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The Arrangement

  • 1969
  • R
  • 2 घं 5 मि
IMDb रेटिंग
6.3/10
3.5 हज़ार
आपकी रेटिंग
The Arrangement (1969)
Home Video Trailer from Warner Home Video
trailer प्ले करें2:56
1 वीडियो
99+ फ़ोटो
DramaRomance

तंत्रिका-भंग से पीड़ित होने के बाद, एक विज्ञापक अपने बिखरते जीवन को नए सिरे से शुरू करने का प्रयास करता हैं.तंत्रिका-भंग से पीड़ित होने के बाद, एक विज्ञापक अपने बिखरते जीवन को नए सिरे से शुरू करने का प्रयास करता हैं.तंत्रिका-भंग से पीड़ित होने के बाद, एक विज्ञापक अपने बिखरते जीवन को नए सिरे से शुरू करने का प्रयास करता हैं.

  • निर्देशक
    • Elia Kazan
  • लेखक
    • Elia Kazan
  • स्टार
    • Kirk Douglas
    • Faye Dunaway
    • Deborah Kerr
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.3/10
    3.5 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Elia Kazan
    • लेखक
      • Elia Kazan
    • स्टार
      • Kirk Douglas
      • Faye Dunaway
      • Deborah Kerr
    • 47यूज़र समीक्षाएं
    • 20आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 1 जीत और कुल 3 नामांकन

    वीडियो1

    The Arrangement
    Trailer 2:56
    The Arrangement

    फ़ोटो137

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    + 131
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    टॉप कलाकार61

    बदलाव करें
    Kirk Douglas
    Kirk Douglas
    • Eddie Anderson
    Faye Dunaway
    Faye Dunaway
    • Gwen
    Deborah Kerr
    Deborah Kerr
    • Florence Anderson
    Richard Boone
    Richard Boone
    • Sam Arness
    Hume Cronyn
    Hume Cronyn
    • Arthur Houghton
    Michael Higgins
    Michael Higgins
    • Michael Anderson
    Carol Eve Rossen
    Carol Eve Rossen
    • Gloria Anderson
    • (as Carol Rossen)
    William Hansen
    William Hansen
    • Dr. Weeks
    Harold Gould
    Harold Gould
    • Dr. Leibman
    Michael Murphy
    Michael Murphy
    • Father Draddy
    John Randolph Jones
    John Randolph Jones
    • Charles
    Anne Hegira
    Anne Hegira
    • Thomna
    Charles Drake
    Charles Drake
    • Finnegan
    E.J. André
    E.J. André
    • Uncle Joe
    • (as E.J. Andre)
    Philip Bourneuf
    Philip Bourneuf
    • Judge Morris
    Dianne Hull
    Dianne Hull
    • Ellen Anderson
    Donna Anderson
    Donna Anderson
    • Girl in Motel
    • (बिना क्रेडिट के)
    Brian Andrews
    Brian Andrews
    • Child
    • (बिना क्रेडिट के)
    • निर्देशक
      • Elia Kazan
    • लेखक
      • Elia Kazan
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं47

    6.33.5K
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    फ़ीचर्ड समीक्षाएं

    matt-201

    Gadj goes nutzoid

    Elia Kazan's 1969 midlife-crisis epic is an x-ray of American manhood gone cuckoo for Cocoa Puffs. Kirk Douglas, icon of tortured machismo, plays Eddie Anderson, son of a tyrannical Greek merchant (Richard Boone) turned Madison Avenue sell-out. He sleeps in childlike separate beds with his wife (Deborah Kerr), who looks and acts more like his mother. He's obsessed with the one woman (Faye Dunaway) who looks at his barbered, Lavoris'd self and sees the Man He Could've Been. The sixties satire of Organization Man is stock, the bombast beats thick and hard, and, as per usual, Kazan can't resist the Big Moments that are thoroughbred Hollywood hokum. But it's impossible to deny that this is as anguishedly personal as any of Kazan's movies--and the machete hacking through the brush that cleared the way for Cassavetes, Scorsese and Ferrara. With its mod, PETULIA-style sets, balletic editing and penchant for stylized tricks, it's also the most goofily cinematic of Kazan's pictures--a Sam Fuller whirligig turned into a slick, upscale thirty-second spot.
    8thataw

    A Film Whose Time Has Come.

