Carry on Constable

A flu epidemic has reduced the local police station down to a skeleton crew. Hope arrives in the form of four recruits - - that's no hope mind you...

Carry On Constable introduced the wonderful Sid James to the series, he would become one of the most beloved actors to Carry On film fans. Ironically "Constable" finds James somewhat removed from the type of character he would become known for, it's a restrained role and showcases his acting abilities as an official figure type, the glue binding the whole play together.

The fourth film in the Carry On series retains the more genteel comedy factors that had imbued the previous three outings, though this would be the first to show nudity! Four policemen's bums gleaming bright! A scene that provides a splendid anecdote in Kenneth Williams brilliant book, Just Williams (I urge anyone interested in classic film/TV/radio/stage to check it out).

Plot basically pitches the four recruits, Williams, Leslie Phillips, Charles Hawtrey and Kenneth Connor (brilliant as usual as a superstitious sort) into a number of chaotic physical situations mined for laughs. Back at the station Sgt. Frank Wilkins (James) is pulling his hair out at the ineptitude of his new charges - and that of his ignoramus boss, Inspector Mills (Eric Barker). Joan Sims is on hand to steam the collar of Kenny Connor, just as Phillips lusts after any female form, while Hattie Jaques provides a glimpse of her tender character acting side as the station's sensible soul.

There's some drag dressings played for good laughs, a whole bunch of scenes where the not so intrepid coppers get taken for fools, and a few deftly scripted lines guaranteed to raise a smile. Elsewhere there's a raft of super character actors in cameos who beautifully portray the classic eccentricities of the Brits of the era, so take a bow Irene Handl, Esma Cannon and Joan Hickson (wonderful as a posh drunken lush). Never riotous or bawdy, "Constable" is still a fondly thought of entry in the long running series, as are most of the black and white productions. It shows a group of film makers very much of the time and using it to the max. Lovely. 8/10

The wonderful thing about watching some of these lovely early Carry ON movies is the small cameos of wonderful British actors. Some were never really house hold names but the thing is that every time they appeared in a movie they would light up and bring something very special to even the most mediocre movies. Esma Cannon as a deaf old woman in this movie is a superb example. This lovely actress always added something very special to every film she was in and after reading the biog on IMDb she had what looks like an incredibly impressive career. Joan Hickson just about steals the film as the tipsy lady fond of a tickle of booze. She is absolutely fabulous. We all know in later years she played a very understated Miss Marple but in this movie you see her at her glorious best.The great Irene Handl is there too and she lifted every film she was in. Miss Handl came to Australia to star in Goodnight Mrs Puffin and BusyBody. She was a brilliant actress but few would know who she was by name. Sid James is less tacky in this movie and I really enjoyed him in this. Kenneth Connor is still rather annoying and I still find him the weak link. I wonder if the shower scene in this film is the first time we saw some bum in a movie. Its very brief. The Hawtrey and Williams drag scene when they go under cover is delightful. Hawtrey remains my personal favourite, he was indeed camper in this than the early ones. Hatti Jaques and Joan Sims are wonderful as always. Hatti is becoming my favourite apart from Hawtrey. It is interesting to see Sid James before they made his characters tackier and tackier. I found this a very pleasant little romp, I cant say I really laughed but I did enjoy it The production values considering the budget in these films was very impressive. For me its the small cameos I loved the most.

I've recently been working my way through these earlier, black-and-white CARRY ONS, finding them a breath of fresh air after the stale sauciness of the later entries. CARRY ON CONSTABLE, while proving less imaginative and well-made than some of the other entries made around the same time (such as NURSE and REGARDLESS) is still a fun little film.

Sid James joins the series as a likable sergeant forever at the mercy of his stuffy superior (a wonderfully straight-laced Eric Barker). After a flu epidemic, he takes on five new recruits (Williams, Connor, Hawtrey, Phillips and Sims) who soon get into all manner of pratfalls. The cast are good, even if the jokes aren't (most of them are over obvious, such as the bit with the out-of-control police dog). Even the predictable ending lacks bite when compared to the genuine thrills that concluded the later CARRY ON CABBY.

There's more of an emphasis on sweet romance here than crude gags, which is a pleasure. Williams plays the smug one, Hawtrey is accident prone and scene-stealing, as ever, while Sims plays it relatively straight and Phillips chases skirt wherever he can (Shirley Eaton memorably pops up out of the bathtub in one scene). Connor is unfortunately saddled with a superstitious character who ends up more irritating than amusing. There are better CARRY ON films out there, but compared to the ones being made a decade later this is pure class.

I enjoy the Carry on movies, they are entertaining, cheeky and witty and make my day when I need it. While a tad too short and rather basic and cookie-cutter in the story structure, this fourth entry known as Carry on Constable is an enjoyable one and lifted by the Carry on debut of regular Sid James, and he is funny as always. The rest of the cast are rock solid as well with Kenneth Williams and Joan Sims especially standing out. The writing is cheeky in alternative to smutty, a trait that plagued some of the later entries, and while not the original on the block the gags are equally amusing. The film looks good too with nice locations and the like, musically it is quite quirky and it is snappily directed. Overall, very enjoyable. 8/10 Bethany Cox

This was the fourth of the Carry On series and although dated by the police uniforms is one of the best simply because all of the regulars are equally well used and for once Sid James is kept under control and used as a foil for some of the situations which works well with his expressive face. Kenneth Williams is still in the intellectual role which eventually gave way to the over-the-top persona in the later films. Leslie Phillips gels well with the others ( even better than he did in Carry On Teacher )

If anything this film underuses the female stalwarts with Hattie Jacques and Joan Sims being love interests.