Heaven with a Gun

After a solid first hour, "Heaven With a Gun" thins out and becomes slightly more than routine. The movie could have used less sadism and sensationalism; while a topless Angelique Pettijohn is appreciated, gratuitous nudity tends to put off the very audience attracted to this kind of western. Carolyn Jones is nearly wasted, and I really wanted to know more about her prior relationship with Ford. Barbara Hershey does a fine job as the half-breed Hopi whom Ford protects. Ford and Hershey's relationship could have also used a little more sexual tension; and Hershey, to her credit, seemed ready to provide it.

Production values are good, if not spectacular, and director Lee Katzin, while no Sergio Leone, keeps things moving nicely.

"Heaven With a Gun" is a cut above most of Glenn Ford's later western. Too bad MGM didn't put a little more into the story and running time.

I give "Heaven With a Gun" a weak "7".

Solid acting (Noah Beery Jr, John Anderson, Glenn Ford, Barbara Hershey, and David Carradine) is compromised by formulaic direction and a script that zig-zags, forgets, remembers, and improvises, but the action occasionally rises, and the preacher-gunman conflict keeps things on track just enough to keep one watching till the end.

From the distance of 2010, 60s cultural interest is raised by the film's brief, gratuitous, and confusing nudity, as well as Barbara Hershey's hippie depiction of a half-Hopi girl, but the biggest surprise may be that this otherwise predictable western was produced as late as 1969. Except for those 60s flashes, I could imagine my parents and their siblings enjoying something similar in 1955, while I would have wished for a hero less earnest and boring than Ford.

Among the film's skewed lines, the oddest may be that the sheep-herder side of the range war is first identified with American Indians but is then shifted to a polygamous Mormon. I'd like to go back to 1969 and be 18 again, but no wonder I felt confused.

A seasoned gunslinger comes to a town in the Southwest (Glenn Ford) where he finds himself aiding sheepherders against proud cattlemen (John Anderson, David Carradine, Noah Beery Jr., etc.). Yet his real intention is to start a church (!). Carolyn Jones is on hand as a saloon operator.

"Heaven with a Gun" (1969) was originally announced in the mid-50s as a vehicle starring Gregory Peck. A dozen years later it was finally shot with Ford as the lead and the addition of some fashionable elements inspired by the late 60s, like Barbara Hershey as the hippie-like half-breed, including a scene where she sits naked outside the preacher's house amazed by the starry panorama.

The obvious comparison would be "Pale Rider" (1985), but Ford's pastor is thoroughly mundane compared to Eastwood's 'preacher,' lacking the vague supernatural angle of that later flick.

The script commendably shows a real West of working cattlemen and respectfully fleshes them out in the second half, but the sympathetic commentaries regarding the mogul's son (Carradine) by his father (Anderson) and the ramrod (Beery Jr.) are wasted since it had been established by that point that Coke is a detestable piece of you-know-what. Then again, what happens to him is fitting.

Angelique Pettyjohn is a highlight on the feminine front as prostitute Emily; she was 25 during shooting and never looked better. You might remember her from her most popular role as Shahna in the Star Trek episode "The Gamesters of Triskelion" where she wore a futuristic tinfoil bikini. Here she has a surprising nude scene that's more artful than offensive (but be warned if nudity offends you).

The biggest problem with the film is the shallow tip of the hat to pacifism under the guise of being biblical when it's actually hypocritical. To explain, the protagonist gives up his firearms at the end to nobly confront the situation in a nonviolent manner, but the situation is resolved by another man with a gun. I suppose such doublespeak could be defended on the grounds that the wise MIDDLE GROUND between absolute pacifism and rash violence is the way to go. In other words, speak softly and strive for peace, but carry a big stick for when you might need it.

As for absolute pacifism being biblical, it's not; LIMITED pacifism is. Sure, the Lord told Peter in Gethsemane "Those who live by the sword will perish by the sword," but his initial instruction was for Peter to "put the sword back in its place," NOT throw it away (Matthew 26:52). There's a difference between living by the sword and utilizing it when necessary, which explains why some of the disciples carried swords during their ministerial travels in the first place (fully known by Christ).

A good example of limited pacifism is when the returning Hebrews restored the walls of Jerusalem, they posted armed guards for protection from deadly enemies (Nehemiah 4:7-9). Simply put, in a wicked world arms are sometimes necessary, such as any potentially life-threatening situation.

There's enough good in "Heaven with a Gun" to make it worth checking out, but the storytelling is a little tedious even though spliced with interesting bits. It needed a rewrite to flush out its potential.

The film runs 1 hour, 41 minutes, and was mostly shot in Arizona, including Old Tucson.

GRADE: B-/C+

(1969) Heaven With A Gun WESTERN

Glenn Ford plays as a professional gunfighter, Jim Killian stopping by to a town with no sheriff, or judge for that matter, intending to open a church and to be a pastor. Forced by the hand to settle a dispute between sheep and cattle men, leading to some unfortunate circumstances.

I like Glen Ford Westerns but this film does not do anything for me. It is another one those films where the good guy does not do anything until it is too late, causing deaths of some characters I cared about. The movie also stars a rather young David Carradine and Barbara Hershey as the lonely Native American, Leloopa.

A late 60's western about ruthless cattle ranchers and their ranch hands who terrorize helpless sheep ranchers, with the action alternating between the range, the ranch, and the town, itself with a thriving saloon/brothel where a lot of the action is centered. Into this arrives an ex gunfighter turned preacher played by Glenn Ford who wants to bring peace. The script nearly does the film in, although the story and late 60's permissiveness keep one watching. As well, even though the screenplay verges on being ridiculous, the acting by Ford, John Anderson (as the ruthless big cattle rancher with a sadistic son played by David Carridine) and some other parts (J.D. Cannon chews some serious scenery as hired gun Mace) elevate the entertainment quotient, and the film's ending doesn't make one feel remorse about watching this.