    Panned and patronized at the time of it's initial release, Elia Kazan's adaptation of his best selling book THE ARRANGEMENT plays much better now than it did in 1969. Made after a 6 year hiatus from film-making at a time when movies were enjoying unheard of freedom due to the demise of the production code, THE ARRANGEMENT clearly shows that Kazan was still a director to be reckoned with. The basic premise was nothing new. A highly successful businessman (Kirk Douglas) suffers a mid-life crisis and attempts suicide. How he and the other characters deal with the aftermath make up the rest of the story. Kazan has always been an actor's director and the film provides a showcase for the young Faye Dunaway as Douglas' mistress who gets him to reexamine his life but wants out to be with someone else. Deborah Kerr in her last major film appearance is superb in the difficult role of the wife who tries to understand what Douglas is going through but doesn't want to give up the rich lifestyle she's become accustomed to. Strong support is given by Hume Cronyn as the family solicitor who has plans of his own and from Richard Boone in a rare non-Western role as Douglas' ailing father. His slide into dementia is both heartbreaking and terrifying. Marlon Brando had originally agreed to play the lead but bowed out allowing Kirk Douglas who really wanted to work with Kazan to step in. While not stage trained like the other principals, he acquits himself well in an emotionally as opposed to a physically demanding role. The combination of raw emotions, alternating points-of-view including black humor, and touches of surrealism was ambitious then and still is today (think American BEAUTY). The movie is not without its flaws. It runs too long and is occasionally sloppy in everything from editing to make-up but the powerful writing and intense performances make THE ARRANGEMENT provocative film-making nearly 40 years later. Called everything from a harrowing emotional ride to a self-indulgent mess, it is ultimately for the home viewer to decide (my rating indicates where I stand). Kazan will always be a controversial figure because of his HUAC testimony in the 1950's but his greatness as a director cannot be denied and remains captured on film for all to see.
    10angelsunchained

    Arrange To See, The Arrangement

    Just resaw this movie after 36 years. All I could remember from the first time I saw this film at age 11 was the car crash. Anyhow, outstanding acting by all involved. However, the movie is stolen by the powerful and emotional performance of Faye Dunaway. Miss Dunaway is stunning, both physically and emotionally. She grits her teeth and gives one of her most intense and raw performances. The film however, has a sad and depressing flip to it; the American Dream turned into a nightmare. Made in the last 1960s, to most young viewers this Elia Kazan masterpiece probably seems a weird and strange ride. However, for children of the 60s, this movie captures the "Nature of the Beast" which was 1969.

    The Arrangement is outstanding.
    6bwam2mil

    an interesting film, but not one of kazan's best..

    A sort of precursor to American Beauty and other modern fillms about dissatisfaction, Kazan's The Arrangment is an interesting attempt to characterize a man's deconstruction. Kirk Douglas plays Eddie, an advertising executive coming to terms with his job, his family, and his life's direction. Kazan experiments with montage, split narrative, and time span as he tells the story of a man looking for something new in life. The result is a compelling and relevant story about modern happiness that is broken apart by bizarre construction and confusing shot arrangement. Kazan has some interesting ideas here, but not all of them work. His split-consciousness portrayal of Eddie is sometimes confusing and distracting, as is the switch between past and present. Douglas is good as the lead; I don't see why Kazan would have chosen Brando in retrospect as I don't think it would have made much of a difference. Overall, a film worth seeing if you're a Kazan-freak, but otherwise stick with Streetcar, Eden, or Waterfront..
    golightly00

