Katok i skripka

Strongly recommended. Tarkovsky initial work showing multiple glimpses of his genius. This short film has great depth and detail. Personally it is was the only Tarkovsky film that I had not seen, and now that I have I rate it very highly. In retrospect to his ouvre it may be strong to use the term "masterpiece", but regardless it is so. It is also probably the most accessible for viewers not familiar with his work and could prove as a perfect introduction. I urge you to see it.

I consider myself fortunate that this was my first venture into Soviet cinema. The fact that this was director Tarkovsky's graduate student film makes it all the more remarkable.

With a minimalist approach to dialog, Tarkovsky relies on imagery to communicate emotions and feelings, and he does so well. It's still a period piece, with obvious salutes to the "Worker's Paradise" but this is not propaganda. Rather, it is a beautiful tale of a brief friendship. Two people from different worlds are borough together, and are torn apart due to circumstances beyond their control, but you get the impression that they'll be wealthier for the experience. Highly recommended! 10/10

My Rating : 7/10

Decent first film from one of the greatest film directors of all time.

While it isn't representative of Tarkovsky's philosophy of sculpting in time which he developed later on it's a very Soviet film culturally.

Sweet, ordinary and very accessible unlike the metaphysical, slow arthouse oeuvre to follow later from the great Russian maestro.

A foreshadow of things to come, which in its own right is a little-known jewel of Russian and world cinema...I would advise any beginning Tarkosvskologist to view this film twice: before and after viewing his masterpieces. Then, they'll understand...

Andrei Tarkovsky's school graduation project, the short film Katok i Skripka or Steamroller and the Violin (1960), by the words of Russian critic Maya Turovskaya, the first rate film, is promise of the things that would come so powerfully in his later films. The most important part of the little film was the joy of showing the beauty and poetry of the ordinary familiar things. The whole world of the film is saturated in colors, filled by myriads of playful solar spots, mirror reflections (yes, mirror - one of the favorite Tarkovsky's images is already presented here), patches of light on water, all living, pulsing, sparkling. Tarkovsky's camera man, the famous cinematographer Vadim Yusov recalls that the idea of the film came to young director after watching the French short film "Red Balloon" (1956) by Albert Lamorisse that ran successfully in the theaters at the time. "Red Balloon" defined the color palette of Tarkovsky's movie. The dominant color for Katok i Skripka was red mixed with yellow and compared to blue in the sky above and in the clothing of two main characters, the young boy playing violin and the grown up man, the driver of a steamroller, who had became his friend, even if for a short time.

I'd say that the first Tarkovsky's work is perhaps his most accessible, light, sweet, and warm - the terms we don't usually associate with the master of serious metaphysical, deeply philosophical, even cosmic films that lack conventional dramatic structure. I think it would be a good starting point for anyone interested in Tarkovsky's work. It is interesting to compare Katok i Skripka to Tarkovsky's next work, his first feature, astounding Ivanovo Detstvo (Ivan's Childhood), another film about a boy but completely different from Steamroller and the Violin.

For his diploma project, Andrei Tarkovsky won the first prize at the New York Student Film Festival in 1961.