अपनी भाषा में प्लॉट जोड़ेंA dentist pretends to be married to avoid commitment, but when he falls for his girlfriend and proposes, he must recruit his lovelorn nurse to pose as his wife.A dentist pretends to be married to avoid commitment, but when he falls for his girlfriend and proposes, he must recruit his lovelorn nurse to pose as his wife.A dentist pretends to be married to avoid commitment, but when he falls for his girlfriend and proposes, he must recruit his lovelorn nurse to pose as his wife.
- 1 ऑस्कर जीते
- 3 जीत और कुल 6 नामांकन
- Bar Patron
- (बिना क्रेडिट के)
- Club Patron
- (बिना क्रेडिट के)
- Waitress
- (बिना क्रेडिट के)
- First Waiter
- (बिना क्रेडिट के)
- Club Patron
- (बिना क्रेडिट के)
- Man Dancing in Club
- (बिना क्रेडिट के)
- Restaurant Patron
- (बिना क्रेडिट के)
- Parcel Post Man
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
I am a movie junkie but I had never even HEARD of this movie (or if I did in 1971, I forgot). It's worth watching just for the performance of Goldie Hawn as the tart-tongued ingénue. Her acting is a revelation in this movie. Yes, the script is sharp and excellent (when was the last time they made a Hollywood comedy with a smart script?) but her acting is extraordinary. I never realized how funny Goldie could be, and it makes her later appearances in roles such as Laugh-In and Private Benjamin a little sad. In her later career she is far too over-the-top compared to her minimalist, wickedly funny appearance here.
It's a pleasure watching the young Matthau, the great Bergman and the stellar supporting cast, but it's Goldie Hawn that will make this movie worth watching again.
It's quick, witty, well paced, clever and most importantly funny.
It's worth watching the film for the dancing scene alone: Seeing Ingrid Bergman doing "the dentist" was hilarious.
She really shows she has a flair for comedy.
The entire cast is brilliant. Special mention goes to a very young Goldie Hawn who looks (and sounds) like a different person! This is a classic. Highly recommended
It is Ingrid Bergman's first film in the US since the 1950's & even though she is no longer the young bombshell she was in her early films, she brings off a difficult role quite handsomely. This film proves she had multiple talents beyond her good looks.
Goldie Hawn who won an Oscar in this, her first film, as supporting actress is very good as the modern sophisticated yet quirky latest mistress to Dentist playboy, love them & leave them Walter Mathaw. Goldie is delightful to all the senses in this role which with a great cast set her up as a slam dunk for this early career award.
This film is not real deep, but is a gem that has stood the test of time very well. Not sure why it's average is so low as I give it a solid 8.
It's a story played for laughs from beginning to end, good-humored stuff that never runs out of dry humor and wit throughout its running time. There are plenty of one-liners or gags that are way above the usual situation comedy stuff one hears on TV--the lines ring true because they blend so well with the characters and their motives.
As the daffy girl who contemplates (in the beginning) committing suicide over her unhappy affair with Matthau, GOLDIE HAWN (fresh from her days as a star on TV's "Laugh In") does a dumb blonde role to perfection. Easy to see why she won that Supporting Actress Oscar.
Ingrid is surprisingly fetching in a rare comedy role, although there are times when she seems just a bit too matronly for the part. At any rate, she's a surprising choice to play the nurse who puts on a freeze act at the office but is considerably warmer off duty.
As Goldie's next door neighbor, Igor, Rick Lenz acquits himself admirably, and makes a suitable match for her in that final scene.
Matthau plays the kind of character that became his stock in trade in all those Neil Simon roles he had--a lovable cad who gets caught up in his own messes when he tells lie after lie.
It's the kind of rib-tickling comedy that'll have you laughing out loud at some of the amusing lines that Abe Burrows and I.A.L. Diamond have managed to scrap together, based on a French farce.
क्या आपको पता है
- ट्रिवियाMaking this movie was the first time Ingrid Bergman had been on a Hollywood sound stage since the 1940s--all her subsequent films up to that point had been made in Europe, even those for American studios.
- गूफ़When Julian is driving Stephanie home, the shot from the driver's side of the car reveals the shadow of the car against the traffic on the movie screen behind them.
- भाव
Dr. Julian Winston: I must say, it's grotesque. A woman your age, throwing yourself at a kid like that!
Stephanie: And what about that eh, father-daughter thing of yours, if you don't think that's ridiculous...
Dr. Julian Winston: Well, it's different for a man. If a man is with a younger woman it looks entirely appropriate, but when it's the other way around, it's disg...
Stephanie: Well, you go to your church and I'll go to mine.
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Flor de cactus
- फ़िल्माने की जगहें
- 252 W. 11th Street, मैनहटन, न्यूयॉर्क शहर, न्यूयॉर्क, संयुक्त राज्य अमेरिका(Toni's apartment building)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $30,00,000(अनुमानित)
- चलने की अवधि
- 1 घं 44 मि(104 min)
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1