Doppelgänger

Most people who enjoy this film enough to sit through it multiple times probably first saw it, as I did, during their childhood back in the late 60's - early 70's. It was one of the first science fiction movies I saw as a child and it made enough of an impression on me for me to remember it decades later. It was more thought-provoking than your average 1960's "space opera" and the special effects were among the best of its time (second, at the time, perhaps only to '2001' which came out about a year earlier). And although the people behind it were definitely influenced by Kubrick's earlier masterpiece, it contains enough original thought to be fascinating in its own right. Most adults who didn't see this movie when it first came out will probably be too critical to be able to enjoy it if they were to watch it now. As for today's younger audiences, they would probably tend to measure it by the standards of today's movies with their much more advanced special effects and simply dismiss the film as too archaic for their tastes. Unfortunately, this movie is probably destined to languish in ever-increasing obscurity as its original audience gets older and eventually fades away...

I never claimed this film to be a masterwork. But, when I was a teenage boy, growing up during the Apollo project and the original Star Trek years, I found this film to be imaginative and thought provoking. The music score was especially to my liking - I didn't realize why at the time, but later in my career I came to understand what a fine composer Barry Gray was (I'm a school band director). The criticism offered in many reviews is unjustified. I recently purchased the DVD edition to add to my collection of 1950-77 sci-fi films (the "pre Star Wars" era). I always have held the film as one of the best of the era, largely because of its appeal to the emotions of "awe" and the film's visual and musical effects. Well worth owning, and far better than most of the junk produced during this era (with exceptions such as George Pal films, and of course, the entire Star Trek franchise).

Undoubtedly the best movie Sylvia and Gerry Anderson ever made. While falling short of Stanley Kubrick's contemporaneous "2001: A Space Odyssey," "Journey to the Far Side of the Sun" has a strong, enigmatic plot and is plausible (apart from the novelty of its main premise) on both the human and technical levels.

I think that this movie succeeds most on the philosophical level, and it may be the only time that the Andersons have managed this in one of their movie-length productions (although there were certainly occasional glimpses of emotional and philosophical depth in their "UFO" and "Space:1999" serials).

I am glad that this movie was re-released on DVD as it will give me a chance to enjoy it all over again (for the first time in nearly 20 years).

Interesting premise; interestingly worked out; the strongest feature of this film is the emotional tension of the astronaut who knows a truth, but is unable to convey it to others. Overlook the weaknesses and just enjoy the movie, but be prepared for a certain level of suspense.

How well I remember seeing this made for TV movie when it finally got over to this side of the pond on American television. This British made for TV film has a most intriguing idea, but it could have been better conceptualized.

Journey To The Far Side Of The Sun begins with the discovery some time in the future of a planet never seen before which is 180 degrees on the same plane diameter on the opposite side of the sun. Naturally the European Space Agency and its head Patrick Wymark want to make a voyage, certainly not in a straight line I hope or things could get hot for the astronauts.

Picked to go are American Roy Thinnes and British Ian Hendry. What they find there is something pretty frightening.

A lot's at fault here. I would think that an opposite Mercury and Venus would have been discovered as well, but no mention of that let alone the planets farther than earth from the sun. And while this body moves with'the same speed exactly across the diameter of the orbit the others certainly would have been noticed before even our time.

I also don't think the marital issues between real life husband and wife Roy Thinnes and Lynn Loring have anything to do with the main plot and add nothing.

An interesting idea not well thought out.