[go: up one dir, main page]

    कैलेंडर रिलीज़ करेंटॉप 250 फ़िल्मेंसबसे लोकप्रिय फ़िल्मेंज़ोनर के आधार पर फ़िल्में ब्राउज़ करेंटॉप बॉक्स ऑफ़िसशोटाइम और टिकटफ़िल्मी समाचारइंडिया मूवी स्पॉटलाइट
    TV और स्ट्रीमिंग पर क्या हैटॉप 250 टीवी शोसबसे लोकप्रिय TV शोशैली के अनुसार टीवी शो ब्राउज़ करेंTV की खबरें
    देखने के लिए क्या हैसबसे नए ट्रेलरIMDb ओरिजिनलIMDb की पसंदIMDb स्पॉटलाइटफैमिली एंटरटेनमेंट गाइडIMDb पॉडकास्ट
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter पुरस्कारअवार्ड्स सेंट्रलफ़ेस्टिवल सेंट्रलसभी इवेंट
    जिनका जन्म आज के दिन हुआ सबसे लोकप्रिय सेलिब्रिटीसेलिब्रिटी से जुड़ी खबरें
    मदद केंद्रयोगदानकर्ता क्षेत्रपॉल
उद्योग के पेशेवरों के लिए
  • भाषा
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
वॉचलिस्ट
साइन इन करें
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
ऐप का इस्तेमाल करें
  • कास्ट और क्रू
  • उपयोगकर्ता समीक्षाएं
  • ट्रिविया
  • अक्सर पूछे जाने वाला सवाल
IMDbPro

Les bonnes femmes

  • 1960
  • Not Rated
  • 1 घं 40 मि
IMDb रेटिंग
7.2/10
3.3 हज़ार
आपकी रेटिंग
Les bonnes femmes (1960)
DramaMysteryRomance

अपनी भाषा में प्लॉट जोड़ेंFour Parisian women navigate the world of romance and daily life looking to fulfill their dreams but often find real-life to be inescapable.Four Parisian women navigate the world of romance and daily life looking to fulfill their dreams but often find real-life to be inescapable.Four Parisian women navigate the world of romance and daily life looking to fulfill their dreams but often find real-life to be inescapable.

  • निर्देशक
    • Claude Chabrol
  • लेखक
    • Paul Gégauff
    • Claude Chabrol
  • स्टार
    • Bernadette Lafont
    • Clotilde Joano
    • Stéphane Audran
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.2/10
    3.3 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Claude Chabrol
    • लेखक
      • Paul Gégauff
      • Claude Chabrol
    • स्टार
      • Bernadette Lafont
      • Clotilde Joano
      • Stéphane Audran
    • 24यूज़र समीक्षाएं
    • 30आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 नामांकन

    फ़ोटो45

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 38
    पोस्टर देखें

    टॉप कलाकार32

    बदलाव करें
    Bernadette Lafont
    Bernadette Lafont
    • Jane
    Clotilde Joano
    Clotilde Joano
    • Jacqueline
    Stéphane Audran
    Stéphane Audran
    • Ginette
    Lucile Saint-Simon
    Lucile Saint-Simon
    • Rita
    Pierre Bertin
    Pierre Bertin
    • Monsieur Belin
    Jean-Louis Maury
    • Marcel
    Albert Dinan
    • Albert
    Ave Ninchi
    Ave Ninchi
    • Mme Louise
    Sacha Briquet
    • Henri
    Claude Berri
    Claude Berri
    • Le copain de Jane
    Jean Barclay
    Rossana Rossanigo
    Dolly Bell
    • La danseuse nue
    Gabriel Gobin
    Gabriel Gobin
    • Le père d'Henri
    • (as Gabriel Gobain)
    France Asselin
    • La mère d'Henri
    Jean-Marie Arnoux
    Robert Barre
    Trio Rody Renatal
    • निर्देशक
      • Claude Chabrol
    • लेखक
      • Paul Gégauff
      • Claude Chabrol
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं24

    7.23.3K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    7rowmorg

    A slice of lost Parisian life

    Just to prove that portraying males as all-negative is nothing new, see Les Bonnes Femmes: the employer with wandering hands, the drippy suitor, his bossy Dad, the snobbish fiancé, the lurking psycho, the bad-jokes bully-boy and his fatty hanger-on, the absent lad on national service. Every one of them is no good. And yet the four shop-assistants are no better, they exist only for the men. Whatever the fellows throw at them, they're up for it. It's a chilling worldview, with a cynical twist at the end, (plus a tacked-on coda that seems to be from another movie). Along the way, there's some really hammy acting from the girls' employer that clashes badly with the realistic mood, and some longueurs as the girls get bored at work and we get bored right along with them. The young Bernadette Lafont is a joy, but she fades out in Reel Three when the lovely Clotilde Joano comes to the fore. Whatever happened to Clotilde? Her subsequent career was undistinguished, and she died at age 42. This is mostly a watchable slice of Paris life from the late 50s, although the Algerians who caused so much mayhem only a few years later are nowhere to be seen.
    10the red duchess

    Chabrol's first masterpiece; maybe even his masterpiece.