    A sense of peace in a world of chaos

    Deborah Kerr reportedly stopped doing movies after 1969 (even though she took film roles much later in life) because she no longer felt comfortable with the direction that the movie industry was going. After seeing "The Arrangement", I no longer question her sensitivity to the turbulent themes, language, and cinematography that was coming of age in the late 60's. On the surface, the film epitomizes many of the psychedelic themes of the era, from rampant flash-backs to cartoonized exclamations, such as "Bam!" and "Kerbloom!" splashing across the screen in bright neon colors. Beneath this, however, is the intensely challenging story of a man who wakes up one morning to discover that he detests the person that he has become. Kirk Douglas's Eddie Anderson will send chills up your spine as you watch him evolve from a successful advertising executive with the perfect house, the perfect job, and the perfect arrangement of both a wife and several mistresses, into a tormented, weakened man who despises himself enough to attempt suicide but believes in life enough not to carry through completely. His metamorphosis belies the chaotic style of the film; even though the erratic cinematography attempts to reflect his inner turmoil, the sense of peace that settles onto his face as the film progresses reveals that the reality of Eddie's mind is less insane than the reality of the world outside. He begins to see beyond the pretentions and fears that engulf the world around him and that had once turned him into a heartless executive,willing to convince consumers that cigarettes are good for them rather than lose a multi-million dollar client. Everyone around him, with the exception of Faye Dunaway, worships the "almighty dollar," and Eddie's release from this self-made prison allows him to make peace with himself, even as he makes enemies all around himself. Faye Dunaway is stunning and provocative as the insolent "office slut" who restores Eddie's faith in himself, ironically, by pointing out his flaws. In fact, she delivers what is possibly the most believable performance in the entire film, because her character, the strong, opinionated woman who accepts no sympathy for her decisions and weaknesses, has survived this tumultuous period much better than the character of say, the 60's housewife who desires nothing more than a maid, a swimming pool, and a wealthy husband. Deborah Kerr fills the role of Eddie's uncomprehending wife to perfection, even though anyone who has seen her in more flattering roles, as in her performance as Karen Holmes in "From Here to Eternity", won't be able to watch her portrayal of Florence Anderson without crying inwardly for the lost beauty of her earlier roles. Kerr is certainly ravishing in this film, despite the fruity-peach lipstick and the fluffy-headed hairstyle inflicted on her by the makeup department, but the uncertainty and bitterness that she plays to perfection in "The Arrangement" contrast sharply with the delicate mixture of sincerity and self-confidence that she exhibits in most of her early work. If you have not yet seen this film, make sure to read the book first. Elia Kazan's unique and personal style will illuminate the his meaning much more than any stylized cinematography could hope to. After reading the book, however, make sure to see the film, if only to admire the fine performances of the actors and to identify with the characters on a more immediate level. And, of course, just to watch the ever beautiful Deborah Kerr work her magic...

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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Critics were overwhelmingly negative when the film came out, and it was the consensus that Elia Kazan should never have filmed his own best-selling novel, which was panned by most literary critics as trash when it was published in 1967. It was widely known that the lead role had been turned down by Marlon Brando, who had garnered three Academy Award nominations and was awarded one Oscar under Kazan's direction at the beginning of his film career and was the heart and soul of some of Kazan's best work as a movie director. By the late 1960s, after a string of flops, most critics felt Brando was through as a movie star and that he desperately needed Kazan to turn his career around, both as an artist and as a box-office star. When the film came out, Kirk Douglas' lead performance was roundly panned, and most critics felt that even Brando at his best couldn't save what was, in essence, a melodramatic potboiler. The failure of "The Arrangement" was the end of Kazan's own career as an A-list director.
    • गूफ़
      When Eddie's father eats the piece of white bread, the number of bites and placement of the bread on the tray or his belly changes between shots.
    • भाव

      Gwen: The screwing I'm getting is not worth the screwing I'm getting.

    • क्रेज़ी क्रेडिट
      Except for the title, company logo and "A Film Written and Directed by Elia Kazan," all the remaining credits are at the end, which was still uncommon in those days.
    • कनेक्शन
      Edited into Un Américain nommé Kazan (2018)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल18

    • How long is The Arrangement?Alexa द्वारा संचालित
    • Is the movie based on a novel?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 23 दिसंबर 1969 (इटली)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • आधिकारिक साइटें
      • HBOMAX (United States)
      • Official site
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Das Arrangement
    • फ़िल्माने की जगहें
      • लाँग आयलैंड, न्यूयॉर्क, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनी
      • Athena Productions
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    बॉक्स ऑफ़िस

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    बदलाव करें
    • चलने की अवधि
      2 घंटे 5 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 2.35 : 1

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    The Arrangement (1969)
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    By what name was The Arrangement (1969) officially released in India in English?
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