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Da uomo a uomo

  • 1967
  • R
  • 2 घं
IMDb रेटिंग
7.0/10
10 हज़ार
आपकी रेटिंग
Lee Van Cleef and John Phillip Law in Da uomo a uomo (1967)
A young gunfighter forms a tenuous alliance with an aging ex-outlaw to track down and eliminate the bandits who killed his family, till the surprising end.
trailer प्ले करें1:22
2 वीडियो
81 फ़ोटो
Spaghetti WesternDramaWestern

अपनी भाषा में प्लॉट जोड़ेंA young gunfighter bent on killing the four bandits who raped and murdered his family crosses paths with a former outlaw, who hopes to extort the same men in revenge for getting him jailed.A young gunfighter bent on killing the four bandits who raped and murdered his family crosses paths with a former outlaw, who hopes to extort the same men in revenge for getting him jailed.A young gunfighter bent on killing the four bandits who raped and murdered his family crosses paths with a former outlaw, who hopes to extort the same men in revenge for getting him jailed.

  • निर्देशक
    • Giulio Petroni
  • लेखक
    • Luciano Vincenzoni
  • स्टार
    • Lee Van Cleef
    • John Phillip Law
    • Mario Brega
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.0/10
    10 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Giulio Petroni
    • लेखक
      • Luciano Vincenzoni
    • स्टार
      • Lee Van Cleef
      • John Phillip Law
      • Mario Brega
    • 95यूज़र समीक्षाएं
    • 38आलोचक समीक्षाएं
    • 38मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • वीडियो2

    Trailer
    Trailer 1:22
    Trailer
    Death Rides A Horse: Today's A Big Day For You
    Clip 2:35
    Death Rides A Horse: Today's A Big Day For You
    Death Rides A Horse: Today's A Big Day For You
    Clip 2:35
    Death Rides A Horse: Today's A Big Day For You

    फ़ोटो81

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    + 74
    पोस्टर देखें

    टॉप कलाकार50

    बदलाव करें
    Lee Van Cleef
    Lee Van Cleef
    • Ryan
    John Phillip Law
    John Phillip Law
    • Bill Meceita
    Mario Brega
    Mario Brega
    • One-Eye
    Luigi Pistilli
    Luigi Pistilli
    • Walcott
    Anthony Dawson
    Anthony Dawson
    • Burt 'Four Aces' Cavanaugh
    José Torres
    José Torres
    • Pedro
    • (as Jose Torres)
    Franco Balducci
    • Lyndon City Sheriff
    Bruno Corazzari
    Bruno Corazzari
    • Cavanaugh's Bartender
    Felicita Fanny
    • Martita
    Ignazio Leone
    Ignazio Leone
    • Holly Spring Preacher
    Carlo Pisacane
    Carlo Pisacane
    • Holly Spring Stationmaster
    Angelo Susani
    • Paco
    Guglielmo Spoletini
    Guglielmo Spoletini
    • Manuel
    Vivienne Bocca
    • Bill's Sister
    Walter Giulangeli
    Walter Giulangeli
    • Bill as a Boy
    Elena Hall
    • Bill's Mother
    Mario Mandalari
    • Hotel Worker
    Nazzareno Natale
    • Pedro Henchman
    • (as Natale Nazareno)
    • निर्देशक
      • Giulio Petroni
    • लेखक
      • Luciano Vincenzoni
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं95

    7.010.2K
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    फ़ीचर्ड समीक्षाएं

    gorgeousgreekbeauty

    Pass the "HOT SAUCE"

    This is probably one of the better "spaghetti" westerns to come along ... far better than the putrid "Django" series with Italian actor, Franco Nero...

    The scenery chewing Lee van Cleef is perfect as the avenging angel to beautiful blue eyed hunky ingenue, John Phillip Law, who must have captured the hearts of the director of photography with that sweet face of his because there are so many intense closeups of his pretty blue eyes that it dominates half the movie ...

    Nonetheless, the movie is about John's character, Bill, who as a child, witnesses the robbery, rape & murder of his family by Van Cleef and his less than band of merry men .. who subsequently leave Cleef's character to take the blame and force him to 15 years of hard slave labour in a chain gang ... but, after his release he goes on a revenge bend and tracks down his former mates ..

    He manages to meet up with Bill and at first the two spare off at each other like a snake & mongoose, but, they come to trust each other from a distance, in as much, as busting each other out of jail, to ultimately team up to take down the motley gang ....

    Along the way, there are a lot of stringy musical interludes teamed up with intense facial closeup shots to show either grief or fear or anger .. which closely resemble as the same expression, but this movie is still one of the best tried and true and the surprise ending left me jumping out of my seat wanting to fast forward to the end just to see how Law & Cleef finally gel..

    I would highly recommend this film as pure cinematic genius counseled with fine acting and great supporting characters .. Pedro and Paco are so bad they're good ..

    Fans of John Phillip Law will not be disappointed, well, maybe by his monotone panned John Wayne vocal impression, but his pretty face and great body in those pants of his, paired with the gun belt, will make you wish that time crept slowly ... so you could stare at him a little while longer..

