[go: up one dir, main page]

    कैलेंडर रिलीज़ करेंटॉप 250 फ़िल्मेंसबसे लोकप्रिय फ़िल्मेंज़ोनर के आधार पर फ़िल्में ब्राउज़ करेंटॉप बॉक्स ऑफ़िसशोटाइम और टिकटफ़िल्मी समाचारइंडिया मूवी स्पॉटलाइट
    TV और स्ट्रीमिंग पर क्या हैटॉप 250 टीवी शोसबसे लोकप्रिय TV शोशैली के अनुसार टीवी शो ब्राउज़ करेंTV की खबरें
    देखने के लिए क्या हैसबसे नए ट्रेलरIMDb ओरिजिनलIMDb की पसंदIMDb स्पॉटलाइटफैमिली एंटरटेनमेंट गाइडIMDb पॉडकास्ट
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter पुरस्कारअवार्ड्स सेंट्रलफ़ेस्टिवल सेंट्रलसभी इवेंट
    जिनका जन्म आज के दिन हुआ सबसे लोकप्रिय सेलिब्रिटीसेलिब्रिटी से जुड़ी खबरें
    मदद केंद्रयोगदानकर्ता क्षेत्रपॉल
उद्योग के पेशेवरों के लिए
  • भाषा
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
वॉचलिस्ट
साइन इन करें
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
ऐप का इस्तेमाल करें
  • कास्ट और क्रू
  • उपयोगकर्ता समीक्षाएं
  • ट्रिविया
  • अक्सर पूछे जाने वाला सवाल
IMDbPro

The Appointment

  • 1969
  • A
  • 1 घं 55 मि
IMDb रेटिंग
5.3/10
952
आपकी रेटिंग
Anouk Aimée and Omar Sharif in The Appointment (1969)
ड्रामामनोवैज्ञानिक ड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ेंThe lawyer Federico Fendi has reasons to believe that his wife Carla in secret is Rome's highest paid prostitute.The lawyer Federico Fendi has reasons to believe that his wife Carla in secret is Rome's highest paid prostitute.The lawyer Federico Fendi has reasons to believe that his wife Carla in secret is Rome's highest paid prostitute.

  • निर्देशक
    • Sidney Lumet
  • लेखक
    • Antonio Leonviola
    • James Salter
  • स्टार
    • Omar Sharif
    • Anouk Aimée
    • Didi Perego
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.3/10
    952
    आपकी रेटिंग
    • निर्देशक
      • Sidney Lumet
    • लेखक
      • Antonio Leonviola
      • James Salter
    • स्टार
      • Omar Sharif
      • Anouk Aimée
      • Didi Perego
    • 26यूज़र समीक्षाएं
    • 3आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 नामांकन

    फ़ोटो14

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 8
    पोस्टर देखें

    टॉप कलाकार23

    बदलाव करें
    Omar Sharif
    Omar Sharif
    • Frederico Fendi
    Anouk Aimée
    Anouk Aimée
    • Carla
    Didi Perego
    • Nani de Marchis
    Fausto Tozzi
    Fausto Tozzi
    • Renzo
    Gigi Proietti
    Gigi Proietti
    • Fabre
    • (as Luigi Proietti)
    Paola Barbara
    Paola Barbara
    • Mother
    Inna Alexeieff
    • Old Woman on Train
    Ennio Balbo
    Ennio Balbo
    • Ugo Perino
    Daniela Calvino
    Ermelinda De Felice
    • Fishmonger's Wife
    • (as Linda De Felice)
    Angelo Infanti
    • Antonio
    Serena Michelotti
    • Lucia
    Monica Pardo
    • Olghina
    Rodolfo Valadier
    Lotte Lenya
    Lotte Lenya
    • Emma Valadier
    Gabriella Boccardo
    • Anna
    • (as Gabriella Grimaldi)
    Sandro Dori
    • The Tailor
    Cyrus Elias
    • निर्देशक
      • Sidney Lumet
    • लेखक
      • Antonio Leonviola
      • James Salter
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं26

