Cactus Flower

Many farcical comedies of the 60's and 70's haven't stood the test of time. Cactus Flowers is one of the few that has.

It's quick, witty, well paced, clever and most importantly funny.

It's worth watching the film for the dancing scene alone: Seeing Ingrid Bergman doing "the dentist" was hilarious.

She really shows she has a flair for comedy.

The entire cast is brilliant. Special mention goes to a very young Goldie Hawn who looks (and sounds) like a different person! This is a classic. Highly recommended

When I saw LAUREN BACALL do CACTUS FLOWER on Broadway, I never dreamed that one day I would see an actress like INGRID BERGMAN playing the Bacall role on screen. But here Ingrid really lets her hair down for some good comedy moments as the dental nurse pretending to be WALTER MATTHAU's wife so he can go on with the fib he's told GOLDIE HAWN.

It's a story played for laughs from beginning to end, good-humored stuff that never runs out of dry humor and wit throughout its running time. There are plenty of one-liners or gags that are way above the usual situation comedy stuff one hears on TV--the lines ring true because they blend so well with the characters and their motives.

As the daffy girl who contemplates (in the beginning) committing suicide over her unhappy affair with Matthau, GOLDIE HAWN (fresh from her days as a star on TV's "Laugh In") does a dumb blonde role to perfection. Easy to see why she won that Supporting Actress Oscar.

Ingrid is surprisingly fetching in a rare comedy role, although there are times when she seems just a bit too matronly for the part. At any rate, she's a surprising choice to play the nurse who puts on a freeze act at the office but is considerably warmer off duty.

As Goldie's next door neighbor, Igor, Rick Lenz acquits himself admirably, and makes a suitable match for her in that final scene.

Matthau plays the kind of character that became his stock in trade in all those Neil Simon roles he had--a lovable cad who gets caught up in his own messes when he tells lie after lie.

It's the kind of rib-tickling comedy that'll have you laughing out loud at some of the amusing lines that Abe Burrows and I.A.L. Diamond have managed to scrap together, based on a French farce.

Walter Matthau is wonderful as the "philandering" dentist Dr. Julian Winston whose frequent fibs to girlfriend Goldie provide textbook proof of the dangers of lying. Goldie Hawn's touching kook Toni Simmons certainly deserved to win her Oscar. Ingrid Bergman's work as the stiff-as-starch nurse Stephanie is also touching to watch as she comes out of her shell, slowly and nervously. This is a great movie to watch in the springtime, or any time for that matter. It's very underrated; I never heard about it until I found it in the video store, and what a find!

Adapted from the Broadway play, Cactus Flower is nonthink entertainment given superlative star treatment by Walter Matthau, Ingrid Bergman, and Goldie Hawn. Hawn, in her Oscar-winning debut, plays Toni, a twentysomething free spirit engaged to dentist Julian Winston (Matthau), who isn't ready to give up his bachelorhood just yet. To avoid marriage, he lies to Toni and tells her that he is already married (with children) to his assistant, Stephanie (Bergman). At first, Stephanie is against the idea of being dishonest, but because of the secret love she harbors for Julian, she gives in. Romantic entanglements ensue, leading to a touching conclusion. Ingrid Bergman always had a flair for light comedy, but was only given rare opportunities to show it (Indiscreet, The Yellow Rolls-Royce). Matthau is wonderfully befuddled, and Hawn began the first in a series of kooky characterizations. With hilarious support from Jack Weston, Rick Lenz, and Eve Bruce, Cactus Flower is a blossoming laugh fest!

This film has not exactly remained fresh in the minds of film buffs, and it's a crying shame. Its witty screenplay adaptation should have netted Oscar nominations for the great screenwriter I.A.L. Diamond's adaptation, and Ingrid Bergman's flawless performance. It must have been an honor for Goldie Hawn at such a young age to work with Bergman, looking more than a decade younger than her 54 years--fifty four! When she's on the screen, it positively twinkles.

This is a film which may appear dated at first, but it actually made me wish I was around during the swingin' 'sixties. Hawn's fashions are as tacky as Bergman's are chic. (That's one minor flaw--isn't her character a little too soignée for a gal who still lives with her sister? But then again, would we have Ingrid any other way?) And who wouldn't want to hang out at a nightclub called The Slipped Disc?

The best compliments I can pay to this film is that it somehow made me nostalgic for a decade that I never saw, and that it left me wanting more. Speaking of wanting more, I wonder what ever became of sexy supporting actor Rick Lenz? (He resembles Griffin Dunne in this film.) This was his film debut, and I don't see any other major roles in his filmography. As for Goldie Hawn, she's done so much since then it's easy to not be impressed, but I can't imagine any other actor in the role, either.

Since the movie is based on a play, the line delivery may seem a bit stage-y, but it did not inhibit my enjoyment at all. In fact, I am amazed at how funny it still is after over thirty-five years. Because this film represents a bygone era, it has unjustly slipped from the consciousness of film buffs. It is more linked to the era films that came before it than the ones that followed. But don't let that stop you from savoring the delights it has to offer. Grade: A