    Lee Van Cleef shirtless or stripped to his waist is twice the bonus ..

    This film is a gem .. highly recommended .. 8/10 all the way :-)
    7TBJCSKCNRRQTreviews

    They came in the window. It wasn't to wish me pleasant dreams

    They came in the window. It wasn't to wish me pleasant dreams After thieves steal $200,000 awkwardly expositioned by one of the keepers, they attack a home, kill the husband and... I don't know, it may be inferred that there is suggested rape of the wife and daughter, but if so, they're the fastest guns in the state(see what I did there?), so more likely, they're just messing up their clothes some. Anyway, fifteen years later, the surviving boy wants revenge, and so does the bad-ass Lee Van Cleef who was framed and has been in jail for stealing the cash. Other than that the subtitles are hilarious(they write *everything* - including almost the entirety of the credits, as they're on the screen - and the punctuation is lazy), this is a pretty dependable 114 minutes of spaghetti Western. Gunslinging, card games, a saloon with doors that swing open, a sense of honor and even hot chicks. In best Leone style we have close-ups(and the great faces that make these work), build-up, genuine tension and a nice climax. The coolness is also very much present, and the dialog is good and well-delivered, and some of it clever. This is filmed and edited well, with occasional odd framing. The humor has strong moments. This has really solid acting for all involved. The DVD comes with a trailer for other works from the period. I recommend this to fans of the genre. 7/10
    8EyeDunno

    Good movie, bad DVD

    Death Rides a Horse is one that Spaghetti Western fans (and fans of Lee Van Cleef) would thoroughly enjoy. The FILM is most watchable (read below about the DVD and possible hopes for a Region 1 letterbox DVD release), and Van Cleef is at his best in this one, playing a thug who is betrayed by his com padres. We usually see him playing the ultimate bad guy in most of his films, with his knife-deep stare filling the screen. At times, though, Van Cleef exposes his compassionate side for just a tease, and then just as quickly masks his inner humanity behind The Stare, as he plays Ryan, who arm-wrestles throughout the movie with stubborn youngster Bill (John Phillip Law), who has forsaken his lady and his life by embracing only revenge - and a single spur - after watching his father murdered, only to then bear witness to his mother and older sister brutalized at the hands of an out-of-control gang, greedy for gold.

    The match-up between Ryan and Bill is one that plays itself out quite well, as Ryan acts as surrogate father, dishing out advice through some memorable quotes, teaching young Bill with his words and actions. Bill's anger is worn heavily on his sleeve, while Ryan steadily and calmly works out his own dishes of revenge, suppressing his anger even better than his empathy for Bill, which he touches on even as the pair first meet. Phillip Law was okay, but not thoroughly convincing as a bitter young man who witnessed his family's killing. Every once in a while, he might could have done just another take or two, but it's an easy pill to swallow since Van Cleef balances him out.

    I wouldn't want to go deeper into reviewing the movie, except that there's a nice plot twist somewhere inside the film. Many of the actors seen in this 1968 film have been in films by the great Sergio Leone. It seems that there was a core of actors who performed in a number of Italian Westerns, and for good reason: the chemistry was there. Add a good dose of Ennio Morricone film scores, and you have the potential for a quite watchable film. Most spaghetti's would be overcooked and unpalatable if not for Morricone music, which acts as an unseen, yet incredibly talented main character.

    Once in a while, the dialog (like Bill's off-balance delivery: "I'll find out who he is. If he is who I think he is...get ready to get mad") detracts from the slow and steady pace of Death Rides a Horse (that line makes me want to Kill Bill, myself), but the overall storyline works well enough to entertain Spaghetti Western fans. There are very few plot holes to pick at in the film, which has an air of dread or darkness throughout much of its length. A lighter moment always seems to pop in just when the viewer might like to come up for air (like a character who offers Bill a kiss).

    For those concerned about bad or unbelievable endings, Death Rides delivers without disappointment.

    Now, for the DVD: Sadly, there seems to be no Region 1 release that does this nice yet overlooked film, justice. Mine, which is a 2-4-1 DVD with "God's Gun" on the same side, and "Quality" as the title logo, is horribly lacking in everything but bad quality, perhaps one of the worst DVD productions I have EVER seen. The letterboxed original, cropped to pan/scan, suffers from multi-generational degradation of image quality.

    One particular scene that makes the argument to respect the director's intent by preserving a film's original screen aspect ratio is the card game between Bill and Burt Cavanaugh (Anthony Dawson). Watch as the camera pans the players. Terrible cuts were placed into the scene at the card table as the camera panned the players, in order to preserve timing since the film transfer is a TV format crop from letterbox. It's an unforgivable way to present such a scene, which can lead the viewer to believe that it was the fault of a lazy film editor, or an incompetent director . I can't wait to see the film in its original format.

