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Korol Lir

  • 1970
  • PG
  • 2 घं 20 मि
IMDb रेटिंग
8.0/10
1.8 हज़ार
आपकी रेटिंग
Jüri Järvet in Korol Lir (1970)
ड्रामा

अपनी भाषा में प्लॉट जोड़ेंA Soviet adaptation of a world-famous tragedy about an aged king and how cruelly he lose his illusions.A Soviet adaptation of a world-famous tragedy about an aged king and how cruelly he lose his illusions.A Soviet adaptation of a world-famous tragedy about an aged king and how cruelly he lose his illusions.

  • निर्देशक
    • Grigoriy Kozintsev
    • Iosif Shapiro
  • लेखक
    • Grigoriy Kozintsev
    • Geoffrey of Monmouth
    • Boris Pasternak
  • स्टार
    • Jüri Järvet
    • Elza Radzina
    • Galina Volchek
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    8.0/10
    1.8 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Grigoriy Kozintsev
      • Iosif Shapiro
    • लेखक
      • Grigoriy Kozintsev
      • Geoffrey of Monmouth
      • Boris Pasternak
    • स्टार
      • Jüri Järvet
      • Elza Radzina
      • Galina Volchek
    • 19यूज़र समीक्षाएं
    • 17आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 2 कुल नामांकन

    फ़ोटो6

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार20

    बदलाव करें
    Jüri Järvet
    Jüri Järvet
    • King Lear
    • (as Yuri Yarvet)
    Elza Radzina
    Elza Radzina
    • Goneril
    • (as E. Radzina)
    Galina Volchek
    Galina Volchek
    • Regan
    • (as G. Volchek)
    Valentina Shendrikova
    Valentina Shendrikova
    • Cordelia
    • (as V. Shendrikova)
    Oleg Dal
    Oleg Dal
    • Fool
    • (as O. Dal)
    Karlis Sebris
    Karlis Sebris
    • Gloster
    • (as K. Sebris)
    Leonhard Merzin
    Leonhard Merzin
    • Edgar
    • (as L. Merzin)
    Regimantas Adomaitis
    Regimantas Adomaitis
    • Edmund
    • (as R. Adomaytis)
    Vladimir Emelyanov
    Vladimir Emelyanov
    • Kent
    • (as V. Yemelyanov)
    Aleksandr Vokach
    Aleksandr Vokach
    • Cornwall
    • (as A. Vokach)
    Donatas Banionis
    Donatas Banionis
    • Albany
    • (as D. Banionis)
    Aleksey Petrenko
    Aleksey Petrenko
    • Oswald
    • (as A. Petrenko)
    Juozas Budraitis
    Juozas Budraitis
    • King of France
    • (as I. Budraytis)
    Roman Gromadskiy
    Roman Gromadskiy
      Nikolay Kuzmin
      Nikolay Kuzmin
        Ants Lauter
          Ignat Leyrer
          Ignat Leyrer
            Konstantin Tyagunov
              • निर्देशक
                • Grigoriy Kozintsev
                • Iosif Shapiro
              • लेखक
                • Grigoriy Kozintsev
                • Geoffrey of Monmouth
                • Boris Pasternak
              • सभी कास्ट और क्रू
              • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

              उपयोगकर्ता समीक्षाएं19

              8.01.7K
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              फ़ीचर्ड समीक्षाएं

              10JuguAbraham

              A finer version than that of Laurence Olivier!

              Black and white cinematography of Gritsius, the music of Shostakovich and the enigmatic face of Jarvet, make all other versions of King Lear smaller in stature. Lord Olivier himself acknowledged the stark brilliance of this film. Oleg Dal's fool lends a fascinating twist to the character. The "Christian Marxism" of Kozintsev can knock-out any serious student of cinema and Shakespeare.

              Kozintsev is one of least sung masters of Russian cinema. His cinema is very close to that of Tarkovsky and Sergei Paradjanov. Kozintsev's Lear is not a Lear that mourns his past and his daughters--his Lear is close to the soil, the plants, and all elements of nature. That's what makes Kozintsev's Shakespearean works outstanding.

              I fell in love with Kozintsev's King Lear some 30 years ago and I continue to be enraptured by the black-and-white film shot in cinemascope each time I see it. Each time you view the film, one realizes that a creative genius can embellish another masterpiece from another medium by providing food for thought---much beyond what Shakespeare offered his audiences centuries ago. Purists like Lord Laurence Olivier and Peter Brook offered cinematic versions of the play that remained true to what the Bard originally intended, only refining performances within the accepted matrices.

              But Kozintsev's cinema based on the Russian translation of Nobel laureate Boris Pasternak added a "silent ghost" that was always present in Shakespeare's play—nature. Mother nature is present as a visual and aural force in the two Shakespeare films of Kozintsev, more so in King Lear. Shakespeare had intended to draw parallels in nature and human beings—only Kozintsev saw the opportunity in highlighting this. The team of Kozintsev and Pasternak took another liberty—the last shot of the film includes the Fool playing his pipe, while the Bard had got rid of the Fool in Act IV of the play. Kozintsev had more than one reason for it—the Fool is akin to the chorus of Greek stage and much of Dmitri Shostakovich's haunting musical score for the film involved woodwind instruments. Further, the poor, beyond the portals of the army and the courts, occupy "screen-space" never intended in the play. Kozintsev and Pasternak remained true to the basic structure of Shakespeare only adding details that offer astounding food for thought.

