1-2-3-4 ou Les collants noirs

Really can't add much to the knowledgeable original comment, but wanted to say what a handsome looking film this is, with striking, stylized sets and lighting. Even the slight fading of the Technicolor hues (at least in the print I saw) seemed more an asset than a failing. (And of course one has to give beauty marks to any film featuring the gorgeous Cyd Charisse!)-- Overall, just lovely to look at, especially the "Cyrano de Bergerac" sequence.

Maurice Chevalier introduces 4 ballets performed (and originally premiered, I believe) by Roland Petit's Les Ballets de Champs Elysees. Excellent productions in vivid Technicolor with all-star credits in every category: Cyd Charisse, Moira Shearer and Zizi Jeanmarie in leading roles, costumes by Yves Saint-Laurent and Christian Dior and music by Jean-Michel Damase, among others. Fans of ballet and all things French will delight.

I only watched the Cyrano de Bergerac segment of this movie. I know the play backwards and forwards, I know the various French and American movies that have been derived from it. I thought I would see what Roland Petit came up with to justify turning it into a ballet. The answer, in my opinion, was nothing. None of his choreography does anything to illuminate the story. It goes by quickly, but it never makes any effect.

Perhaps the other three segments of this movie are better. I don't know. I won't bother to find out. Nothing in the Cyrano segment gave me any reason to explore further.

I don't think there's much I can say that would do justice to the beauty of this movie. It is delightful for anyone who likes ballet, but especially for fans of Cyd Charisse and Moira Shearer

However, the video transfer on the Kino DVD is an absolute horror - it's badly transfered, and the print that was used in the transfer was in terrible condition, with plenty of scratches, and many instances of missing snippets of film.

One wishes the Criterion Collection could get the rights to movies like these, and make a first-rate video transfer that would truly do justice to their artistry.

I bought this movie on VHS "at the dawn on the home video age" and, curiously, never got around to watching it until I watched the 2005 National Film Museum version on TCM this afternoon. To compare, I hauled out my bought copy, Video Arts International's VAI-15, which is also the 126-minute U.S. version released theatrically in 1962. (Neither this title nor any title in this format is any longer in VAI's catalog.) The following comments refer to the version seen today on TV.

All in all, I found the performances, the choreography, the staging, and the technical elements surrounding them quite intriguing and enjoyable. Two of the technical elements, in particular, bear mentioning.

The color photography is luscious, but not what one typically thinks of when the movie is shot in Technicolor. Although the colors themselves are brilliant and distinct, there are no shades of gray in evidence. Grays come out black, detracting from some of the more darkly-lit pieces, and making the overall appearance one of high contrast. Additionally, some of the skin tones tend more toward "white" than toward "flesh-colored," aggravated no doubt by the contrast between dark and light.

Secondly, a feature that I consider a giant plus is that this movie of set ballet pieces was filmed before the arrival of the short attention span of the MTV Generation, when popular music videos corrupted the video style of even live performances, including many found on PBS. Here, although different camera angles are employed to good effect, they don't switch every five seconds making the viewer dizzy and disoriented. In short, one can actually watch and enjoy this performance instead of having one's concentration constantly distracted by helter-skelter random shots of the action.

In summary, this film of four ballets provides a fascinating "Roland Petit retrospective" nearly a half-century later.