    There is not one frame in my DVD that has any kind of decent image quality with respect to color, tone, or saturation. Its terribly washed out and either too contrasty and bright, or too muddy and dark, and neither extreme results in any texture. And in some scenes, the image degrades to a pixelated mess, which you'll see in the opening scene, and it returns of and on throughout the presentation. The only reason I watch it again and again is to enjoy the Morricone tracks and view an entertaining film. MGM has released a PAL-Region 2 DVD, and subsequent DVD reviews suggest that they finally did "Death Rides a Horse" justice. It has the original letterbox (2.35:1) and infinitely better video quality. Search online for some businesses in the UK as I will, and once I get it, I'll burn my copy and play it in my region-free DVD player.
    7Ramon_Rojo

    Powerful

    From the stark opening, director Giulio Petroni lets us know that he is going to take us on an interesting ride. The sequence for which we watch through Bill's eyes as his family is brutalized and murdered is one of the most disturbing ten minutes ever put on film.

    Even more stunning is the sequence for which there is jump cut from Bill as a child after the carnage to Bill as an adult, as a living killing machine. It plays like a version of THE TERMINATOR if it was set in the 19th Century American West.

    What progresses from there is a very interesting revenge film, loosely patterned like POINT BLANK (1967) where Bill is the wild card in the middle of Ryan's quest for vengeance.(Watch both films....Van Cleef and Marvin's characters function the same way...."All I want is $15,000...nothing more, nothing less...)

    What I found the most interesting is the way Petroni chose to photograph the three sections of the film. They are all visually distinct and this change seems to map the character's journey through out the film, that being Bill's progression from a traumatized child to a hate-filled adult on the road to hell.

    My only complaint is the quality of the prints.

    I hope MGM manages to track down a decent negative and have this film restored.

    It deserves it.
    edd-6

    The expressive eyes make dialog practically unnecessary.

    On a remote Firebase in Vietnam, we received a 16mm movie each day by helicopter. We typically watched about 3:00AM in our small fire direction center (FDC). "Death Rides a Horse" was delivered at least 15 times in 10 months. We were moved by the expressive eyes and dramatic stares throughout the movie. After several viewings, we'd decided to leave the sound off and provide our own dialog. This movie was a great tension buster in the middle of undesired action. Thank you Lee VanCleef!

    इस तरह के और

    I giorni dell'ira
    7.0
    I giorni dell'ira
    La resa dei conti
    7.4
    La resa dei conti
    Il mercenario
    7.1
    Il mercenario
    Il grande duello
    6.4
    Il grande duello
    Ehi amico... c'è Sabata. Hai chiuso!
    6.7
    Ehi amico... c'è Sabata. Hai chiuso!
    Quién sabe?
    7.0
    Quién sabe?
    Vamos a matar, compañeros
    7.2
    Vamos a matar, compañeros
    Faccia a faccia
    7.1
    Faccia a faccia
    Django
    7.2
    Django
    Keoma
    7.0
    Keoma
    Navajo Joe
    6.3
    Navajo Joe
    Giù la testa
    7.5
    Giù la testa

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The original title of the film was "Duel in the Wind." Lee Van Cleef came up with the Italian title while discussing the movie with John Phillip Law, who saw the film as a "man to man" story. Van Cleef remarked, "Why don't they call it 'From Man to Man'?" The Italian producers liked how it sounded in Italian ("Da Uomo a Uomo") so much they used it. Then the film was subsequently retitled "Death Rides a Horse" in English-speaking markets, which Law said he never liked.
    • गूफ़
      When Bill swaps out one pistol for another during his target practice early in the film, the sound of the gun against the wooden table is noticeably delayed (only playing while he's holstering his next gun).
    • भाव

      Ryan: If you're going to follow somebody, youngster, do a better job of it. This world is full of nervous characters. They'd shoot you in the back first, and then introduce themselves.

    • इसके अलावा अन्य वर्जन
      Some versions, including the Japanese DVD release from SPO, are missing a single shot of a person being stabbed (in the opening sequence), cut by the censors on the film's first English language release in the 1960s. Subsequent DVD releases from MGM in Europe contain the uncut version, with the shot of the stabbing included in the film.
    • कनेक्शन
      Featured in The Swinging Lust World of John Phillip Law (2007)
    • साउंडट्रैक
      Death Rides A Horse
      Composed by Maurizio Graf (as Attansio) and Ennio Morricone

      Performed by Cantori Moderni Di Alessandroni

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल14

    • How long is Death Rides a Horse?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 31 अगस्त 1967 (इटली)
    • कंट्री ऑफ़ ओरिजिन
      • इटली
    • भाषाएं
      • इतालवी
      • स्पेनिश
    • इस रूप में भी जाना जाता है
      • La muerte viaja a caballo
    • फ़िल्माने की जगहें
      • La Calahorra, Granada, Andalucía, स्पेन(Train scenes)
    • उत्पादन कंपनियां
      • Produzione Esecutiva Cinematografica (PEC)
      • Sancro International Film
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      2 घंटे
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 2.35 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Lee Van Cleef and John Phillip Law in Da uomo a uomo (1967)
    टॉप गैप
    By what name was Da uomo a uomo (1967) officially released in India in English?
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