Downhill Racer

Downhill Racer is about Olympic skiing, but it's also about American society, and about how sport gives the illusion of being an escape from the loneliness of being undereducated.

Dave Chappellet (Robert Redford) grew up in the isolation of rural Colorado, where the career option after high school is working on a ranch or going to Denver to take a hairdressing course. His talent on skis has earned him a call to the US national ski team as a replacement after one of the members fractures his leg in a European race. When he arrives in Germany after what seems to have been his first airplane flight, he meets his new roommate, a Dartmouth graduate, one of several team members from that same Eastern undergraduate world.

Chappellet remains cautious and defensive as he tries to navigate the manners, attitudes, and values of the team and of the European civilization he encounters. He's made even more prickly by the code of team play which he's required to accept from his demanding coach, Eugene Clair (Gene Hackman). Clair believes that good sportsmanship and team solidarity are the basis for success in international skiing, and that's important because success is what will achieve financial support for the team from American business. But Chappellet refuses to play the sportsmanship game - partly because he knows he can't speak the Ivy League language his teammates have mastered, and partly because he knows that winning is the only way he'll stay on the team, and Clair's concept of sportsmanship won't help him win, any more than would the attitude or values of Chappellet's embittered father back in Colorado. Dave Chappellet know he's going to have to ski his own race, always.

Downhill Racer features a variety of exciting ski races filmed and edited with great skill, and they reveal very powerfully that, in the midst of all the thousands of spectators, each skier is alone on the mountain, and that winning comes from a combination of relentless focus and arbitrary fortune. With this truth presented so clearly and compellingly, Chappellet's refusal to play his coach's game is validated. On race day he has to ski faster than anyone else. No one else can help him. And neither will membership in the right club (or school, or social background). He has to do it on his own.

But being on your own is very lonely. Chappellet begins to want to belong, and chases after a kind of club membership in Europe, pursuing the very attractively worldly Carole Stahl (Camilla Sparv), executive assistant to a German ski manufacturer. He catches her because he's becoming famous, and thus useful, but discovers that he's not important to her. He's a pleasant diversion, but he can be discarded as easily as a pair of gloves. He receives praise from his coach, but only after winning races. Until he wins, he's the target of Clair's angry lectures about not thinking of the good of the team. Hackman's strangled speech and look of frustrated disgust as he berates the uncooperative Redford for having taken an unacceptable risk after practice create a high-water mark in American film acting, as does the surly self-centredness of Redford's response.

At the end of the movie, narrowly dodging defeat in the most important race in his career, Chappellet is hoisted on the crowd's shoulders in a frozen moment of apparent triumph. But only one value exists - winning. And his win is already history. There's no love in it, no acceptance more profound than his coach's praise, the crowd's shouts of excitement. And tomorrow's winner is already eyeing him in an unspoken challenge. Dave Chappellet is going to be skiing down this mountain alone for the rest of his life.

Looking back across nearly forty years to watch this excellent film, we can already begin to hear the question asked by Robert Redford's character in The Candidate, "What happens next?" The answer may be bleak - more competition, more loneliness - but the film helps us discover the answer in a fascinating way, because it puts us on those skis, rushing at impossible speed down the mountain, in a cocoon of our own heartbeats, our own laboured breathing. We're forced to ask ourselves, "Would we make the team? Would we win? And if we did, would it mean anything?"

In this film, Robert Redford plays David Chappellet a young man training on a ski team with hopes of making the Olympics. The film is basically a character study of a somewhat narcissistic, shallow, self-centered guy from a simple rural background who dreams of attaining fame and fortune by entering the Olympics as a downhill racer. Throughout the film we see examples of his failure to connect with people. He visits his dad on his ranch and is received with complete coldness and indifference. He pulls into town and picks up an old girl friend, takes her for a ride and they have sex. Afterwards, he completely ignores her when she tries to tell him about her life. He pursues Camilla Sparv who plays the beautiful Carole Stahl. In her, he has met his match. She seems to be someone who also uses people, never lets them get very close and always has an agenda to get what she wants. She works for a ski manufacturer who seems to use her to bait the young up and coming skiing stars that he seeks to groom for product advice and future endorsements. She is narcissistic, shallow and self-centered like him but she is also elusive. This plays to the competitor in him and she knows that. Throughout the film we see Gene Hackman who plays the skiing coach Eugene Claire. We witness numerous scenes where Chappellet ignores his advice and counsel, where the coach calls him on his arrogance and selfish attitude. But in the end, they triumph and seem to be headed for the Olympics. But in the last brief scene, victory and fame seems so fickle, elusive, short lived, it all seems superficial. Redford is wonderful in this and of course, Gene Hackman is just as good. Seeing these two early in their careers, that alone makes this a film worth watching.

After many years of catching brief scenes of this now semi-cult film, I finally watched it in its entirety. It is not a great film, but for film students, and fans of both Gene Hackman and Robert Redford, it's a must. The opening credits are delivered over scenes of a Super G skier flying down the mountain and feature a combination of stop action and over-cranked footage. The film quality is beautiful, and although the techniques now seem dated, they stand for what was cutting-edge editing at the time. Watching the opening, you feel like you're in for a great ride but are sadly let down by a staid script. Having said that, the film can sort of get a way with this (at least to a certain extent) because you've got such great actors playing the main roles of skier (Redford) and coach (Hackman). Both know how to exploit the economy of language and show a lot simply with body language and expression. (They must have realized they had to with this script.) Add to that fact, that the character Redford is playing - a vainglorious Super G racer named David Chappellett, probably wouldn't have much to say.

Ultimately, the film serves as cinematic commentary on how fleeting success is in a sport like skiing, as well as the shallowness shown by both the press that cover the sport, and the women that covet the skiers.

I lived southwest part of metro Denver for a few years. They say "Dave Chappelette, from Idaho Springs, Ida --- Colorado." I think that sounds familiar. Dave goes home to visit Pa. Drives around. I think "That looks like one of those towns along I-70, that watches the world go by. When you grow up in one of those towns, who wouldn't want to get away and make a name for himself?"

Excellent film. People who think there is something wrong with Dave are over-wrought and under-nourished.

Self-denial is for losers, cuz it's not exactly a team sport, is it?

For anybody who follows international sports, the characters and organizations in this movie ring true. Whether you follow skating, gymnastics, skiing, or any other essentially solo international sports, you have seen the loners, the chosen stars, the politics, fund raising, and everything else that goes on behind and in front of the scenes.

This movie captures those people and circumstances exceptionally well. As has been noted in the coverage of the Olympics, the parallels to the 2006 US downhill team are stunning. The fact that this movie was made in 1969, with the film style of the day, makes it quite dated. But it is exactly the dated fashions, music, cinematography, skiing equipment, and attitudes that make it a keeper.

Downhill Racer remains the seminal skiing movie (unless one prefers the slob humor of Hot Dog: The Movie), but it's also about bigger themes. Redford is the quintessential American loner, out for his own goals and not interested in serving the needs of his sport, his team, or the international press. It's a character we've seen a thousand times in real life, and it's one who gets deified or demonized depending on his success in the field of sport.

So, view this very dated movie in today's context. You'll be surprised how relevant it is.