountain that turns him white. He moves to the city, falls in love with a bomb bearing urban radical activist who wears a magic stone necklace that brings good luck. The magic necklace is stolen by a by an evil corporate cannibalistic millionaire. This causes a bomb to kill his wife and son (done in such a cartoonish way that it is all the more ridiculous). At this, Macunaima is plagued with bad luck through many of his misadventures and wants to get back the necklace from the evil corporate honcho. Part social satire, part serious political commentary set in a folklore steeped surreal Brazil. Based on the 1928 novel by Mario De Andrade that is considered on of the founding texts of Brazilian modernism; and the film itself is widely considered one of the most important films of the Brazilian Cinema Novo. But if you forget all the academics, it's a wild, weird, colorful, magical, surreal wonder-work with endless memorable moments, such as: a defecating goose, a pool of piranhas in which people swing above on a trapeze until they fall in, a water nymph and much more!! Who can forget such brilliant one liners such as "God gives nuts to those with no teeth". This film is a must see! One of the funniest films of any country! An underrated gem!

If you like films like Jodorowsky's "The Holy Mountain", you will love Macunaima! Overall just a very fun spirited movie, and a very interesting perspective of the Tropicalia movement of the late 60's and early 70's of Brazil.

I'm not sure if I understood even half the cultural and political references this film makes. After all it is Brazilian and from the late 60's. In many ways a product of that era but because it seems to be based on fairy tales or legends there's an interesting timeless quality to it as well. That and the outrageous sight gags, combined with crazy costumes makes this seem like a live-action cartoon. Definitely a fun ride through jungles filled with carnivorous nymphs, machine-gun toting topless commandos, men changing race when they smoke marijuana, a piranha pool party and much much more! Well worth a look though you may need a friend versed in Brazilian history & culture to make sense of it all. The restored 2K print is absolutely gorgeous.