Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?

I've read some raves and some scathing reviews of this film. The reviewers seem wildly opposed.

What one should remember when viewing this work is the era when it was made. The world was a little different in the late '60s; the war in Vietnam was beginning to be opposed vehemently, nudity and profanity were being more tolerated in films, and a new era of permissiveness was dawning. Films that came out at this time were taking more "avante garde" chances, and there were as many misses as hits.

This film was a mixture of good and bad scenes, but never-the-less an interesting work. The humor in it is somewhat crude, and the music has neither enough polish, or conversely, edge to work completely.

I do remember being entertained by the film, and isn't that the bottom line? Trying to compare it to today's standards is not a valid comparison. No one would try to compare Chaplin's films with Eddie Murphy's. This work is one that will probably stay obscure, because it was more of an experiment than an expression.

Bottom line: A mixture of good and bad comedy, music and philosophy. See it for yourself and see if you can eke out a valid point of view.

After watching this film, I wondered if Anthony Newley thought that this would be his sole chance to direct a major film (which turned out to be true), so he decided togo on a binge with every idea he had at that point . It's in equal parts a mockumentary, a musical, and an homage to Tex Avery cartoons. Newley is the ringleader, Hieronymus Merkin, and he invites us to watch his carnal accomplishments and rise as a singer.

This movie features some fascinating production and costume design, and the beach sets are very unique. The jokes often hit sour notes, but the enthusiasm is contagious. I mean, really, what's better than seeing Joan Collins portray a character named " Polyester Poontang"? If you ever come across this movie, give it a chance.

:)

This is an extraordinary film. But it's not for everyone, and it must be viewed in it's context.

There was a time when Anthony Newley was one of the biggest stars in the world. With two hit Broadway musicals and a slew of movies under his belt, and songs STILL being covered by today's artists ("Feeling Good" is currently enjoying a popular resurgence courtesy of Michael Buble'"), Universal Studios gave him carte blanche to make any movie he wanted. Newley had already established a proved track record of using his own life as source material. Making this kind of film was a logical next step for him.

In many respects, this film is a masterpiece. It is utterly unique; visually beautiful, it looks like a lucid dream. Newley was a master of symbolism, and the way he illustrates different levels of reality and different states of consciousness is nothing short of brilliant. Highly "Jungian", this film is meant be viewed and interpreted like a dream. Many reviewers have lambasted "Heironumus" for it's use of symbolism, but on the contrary, that is the beauty and magic of the film. Anyone familiar with the Western Hermetic Tradition will delight in the eloquence with which this movie speaks. It cannot be an accident that "Heironymus" was filmed in Malta, the home of the Knights Templar. It makes one question how deeply into the occult Newley must have been.

PLOT SUMMARY: Heironymus Merkin, a major star, is making a film about his own life, told as a fairy tale/epic myth. He is screening it for his mother and two toddler children. It is his intent that his children know the truth about who their father is, warts and all. The film-within-the-film is still in production, and Heironymus battles with the studio, writers, and critics for the integrity of his personal truth.

The film is:

about mid-life crisis

an exposition of internalized toxic shame

an examination of the repetition compulsion

A confession

a cry for help

a treatise on the unreality of life

a rare look at celebrity-hood from a celebrity's point of view

a self-portrait of a sex-addict

a dissertation on erotic mania

AND it's a musical-comedy.

The movie is many things, confusing, because Newley was himself confused. Then again, aren't we all to some degree? The greatest thing about "Heironymus" is all the questions it brings up. It inspires deep process, and that is what makes it Art, and a true gift to the world.

I am committed to helping this film finding it's audience.

"Can Hieronymous Merkin ever forget Merci Humppe and find true Happiness?" has to win an award for being the strangest title for a film ever. Partially semi autobiographical comedy in the vein of Fellini and Woody Allen. "Hieronymous Merkin" throws away conventional narrative to tell the story of a director making a film about his life; not to mention it's also a musical. Some parts are dated and hard to follow. Director Anthony Newly was married to Joan Collins. Collins also appears in the film. Collins has a certain expression like, how did I end up in this film? All criticism aside, "Hieronymous Merkin" is quite funny and breathtaking with it's amazing surrealist imagery. If Woody Allen, Fellini and Jodorowsky were to of collaborated on a musical with Jacques Demi, it may be something like this film. Newly can get annoying at times with his inflated ego and sex drive. He tells about marriage, infidelity, having kids, being in show business and his various sex-capades. Memorable dream like images include the Merry go round sequence, Merkin as a string puppet, his bed which lies in the ocean on the beach side and a crazy sequence with a nude girl who is a human wind up toy like object. I sure wish they would release this film on DVD. There are not many films like it. Love it or hate it, it's completely original; especially the super catchy song "Picadilly Lilly". Must be seen to be believed.

People complain that studios don't take chances anymore. Well, although sometimes when they did take a chance they made a masterpiece, they also came up with movies like this! This movie is a mess, so...weird. For much of the running time, it's fascinating to watch its insanity, though eventually it becomes tiring. The only really funny bit is the hilariously tasteless "The Princess and the Donkey" number.