    5.3952
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    6JuguAbraham

    Lumet's Othello-like story pales in comparison to his better work

    Considering the film was made in 1969, the film is interesting in its approach to subjects, camerawork, acting, etc. Lumet being an American was making a European film in style and content. Some of the camerawork along the streets of Rome reminds you of Boorman's "Point Blank" (1967) or Goddard's "Alphaville" (1965). It has a pointless helicopter shot of the lovers in embrace in an open field which six years later was used with great elan by Arthur Penn in another existential story "Night Moves" as the final shot in that movie. The film has no semblance to the typical Hollywood cinema of late sixties; it is closer to European cinema which Boorman was able to capture quite effectively with existential dilemmas presented on screen. Lumet went on to make much more memorable films, one of which was "Equus".

    The story of a doubting lover, a jealous husband has been presented on screen several times. It is an Othello story retold. Omar Sharif's lead role appears plausible but he seems to overdo every detail. His cigarette smoking scene was meant to be a picture of nervousness--yet he is rarely seen smoking during the course of the film. Lumet seems to overlook details. Or is he teasing you?

    Anouk Aimee is great to watch because she is so good looking not because she acts well--at least she is not convincing in this film. What is her relationship with the young man on the island? Lumet makes us wonder with the meaningful shot of the man's face on the second trip of the couple to the island. We are left guessing about Aimee's true character even after the end. Everything is open ended, except for the Othello-like lead character. Probably this was the reason for the film being nominated for the Golden Palm at Cannes. Lumet succeeds in fleshing out the male character, but fumbles with the female lead character. Perhaps it was his intention to leave us guessing.

    The film remains a puzzle, a good effort that pales in comparison to Lumet's better works like "Equus", "12 Angry Men" and "the Verdict".
    8linxoxox

    A quiet, longing film

    Drawn into the movie for the sheer enjoyment of watching Sharif - I became immediately swept up in it. Viewers are coaxed gently into the storyline, and it succeeds in drawing you in as you yearn for more. There is a subtle quality of this film that resonates. What is not said with dialog becomes even more important than the actual conversations. We long to know what is behind those eyes, both of theirs - the hurt, the desire, the fear. The film works, in stumbling ways at times, but overall it is memorable, thought provoking and well done. I absolutely loved it, flaws and all. Sharif was well cast, his performance was brilliantly restrained, he held back and became a very believable character. His eyes are so amazing, and so important to see the heart of this character. Aimee is of course lovely, and her Carla is a tortured beautiful soul. I felt both actors were well matched and their seemingly awkward tendencies together made them all the more real. I look forward to watching it again to uncover more of it's intricate layers. Bravo!
    gaby01575

    Good or bad...

    ...this movie deserves a DVD release. I saw it on TV(missed the opening credits) years ago and years after its theatrical release. I had to call a friend to find out who this "European" director was. Surprise--Lumet? Still, I found the ambiguities and open-endedness intriguing. Glacial pacing? Bad acting? I've seen worse. Cinematography and narrative arc were unusual for an American director. The beautiful Anouk Aimée is always eminently watchable and for that alone we should be able to watch this again. Anyone out there have the wherewithal to get this out on DVD? I'm sure others would like to give this one another go and reconsider their opinions.
    5FANatic-10

