I Start Counting

For me this movie was quite a find. It appeared late at night on what was normally waste-of-time English-language cable station in Turkey. The syrupy opening theme song nearly made me turn it off, but it caught my attention because it featured underrated British actress Jenny Agutter, most famous for appearing in the superb Australian art-house film "Walkabout" and playing the female love interest in a smattering of more mainstream fare like "Logan's Run" and "American Werewolf in London". Because her international debut "Walkabout" was much more famous for it's incredible cinematography of the Australian outback than it's very understated acting and almost non-existent dialogue, Agutter would become much more renown for her incredible five-minute nude swimming scene than any thespian talent she might have displayed. Her subsequent international roles were thus somewhat limited (for example, even in the PG-rated "Logan's Run" she somehow managed to have a completely gratuitous full-frontal nude scene). Only older British viewers who remember her work as a child actress on obscure BBC television programs would have too much idea of her acting talent.

This movie would rectify that immensely if it ever finds a larger audience. Agutter (a couple years younger than she was in "Walkabout")plays a troubled pubescent girl in love with her older foster brother. When she begins to suspect that he is a serial killer terrorizing the local neighborhood she chillingly begins to cover up for him, but the truth turns out to be something quite different.

The movie manages to be both a tense thriller and a sensitive coming-of-age flick while deftly avoiding the excesses of either genre. It obviously takes place at a time when London was in full swing (which can be seen in the panty-flashing mini-skirts worn by the characters' slightly more experienced best friend), but the movie also remains somewhat provincial and very British, kind of an early version of a Mike Leigh film. This would make a good double-bill with "Deep End", another superb but sadly forgotten film of 60's era British youth. My only complaint is the music, which aside from a smattering of Jimi Hendrix, is absolutely wretched, especially compare to the music that was coming out of Britain at that time. Nevertheless, I would definitely recommend this one.

A 14-year old Catholic girl Wynne(Jenny Agutter)falls in love with her older adoptive brother.Her crush is growing stronger as she believes that he is the local sex killer of young girls."I Start Counting" is a subtle exploitation film which touches several taboo subject matters including incest,drugs,rape and teenage sexuality.The story is fascinating and often confusing and the film is full of symbolism.The purity and innocence of Wynne slowly becomes corrupted.The girl believes she sees the statue of Jesus in church weeping blood.The climax of "I Start Counting" is very powerful and memorable.Along with "Night After Night After Night" a forgotten genre essential from late 60's.8 out of 10.

Though I can't remember it in detail, I do remember liking this film a lot and as a teenager going to bed scared, as well as having impure thoughts about Jenny Agutter, (again.) Very atmospheric, very English and very 60s, full of the kinds of faces you seemed to only get during that decade.

I don't know why it's hardly ever shown, but if someone were to air it occasionally, I'm sure it would gradually start to pick up a reputation as a bit of lost cult classic (a la the Wickerman.) I did find a fairly negative review in Time Out, but that probably says more about them than this film.

This is another very well made British Thriller from the late 60s / early 70s. Like other reviews I had seen 'I Start Counting' once before, on late night television, one (I think) Sunday evening in the early 1980s.

It is a film that stayed with me but could never remember its title or even who was in it (I didn't even remember Jenny Agutter as the lead!) until I accidently came across it on a IMDB list. I did recall that it was don't miss a minute suspenseful.

I have now just watched it again and it still stands the test of time. It's a horror / thriller that doesn't rely on blood, gruesome murders or cheap shocks. It keeps the viewer thinking but that is because it is a film with many levels of which the underlining narrative about a serial killer stalking young girls in a village is one of the least compelling - at least to me watching again 50 years after the film was made and around 40 since I last sat entranced.

Agutter and Bryan Marshall are superb in this. She of course has since given many more excellent performances in a lot of very good films but I have never seen Marshall in anything as good or give a portrayal as naturally convincing as this. To be honest I have not seen him in another role so integral to the story.

I would definitely be interested to know why this film is so rarely seen. It is certainly one for fans of the period and also for people who like their suspense to come without gratuitous violence.

A film well worth discovering.

I have no

I saw this film for the one and only time on English television back in 1980.At the time I thought it was the best thriller film I had ever seen.Since then to my knowledge it has never been shown again over here (I stand to be corrected on this one !) and appears to have sank without trace.Agutter is excellent as the schoolgirl who thinks her foster brother(Bryan Marshall) may be the local sex murderer and the creepy atmosphere builds up carefully helped by the location work on the wide windy stretches of an English New Town which I believe is Bracknell,Berkshire where Sean Connery's equally disturbing film "The Offence" was shot a couple of years later.Photography ,editing and supporting cast all first class.This film deserves to be better known in the history of British film and indeed the horror/thriller genre and its continued omission in most of the weighty film guides on the market remains ,to me, the biggest mystery and injustice of them all.