The Brides of Dracula

This is my favorite Hammer Film! Wonderfully written, superbly acted! Peter Cushing is a joy to behold as the "not always playing with a full deck" Van Helsing. His memorable scene in which he exsises the vampires bite from his neck is brilliant! The set pieces and atmosphere are second to none and gives the film an entirely uneasy feeling yet the movie is so brezzy and fun! There are also quite a few chilling scenes which will stick out in your mind for a while after the conclusion. And what a conclusion it is! Fast paced, exciting and quite unique in vampire lore. David Peel is unique to say the least as the king vampire and although Dracula is not to be found in this one, SO WHAT!!! A brilliant film on all counts!

I'm not a big fan of this type of films, but this movie stands out for its good production.

Hammer films have made numerous Dracula based films to a point where seeing yet another Dracula themed movie is a torture. But if there's a movie that's worth seeing amongst all of its mediocre Dracula movies, this one is it. Peter Cusing, and Yvonne Monlaur are superb in this movie as are some of the other casts. The atmosphere is stuffy as usual, and there's not a moment to lighten up, but if there's an element that adds color to this movie is that all the women at the girls school are eye candies. A rare situation in a movie of this sorts, and amongst all the ugliness, makes the movie tolerable to watch.

No masterpiece by any means, but if you're looking for a classic horror movies, this movie is one worth watching.

The Brides of Dracula is not as good as 1958's Dracula(or Horror of Dracula), but it is almost as good and a very good follow-up, a near classic in fact. Yvonne Monlaur is rather wooden in the female lead role, the bat effects are truly laughable and the film drags a tad at the halfway mark but that's it for the flaws personally.

Hammer horrors are always at least visually good, and The Brides of Dracula certainly looks good. In fact it looks fantastic, to me it's one of the best-looking Hammer films. The photography is smooth, rich in colour and enhances the atmosphere rather than detracting and the sets are some of the most sumptuous and atmospheric of any Hammer horror. The music in its most haunting parts positively induces tingles down the spine and while there are a couple of clumsy loose ends the script is one of Hammer's most nuanced. The story is filled with marvellous atmosphere and Gothic ghoulishness and is always compelling and easy to follow, the standout scene is the ending which is like a fairy-tale nightmare come to life.

Terrence Fisher's direction is unflinching and the performances on the whole are very good, especially from a classy and typically impeccable Peter Cushing as one of the best screen Van Helsings and Martita Hunt as a sometimes sympathetic but genuinely scary Baroness, especially in the scene when she's standing behind Monlaur. Freda Jackson is chilling also and chews the scenery with glee(and not in a negative way despite how it sounds) and Miles Malleson brings some amusing comedy that doesn't feel out of place at all. David Peel is nowhere near in the same league as Christopher Lee- then again it's really difficult to follow Lee in any role really- but while a little fey in places he is a worthy and charismatic substitute.

Overall, a near classic if with its weak spots. 8/10 Bethany Cox

This is an excellent entry in the Hammer studios series of vampire flicks. Almost everything that fans love about this particular vein of horror is here; the great Peter Cushing as Van Helsing, atmospheric sets and lighting, a creepy baroness, direction from the celebrated Terence Fisher... damsels in danger and the various tropes of the genre. What could be considered missing is Dracula. This is potentially confusing since the film is titled 'The Brides of Dracula', but is clearly set after Dracula's first demise in the series time-line.

What sets this apart as a relatively very good film is the amount of events they managed to squeeze in - which allows actors such as Cushing to flex their ability in a few interesting scenarios. What hasn't aged so well is the writing/portrayal of the young 'heroine', who seems to spend most of her time stupidly wandering into dangerous situations - acceptable in some cases, but in this film it just makes you question what level of intelligence they were trying to impart to her character.

If you're a fan of 'modern' horror, which is more to do with exploitation, you will undoubtedly view this film as very dated with not much to frighten. If you like Hammer horror and understand what it's "all about", or have an interest in Gothic horror films from the 50s and 60s, this film will be a very enjoyable screening.

Charming though they are, the Hammer horror films usually lack a certain something for me. Not quite enough 'edge', hampered, I guess by censorship at the time, they are often lack the exotic and the 'strange' present in many that followed from Spain say or Mexico or Italy. 'Brides' is perfectly well made with an excellent performance by Marita Hunt as the governess, perhaps she should have had a larger part. The young foreign student was convincingly played by a pretty Yvonne Monlaur but I felt Cushing seemed ill at ease. He didn't have the gravitas he usually brings to the smallest of parts and David Peel seemed most bland in the central role although neither he nor the rest of the cast were helped by such rudimentary 'vampire' teeth. What, I must say, though is just how wonderful the film looks. Fantastic sets and costumes all photographed perfectly and if some of the dialogue fell a little awkwardly or the acting a little flat, the lush and colourful Gothic look still prevailed.