    Chabrol's career is often seen as moving from the naturalism of his early films to the extreme stylisation of his great mid-period. It's not as simple as that, but in 'Les Bonnes Femmes', Chabrol achieves a balance between the two that he has rarely equalled. The story of four shopgirls, their work and social lives, has all the plotless and poignant banality of realism, while the closing third, with its move from Paris to the country, its seducer-cum-motorbike-riding-devil (reg. no.: 666) talking about the Creator, as little schoolboys called Balthasar pass by; and its closing vision of Hell/Purgatory bespeak a more Cocteau-like world of mythology and religion. But there is Cocteau too in the framing of Jacqueline in the shop window, while Chabrol's filming of treacherous nature later on is uncommonly vivid. Although 'Bonnes' is his least typical film, it is also his most lovable, and seems to get richer with the years.
    6JuguAbraham

    Over-rated Chabrol film

    The film's English title "The Good Time Girls" capture the essence of the film--four different women, working in a shop, moonlighting as they are not rich, and hoping to find a decent spouse. The shop itself presents the lecherous owner (who "keeps his distance") and an elderly cashier who hides her interest in BDSM (her fetish is a cloth dipped in the blood of a BDSM convict who was guillotined, with an insinuated relationship with a customer who asks her for money and gets it!), a beautiful Stephane Audran (moonlighting as a singer), and the attractive Clotilde Joano. And there is a murder, which hangs in the air without the outcome discussed further--one of the weak points of the over-rated film.
    10youwinjack

    One of a kind

    A friend of mine - a film scholar - once said that this film shouldn't work but it does. He was absolutely right. I cannot think of one good reason why this film should be as good as it is. The tone is observational, like many films of the "New Wave," but it lacks the frenetic energy of Godard, or the jaded lyricism of Truffaut. The tone of the film changes drastically at several points, and in any other film this would become a big turn off. But a strand of sincere honesty about the characters and their emotions holds the film together, stronger than any formality.

    Let the film take you where it wants you to go, and the experience is wonderful.
    snucker

    slow, but engaging

    i liked this film. it has an ambigious quality about it, almost paradoxical. it has a feel of a documentary and is observational in nature, yet there is a obvious message or view taken by chabrol and the women in this film. they're doomed objects of desire for men. the women have this elusive quality about them, they're beautiful and somewhat misguided about the men in thier lives. they seem unattainable, yet vulnerable to a ominous unspoken danger that awaits them that is denoted by the music. there's this creepy yet mysterious sounding music that runs through the film when the female characters roam through the streets. and for some reason, all the men in this movie are misogynist jerks! they disrespect these women and believe they're entitled to them. yet, these women flirt with them and passively resist them for most of the film. chabrol lovingly shoots these women and has affection for them, but also sadness at their romantic naivety about the men in their lives that will bring them doom.

    इस तरह के और

    L'oeil du malin
    7.0
    L'oeil du malin
    Le beau Serge
    7.1
    Le beau Serge
    Les cousins
    7.2
    Les cousins
    Les biches
    6.9
    Les biches
    Le boucher
    7.3
    Le boucher
    Les godelureaux
    6.3
    Les godelureaux
    Que la bête meure
    7.6
    Que la bête meure
    Landru
    6.4
    Landru
    La femme infidèle
    7.4
    La femme infidèle
    Juste avant la nuit
    7.2
    Juste avant la nuit
    La rupture
    7.2
    La rupture
    L'enfer
    7.0
    L'enfer

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Caused so much resentment among the public upon its release that some went as far as breaking seats in theaters as sign of protest.
    • गूफ़
      After Ernest strangles Jacqueline, he rips his coat out from under her and flips her over. The supposedly dead Jacqueline immediately moves her arm to catch herself from going face first into the mud.
    • भाव

      Monsieur Belin: My pleasure in life is to reprimand little girls... It's my prerogative.

    • कनेक्शन
      Featured in Le fils de Gascogne (1995)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल16

    • How long is The Good Girls?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 22 अप्रैल 1960 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • फ़्रांस
      • इटली
    • भाषाएं
      • फ्रेंच
      • इतालवी
    • इस रूप में भी जाना जाता है
      • The Good Girls
    • फ़िल्माने की जगहें
      • 72 Boulevard Beaumarchais, Paris 11, पेरिस, फ़्रांस(appliances shop)
    • उत्पादन कंपनियां
      • Paris Film
      • Panitalia
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $6,578
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $6,578
      • 15 अग॰ 1999
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 40 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.66 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Les bonnes femmes (1960)
    टॉप गैप
    By what name was Les bonnes femmes (1960) officially released in India in English?
    जवाब
    • और अंतराल देखें
    • योगदान करने के बारे में और जानें
    पेज में बदलाव करें

    एक्सप्लोर करने के लिए और भी बहुत कुछ

    हाल ही में देखे गए

    कृपया इस फ़ीचर का इस्तेमाल करने के लिए ब्राउज़र कुकीज़ चालू करें. और जानें.
    IMDb ऐप पाएँ
    ज़्यादा एक्सेस के लिए साइन इन करेंज़्यादा एक्सेस के लिए साइन इन करें
    सोशल पर IMDb को फॉलो करें
    IMDb ऐप पाएँ
    Android और iOS के लिए
    IMDb ऐप पाएँ
    • सहायता
    • साइट इंडेक्स
    • IMDbPro
    • Box Office Mojo
    • IMDb डेटा लाइसेंस
    • प्रेस रूम
    • विज्ञापन
    • नौकरियाँ
    • उपयोग की शर्तें
    • गोपनीयता नीति
    • Your Ads Privacy Choices
    IMDb, एक Amazon कंपनी

    © 1990-2025 by IMDb.com, Inc.