    Very rare and very unusual

    This film is very difficult to see, but I managed to on TCM and was glad I did. Not that its all that good, but I found it worthwhile just because it was so very unusual for its director. Like others have commented, if you saw this with no knowledge who made it, I don't believe anyone would be able to guess Sidney Lumet was the director. This is a completely European film in style and content. Some beautiful cinematography and lovely Italian locations are the main recommendations, also a supporting performance by Lotte Lenya as a procuress. Her character is not all that evil, despite her admission that she was a fascist and supporter of Mussolini, but no other actress could so effortlessly bring a touch of the sinister than Lenya did just by showing up. The main problem with Sharif and Aimee is that, other than not being the most expressive of actors (though they sure look good), their characters just plain do not act like real people would - they both seem damaged and the screenplay makes them behave in ways that make one long to slap them both. Still, I enjoyed the leisurely pace and 60's fashions and ambiance enough to be glad of the opportunity to see this warped love story.
    5SnoopyStyle

    waiting and waiting

    Frederico Fendi (Omar Sharif) is a successful middle-aged Italian lawyer although he's a lonely stiff who is very close to his mother. He sees Carla (Anouk Aimée) on the streets and becomes immediately obsessed. She's engaged to a school acquaintance.

    This is directed by Sidney Lumet. Maybe he's trying for an Euro relationship psychological thriller. The story starts with a weird coincidence which led me down some wrong paths. Sometimes a coincidence is just a coincidence although that could indicate bad writing. It is a bit slow. I kept waiting for the other shoe to drop. At least, this has Omar Sharif, but that's not enough.

    इस तरह के और

    The Group
    6.5
    The Group
    Daniel
    6.6
    Daniel
    Love Story
    6.9
    Love Story
    Love on the Run
    6.0
    Love on the Run
    Françoise ou La vie conjugale
    7.1
    Françoise ou La vie conjugale
    The Great Sinner
    6.6
    The Great Sinner
    Dr. Crippen
    6.4
    Dr. Crippen
    Devotion
    6.6
    Devotion
    The Rise and Fall of Legs Diamond
    6.7
    The Rise and Fall of Legs Diamond
    A Master Builder
    5.9
    A Master Builder
    Libel
    7.2
    Libel
    The Last of the Mobile Hot Shots
    5.1
    The Last of the Mobile Hot Shots

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The film was first envisaged as a starring vehicle for Marcello Mastroianni and Kim Novak with Frank Perry directing.
    • भाव

      Old Woman on Train: I am not old. I am not old. I am just lived for a long time.

    • इसके अलावा अन्य वर्जन
      The film was not released theatrically in the U.S., but was aired on CBS at 11:30 p.m. on July 20, 1972, in a re-edited, shorter version, with a new score by 'Stu Phillips (I)'.
    • कनेक्शन
      Featured in Legendy mirovogo kino: Anouk Aimée

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is The Appointment?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 23 मई 1969 (पश्चिम जर्मनी)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • अंग्रेज़ी
      • इतालवी
    • इस रूप में भी जाना जाता है
      • Ein Hauch von Sinnlichkeit
    • फ़िल्माने की जगहें
      • Bisentina Island, Bolsena Lake, Lazio, इटली
    • उत्पादन कंपनी
      • Martin Poll Productions
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 55 मिनट
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    • योगदान करने के बारे में और जानें
    पेज में बदलाव करें

    एक्सप्लोर करने के लिए और भी बहुत कुछ

    हाल ही में देखे गए

    कृपया इस फ़ीचर का इस्तेमाल करने के लिए ब्राउज़र कुकीज़ चालू करें. और जानें.
    IMDb ऐप पाएँ
    ज़्यादा एक्सेस के लिए साइन इन करेंज़्यादा एक्सेस के लिए साइन इन करें
    सोशल पर IMDb को फॉलो करें
    IMDb ऐप पाएँ
    Android और iOS के लिए
    IMDb ऐप पाएँ
    • सहायता
    • साइट इंडेक्स
    • IMDbPro
    • Box Office Mojo
    • IMDb डेटा लाइसेंस
    • प्रेस रूम
    • विज्ञापन
    • नौकरियाँ
    • उपयोग की शर्तें
    • गोपनीयता नीति
    • Your Ads Privacy Choices
    IMDb, एक Amazon कंपनी

    © 1990-2025 by IMDb.com, Inc.