Daddy's Gone A-Hunting

After the man she's been seeing turns out to be mentally (and financially) unstable, Cathy aborts his baby and moves on with her life. She eventually marries a political hopeful and once again finds herself pregnant. While shopping for a crib, she sees her former flame, Kenneth, working as a department store Santa. He spots her too, but the real bad news for Cathy is that he notices she's carrying another child. Bad news for her and her baby, but would Kenneth resort to killing a child as vengeance for the death of his own?

Mark Robson (The Seventh Victim, Valley of the Dolls) directs this morbid little gem, a film with some rather potent subject matter, particularly for the time it was made. Melding the incredibly touchy subject of abortion with a psycho-suspense storyline, Robson crafts an effective film full of bizarre mood and situations. As Cathy becomes more and more guilty over what she did, we see how it works into her psyche, and images as simple as toys yapping on a table take on a rather perverse feeling that gets under the viewer's skin. Robson knows how to utilize such elements to their maximum effect, though never in an overly graphic manner. The use of subtlety and implied horror goes a long way here.

As Kenneth, Scott Hylands is one of the creepiest nutcases you'll see. He has the most unnerving eyes, and a rather blank glare that truly makes one feel uncomfortable. The scene where he learns of the abortion is downright chilling. He puts Cathy through some real psychological torment, one of the standout moments being a nasty surprise he leaves under her car. Carol White plays Cathy, and she's fine in the role, but I find her character to be quite unlikable due to her incessant bitchiness.

This is a great film, well acted, well directed... The climax is quite thrilling as well. This is not your typical psycho story, and it is really quite unique in it's storytelling. Disturbing and effective, I highly recommend this one.

The premise of the movie is simple enough..Cathy, a young, beautiful girl arrives in America to find work, meets Kenneth, a handsome young photographer, they fall in love, but it turns out the young man isn't all he seems to be, and when she learns she's pregnant, she decides she doesn't want him-or the baby and has an abortion, and he decides to seek revenge.

The setting is San Francisco, and the visuals are well played out in the city, along with a taut, tense script by Lorenzo Semple and Larry Cohen, with sure footed direction by Mark Robson, fresh off of his smash hit 'Valley of the Dolls' two years earlier. The cast includes Mala Powers as a sympathetic coworker of Cathy's who talks her into the abortion, Paul Burke (fresh off of his work as Lyon Burke in 'Valley') as Cathy's new husband, a senator wanna be, and of course, Scott Hylands, who as Kenneth, brings a creepiness to his role, but at the same time, you do feel for him as the spurned lover who wants revenge for the abortion that Cathy decides to get.

The only weak link in this movie is Carol White as Cathy. Beautiful as the young Brit who arrives to seek work and becomes involved in a nightmare, is harsh, childish, and for most of the movie, a total bitch. You never feel how Paul Burke's character fell for her, suddenly they are wedded, and there is very little passion between them in their scenes. She comes across shrill, completely obnoxious, and downright hateful. You wonder if she really wanted to have a baby in the first place with the way she acts. For the most part, this movie is a fine addition to the 'damsel in distress' genre, but having a heroine that is more sympathetic might have worked much better.

DADDY'S GONE A-HUNTING might be of interest to film academics looking to analyze attitudes about abortion and motherhood in the wake of the 60s sexual revolution. For those wanting a good thriller, they'll have to look elsewhere. Leadenly paced and poorly acted (with one exception), this movie feels like it was made for television. It boggles the mind to think the director was responsible for some of the best Val Lewton chillers back in the 1940s.

The single bright spot is Scott Hylands as the stalker villain. His stare is chilling and his vengeful plot is truly disturbing. Such a shame the woman he's menacing isn't up to snuff-- Carol White's performance is wooden and her character is often unlikable, treating the people around her like garbage when it isn't warranted. This makes it very hard to root for her, a deadly problem for a suspense thriller.

Also, that title song is truly putrid, dated in the worst possible way and almost comical in how it blatantly describes on-screen action. Hard to believe the legendary John Williams was responsible for that travesty-- though to be fair to him, most of the score is alright, if nothing exceptional.

It would've been better if the character,'catherine' had been more sympathetic.

I apologize,but I was rooting for 'ken' to get away with it all. The story is different,though.A boyfriend terrorizing his ex-girlfriend because she aborted his child...it really could've been done better.

In an early scene, a snowball is thrown at someone in the city of San Francisco. It doesn't snow in San Francisco.

I had to get that out of the way. This film is a pretty good thriller. A young woman meets and moves in with a mentally unstable man. She becomes pregnant and decides to terminate the pregnancy (back when it was illegal). He becomes obsessed with the fact and obsessed with her.

She leaves him and marries a conservative politician. They have gave a child of their own. There is no way the stalker is going to let them be happy. I won't go into details and spoil it.

This film is an effective thriller and also a great time capsule showing 1968 San Francisco.