Goodbye, Mr. Chips

Although MGM spent a lot of money to remake Goodbye Mr. Chips the film is good, but doesn't come close to the spirit of the classic version that got Robert Donat an Oscar amidst the shower of Oscars that Gone With The Wind got in 1939. Yet the best thing this film has going for it is Peter O'Toole cast against type as Mr. Chipping of Brookfield school.

Two things were radically different from this and the Donat version. First the book by James Hilton and the Donat version cover a period from before the Boer War until after World War I. This Goodbye Mr. Chips starts in The Roaring Twenties and ends post World War II a totally different period than the one Hilton was writing about. James Hilton was 14 years gone when this film came out, I wonder what he would have thought of the change in time period.

Secondly the marriage of Chips is a small part of the original story because the character of the wife dies young and in childbirth. Chips is a saddened widower for most the time the story covers which is a very radical change that Terrence Rattigan made to the original story.

Peter O'Toole and Petula Clark have a great deal more time together than Robert Donat and Greer Garson did in the original film. I guess the reason for that is to give Petula Clark a lot of songs. As she's a singer and O'Toole does his songs in the manner originated by Rex Harrison in My Fair Lady, this is one area where she blows him off the screen. The best numbers in the score by Leslie Bricusse are the production numbers London Is London and later on the one that Petula does with the Brookfield boys, School Days.

Michael Redgrave has a nice turn as the kind, but somewhat traditional schoolmaster. And although she only has a few scenes, Sian Phillips is brilliant as the Bohemian type actress who is a friend of Petula Clark's and a closer friend to Lord George Baker who is trying to get O'Toole sacked from Brookfield. Phillips's character might well have been based on Gertrude Lawrence.

When James Hilton wrote his best known stories Hollywood was fortunate to have a pair of actors who were born to play Hilton heroes, Robert Donat and Ronald Colman. They both exemplify the way the British see themselves, purveyors of civilization, sportsmanship, and fair play to the world. Despite the uphill battle to come close to what Donat gave us with his Mr. Chips, O'Toole did get a nomination for Best Actor, but lost to John Wayne for True Grit. Goodbye Mr. Chips also got a nomination for Best Musical Scoring for Leslie Bricusse and John Williams.

We may yet see another big screen adaption of Goodbye Mr. Chips and maybe this one will be set in modern times if such a film could be made. Sounds like a perfect part for Anthony Hopkins.

MGM produced this beautiful film at a genuine British Public School and I think anyone who attended one of those institutions during the 1940s or 50s will agree that the mood and authenticity of the film is spot on! Peter O'Toole's performance in the title role is extremely moving and Petula Clark is an unexpected choice for "Mrs Chipping" but she is first rate in the part. I note that some commentators were unimpressed with the Leslie Bricusse score. Well, all I can say is that I wore out my vinyl LP copy within one month of buying it when the film was first released. Incidentally, a short version of the film was released on 16 millimetre film in the UK with virtually EVERY song cut out and it was just awful without the music. But the full musical version is a delight.

Great, very moving story. Not perfect - the musical interludes were unnecessary (then again, I generally dislike musicals). Struggles to get going, but once it does it is fantastic. Final quarter is incredibly emotional.

Great performances by Peter O'Toole and Petula Clark.

Terrence Rattigan, who authored this screenplay at a time when he was out of fashion (and he still is), did a wonderful job renovating and updating James Hilton's sentimental novel, and his screenplay, and the playing of Peter O'Toole and Petula Clark, save the movie. Rattigan emphasizes the love story and carefully shows how Chipping, seemingly stiff and unemotional, has great reservoirs of tenderness and gallantry. It's a love story of two very different people who not only complement one another but bring out unforeseen qualities in each other: She teaches him to care, and he teaches her to function outside her shallow theatrical surroundings. O'Toole is as touching as Robert Donat in the original, and Clark, with less to play, is lovely and sympathetic and in superb voice. Of course, most of Leslie Bricusse's songs are dreadful, and O'Toole's no singer, and the internal-dialog nature of most of them (they don't advance plot, they don't define character, they just tell you what the protagonists are thinking) slows the action down. But with Rattigan's excellent touches, a splendidly showy supporting performance by Sian Phillips (then Mrs. O'Toole), and some eye-filling Oswald Morris photography, it's a love story you can weep copiously through--I know I did--and have a wonderful time doing so.

This re-make is worth seeing for the amazing performance by Peter O'Toole in the title role. He is the equal of Robert Donat who won an Oscar for the original version (beating out Clark Gable's Rhett Butler, no less). Unfortunately, in order to see this performance, you're going to have to sit through some of the worst songs ever written for the screen (yes, it's a musical re-make -- bad decision, but musicals were big in the post-"Sound of Music" 60's). The songs sabotage this touching story of a quiet English schoolmaster through the years. But O'Toole is amazing; it may be his best performance on film. He does an especially good job of "aging" his character, and with a minimum of makeup. Petula Clark is surprisingly good as the extroverted wife who brings Chips out of his shell, and Sian Phillips is unforgettable as Ursula Mossbank, an eccentric friend, even if the character seems to belong in a different movie. This is an ideal movie to watch on videotape. Savor the performances and fast forward through those wretched songs!