अपनी भाषा में प्लॉट जोड़ेंBrad, a troubled young man, returns home after six months in rehab. On his first night he starts a fight at a dance club with a man named Logan because he was dancing with Sue, a girl with w... सभी पढ़ेंBrad, a troubled young man, returns home after six months in rehab. On his first night he starts a fight at a dance club with a man named Logan because he was dancing with Sue, a girl with whom Brad is in love. Brad's older brother ends the fight just to beat up Logan later himse... सभी पढ़ेंBrad, a troubled young man, returns home after six months in rehab. On his first night he starts a fight at a dance club with a man named Logan because he was dancing with Sue, a girl with whom Brad is in love. Brad's older brother ends the fight just to beat up Logan later himself. Although Sue's strict father is strongly against her relationship with Logan, they sec... सभी पढ़ें
- Sue Randall
- (as Marla Ryan)
- Brad Martinelli
- (as Richard Gering)
- Nico Martinelli
- (as Gabe De Lutri)
- Singer
- (वॉइस)
फ़ीचर्ड समीक्षाएं
* (out of 4)
Romeo and Juliet type story of a rich girl who falls for a poor kid. Her father is against them dating as is her ex-boyfriend who just happens to be crazy and has a gangster for an older brother. Bad acting, bad direction and a bad script make for a pretty bad film that feels five times longer than it actually is. The title song is a real hoot however.
High School Caesar (1960)
* 1/2 (out of 4)
A bully fixes a vote so that he can be elected Class President where he then plans on stealing even more money from students. Here's another drive-in era teen flick that tries to tell a message but even at just over 60-minutes this thing drags along. No camp value whatsoever and not bad enough to get any laughs. Just plain dull.
High School Big Shot (1959)
** (out of 4)
Drive-in era drama about a nerdy teen who gets his shot at the big time when he hears about a million dollar drop off. If you're a fan of these teenage "B" films of the 50s then this here is certainly one of the better ones but we're certainly a long way off from Rebel Without a Cause. The film runs out of steam around the fifty minute mark but the bad acting leads to some nice laughs.
The plot concerns a common topic for teens of the time—are we too young to get married. Sue's gruff dad certainly thinks so. Worse, jealous Brad won't let his former blonde cutie go, and he's got one bad older brother who sort of cleans up after him, that is, when brother isn't dealing dope. Mix 'em all together and it's not a bad little drive-in flick. Better than I expected for a shoestring indie. And, oh yes, catch that very last frame—looks like writer-director Ireland was trying for something genuinely thoughtful.
Everyone is very clean cut here, and Clarke drives a modified Buick that looks really cool. Other than the general mess everyone seems to have made of their lives, I'm not sure what this movie is about, nor how the title relates to anything. Still, cool car.
The Teen-Angst Shown in this Surprising Entry was Totally Absent in the Teens of the TV Sit-Com.
Also, on the Way to "No-Where-Ville" was the Juvenile-Delinquent, or "JD" Movies,
that Lit Up the Dark Back-Seats of the Drive-In, and the Balcony at the Main-Street Movie-Palace.
This is One of the Last in the Wild Wave of No-Budget, No-Star, Quickies.
That Capitalized on the Youth Market with "Forbidden" Come-Ons like Rock n' Roll, Hot-Rods, Hot-Chicks, and Parental Defiant Behavior of All Sorts.
Most of the Genre was Typically a Lot More Sizzle than Steak.
With Maybe a Scene or Two that Cut the Edge of "Respectability".
"Date Bate", Odd Title Aside, goes the Extra-Mile by Including Dope-Addicts (actually showing Needles and Usage.
A Teen Romance Eloping to Vegas, and We get to See the "Wedding Night" Jitters at the Motel in Close-Up.
A First-Act Hot-Rod Car-Chase that Betrays the Low-Budget that is Effectively Shot and quite the Ride.
Razor and Fist-Fights Galore, Smack-Peddlers Preying on a Disfigured Junkie, and its All Backed with Rockabilly Beat.
More Sensational Stuff than Expected in This Type.
An Under the Radar Treat that is...
Worth a Watch.
The film begins with a psycho teenager getting out of months of drug treatment. It seems, however, that his biggest problems aren't the drugs but that he's a loony hot-head! Within minutes of arriving in the hangout where the teens (most of which looked in their 20s) go to dance, he pulls out a knife and tries to kill another guy--all because this other guy 'stole his girl'---but the loony druggie never really did go out with the girl more than a couple times. A bit later, the loony druggie's brother arrives and convinces him to go home. BUT, this is not the end of it...then the brother and one of his friends chase the innocent guy who was almost stabbed--running him of the road and beating him! Yet, despite a knife fight and near vehicular homicide, NO ONE BOTHERS TO CALL THE POLICE!!!!! Up until near the end of the film, you just assume this town doesn't have a police force!!! Now at this point, the film appears to be an exposée on drug abuse or juvenile delinquency or perhaps on a weird relationship between brothers. However, oddly, much of the next 40 minutes or so consists of the relationship between the girl and guy who was attacked at knife-point. The idea of two frisky young lovers wanting to defy her parents and run off to get married was rather interesting--even if her father in the film was silly! The dad was rather irrational and his acting consisted of irrational screaming 'for her own good'! His character really was dopey.
Late in the film, the loony druggie AND the two teens (who have since secretly married) come together once again when loony-boy kidnaps the young lady! Finally, after a knife fight and about a dozen assaults through the course of the film someone thinks to get the police! And it's a showdown in which you don't know who will and won't survive...but by this point, who really cares?! Too disjoint, too cheap and too unbelievable to be much good for anything but a few unintended laughs.
क्या आपको पता है
- भाव
Sue Randall: I'm sorry, Brad, it's Danny. It's always been Danny. Let go, Brad, you're hurting my arm!
Brad Martinelli: If I can't have you, nobody else will!
- साउंडट्रैकDate Bait Baby
Music and Lyrics by John Neel and Oscar Nichols
Sung by Reggie Perkins
Recorded on Raynote Records
टॉप पसंद
विवरण
- चलने की अवधि1 घंटा 12 मिनट
- रंग
- पक्ष अनुपात
- 1.85 : 1