The House in Marsh Road

Supernatural thriller. A woman inherits an old country house from her late aunt, and moves in with her wastrel husband. He soon begins an affair with a local woman, and before long he's plotting to murder his wife. But the resident ghost has other ideas...

Tony Wright and Patricia Dainton are good as the husband and wife, whilst Sandra Dorne is perfectly cast as the local trash he takes up with (she seemed to specialise in these sorts of roles). Nice to see popular character actor Sam Kydd as the local property developer interested in buying the house. Pretty enjoyable. 6/10.

I enjoyed this unusual B movie, it's basically 75% domestic murder story, 25% supernatural thriller. Jean inherits a house, moves her drunken no good partner David in, and he meets someone else, a voluptuous blonde, Valerie Stockley. Valerie persuades David to kill his wife, but Jean is protected by a poltergheist, wonderfully named Patrick by the potty Irish maid Mrs O'Brien.

It's unusual to say the least, I can't think of many supernatural murder mysteries, but it works. Patricia Bainton appeared in some cracking films in the 50's and 60's, my favourite being The Third Alibi, and once again she's pretty good. Sandra Dorne is pretty fabulous it has to be said.

I'm struggling to believe it was made in 1960, it looks like it was should in the forties, production values are pretty poor, although the fire is pretty well done.

The House in Marsh Road is directed by Montgomery Tully and adapted to screenplay by Maurice J. Wilson from the novel written by Laurence Meynell. It stars Tony Wright, Patricia Dainton, Sandra Dorne, Derek Aylward, Sam Kydd, Llewellyn Rees and Anita Sharp-Bolster. Music is by John Veale and cinematography by James Harvey.

When Jean Linton (Dainton) inherits a house in the country she hopes her hard drinking novelist husband David (Wright) will settle down and make something of himself and their marriage. However, when sultry Valerie Stockley (Dorne) arrives on the scene it's not long before David's head is turned and he begins to plot the murder of his wife. Jean is in trouble, but she has an ally, the resident poltergeist of Four Winds House...

Simplicity of plot and economical of running time and technical attributes, The House in Marsh Road should not be sought out by any "horror" fan craving poltergeist terror. This is a quaint and fun chiller for the most part, even with an air of jauntiness for the first half, in fact very much like The Uninvited (1944) in how the presence of a ghost is not seen as something to be outright feared. Then the mood for the latter stages of the play notably shifts into darker territory, here the dastardly David starts to put his plans in motion, something which signals time for the poltergeist to take a hand in proceedings. Which leads to a very good and genuinely edgy denouement at pics finale.

It never lacks for atmosphere or period flavours, or indeed for competency of performances and direction, where although it never breaks out into the upper echelons of other classic British chillers, it's still something of a "B" chiller worthy of inspection by those who don't need to be jolted out their seats. As for "Patrick the Poltergeist", he's rightly kept off screen, or is he? One scene appears to show him? Either that or a prop guy is guilty of standing in the shot? See if you can spot the moment and judge for yourself. It's just another fun part of a movie that provides gentle chills and honest entertainment. 7/10

(1960) The House in Marsh Road THRILLER

Adapted from the novel by Laurence Meynell that has alcoholic and struggling writer, David Linton (Tony Wright) and Jean Linton (Patricia Dainton) almost down on their last pound, until she received a letter she has inherited her aunt's lodger. And during the arrival of the longtime housekeeper, Mrs. O'Brien ( Anita Sharp Bolster) she informs Jean the the lodger itself is haunted by a ghost she named after her late husband, Patrick but it's actually just a poltergeist. David of course scoffs at the notion, and becomes more motivated to sell it even though his wife Jean is becoming more accustomed to owning something she knows belongs to her. And upon David employing the services of a typist, Valerie Stockley (Sandra Dorne) he becomes more infatuated with her with a conspiracy to do away with his wife as they have something in common both their love for money and a free ride.

It seems unusual for a story with a poltergeist character to be set in the modern era (1960) but the story is convincing and the narrative is helped by the effective and restrained performances of the main characters. The music seems strangely reminiscent of Bernard Hermann's Vertigo score in places; in others of that used in the One Step Beyond TV series; surely a coincidence since the latter was produced at around the same time as this film.