              I recommend this version to serious viewers. Don't miss this little known classic.
              10yavigad

              Overpowering interpretation of Lear

              Just finished watching the the 1971 version of Griogiri Kozintsev's King Lear and felt compelled to write my first ever IMDb review to recommend it to anyone who has the opportunity to see it. It was like stumbling across a rare treasure where not expecting it, and I just can't keep my mouth shut. I hadn't heard of the movie before and was doubtful about watching a dubbed version. This proved to be less of a distraction than I expected, and afforded me the opportunity of concentrating on the characterizations and visuals. It was an amazing interpretation of Shakespeare that brought to life the tragedy of Lear through sweeping scenery,breathtaking cinematography and Shakespearean acting as as good as any I've ever seen. I found the VERY Russian style invigorating after having watched countless BBC versions of Shakespeare. Not only did I get a greater appreciation for the original play, but by the last haunting scene I felt privileged to have watched a towering cinematic creation.
              9frankde-jong

              A relatively unknown diamond for Shakespeare lovers

              Just like in "Ran" (1985, Kurosawa) Kozintsev uses a barren landscape to illustratie the psychological wasteland of Lear. He don't need colors to do so, but the result is at least as convincing. It must be said however that Kozintsev had a "dreamteam" to his dispoasal. Which director can say that he has a Nobel prize winner (Boris Pasternak) as script writer? Also the music is taken care of by a famous classical componist (Dmitri Shostakovich). In Russian filmmaking the collaboration between directors and famous componists seems te be more common then in the West. Take for example the collaboration between Sergeij Eisenstein and Sergeij Prokofiev.

              There are two ways of adapting Shakespeare, literally and transposing the story to modern times. An example of the last approach to "King Lear" is "Broken lance" (1954, Edward Dmytryk) in which the story is situated in a businessfamily. I prefer staying close to the original, and that is the approach chosen by Kozintsev.

              In the English language there is a difference between a real fool (buffoon) and someone who is only acting as a fool, but in fact knows better what is going on than everybody else (jester). In "Karol Lir" the jester plays a prominent role. Keep a close look at this character while watching the film.
              10Galina_movie_fan

              Little Known Masterpiece

              This version of King Lear is an incredible achievement due to the masterful adaptation from the Shakespeare original by one of the best Russian poets, writers, and translators of the last century, Boris Pasternak; elegant and powerful images by the cinematographer Jonas Gritsius (he also worked with Grigori Kozintsev on the earlier Shakespeare's adaptation, "Hamlet", 1964), the music of Dimity Shostakovich, and the great performances from all actors.

              Estonian actor Jüri Järvet is masterful as the mad king in a performance which is reminiscent of Kinski as another brilliant madman - Aguirre. They were even the same age when they played Aguirre and Lear. The whole cast is amazing: Kozintsev chose the best actors possible for his project and everyone delivers. I'd like to mention Oleg Dal as the touching Fool; Karl Sebris as the Duke of Gloucester, whose scenes with his son Edgar after having been blinded are very moving; Regimantas Adomaitis as Edmund, a treacherous son and brother but a brilliant man; and Donatas Banionis (who played the main character in Tarkovsky's Solaris) as an intelligent and noble Albany. But like I said, everyone and everything is just perfect in this little known but IMO, the Best adaptation of the beloved and one of the most wrenching tragedies in the English and in the world literature.
              10joseph_couch

              Assured and deeply moving treatment of Lear

              Even, relaxed performances. Tasteful, non-intrusive direction. No gimmicks. And finally a clear, even obvious! result.

              This might seem like damning with faint praise, except that Kozintsev has done what Brook didn't, what Olivier's BBC production didn't, and what every stage production I have ever seen resolutely and spectacularly failed to do. That is to create order and clarity and meaning within arguably the greatest and arguably the most difficult play ever written. It seems easy to do in Kosintsev's version, which is one of his great triumphs. see it

              कहानी

              बदलाव करें

              क्या आपको पता है

              बदलाव करें
              • ट्रिविया
                Grigoriy Kozintsev made this version of the play at the same time that Peter Brook was filming King Lear (1970), and the two directors corresponded with each other throughout shooting.
              • कनेक्शन
                Featured in King Lear (1987)

              टॉप पसंद

              रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
              साइन इन करें

              विवरण

              बदलाव करें
              • रिलीज़ की तारीख़
                • 8 फ़रवरी 1971 (सोवियत संघ)
              • कंट्री ऑफ़ ओरिजिन
                • सोवियत संघ
              • आधिकारिक साइट
                • arabuloku.com
              • भाषाएं
                • रूसी
                • लैटिन
              • इस रूप में भी जाना जाता है
                • King Lear
              • फ़िल्माने की जगहें
                • Narva, एस्टोनिया
              • उत्पादन कंपनी
                • Lenfilm Studio
              • IMDbPro पर और कंपनी क्रेडिट देखें

              तकनीकी विशेषताएं

              बदलाव करें
              • चलने की अवधि
                2 घंटे 20 मिनट
              • रंग
                • Black and White
              • ध्वनि मिश्रण
                • Mono
              • पक्ष अनुपात
                • 2.35 : 1

              इस पेज में योगदान दें

              किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
              Jüri Järvet in Korol Lir (1970)
              टॉप गैप
              By what name was Korol Lir (1970) officially released in Canada in English?
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