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Beyond the Time Barrier

  • 1960
  • Not Rated
  • 1 घं 14 मि
IMDb रेटिंग
5.3/10
2.3 हज़ार
आपकी रेटिंग
Arianne Ulmer and Robert Clarke in Beyond the Time Barrier (1960)
In 1960, a military test pilot is caught in a time warp that propels him to year 2024 where he finds a plague has sterilized the world's population.
trailer प्ले करें1:32
1 वीडियो
52 फ़ोटो
Sci-Fiरोमांस

अपनी भाषा में प्लॉट जोड़ेंIn 1960, a military test pilot is caught in a time warp that propels him to year 2024 where he finds a plague has sterilized the world's population.In 1960, a military test pilot is caught in a time warp that propels him to year 2024 where he finds a plague has sterilized the world's population.In 1960, a military test pilot is caught in a time warp that propels him to year 2024 where he finds a plague has sterilized the world's population.

  • निर्देशक
    • Edgar G. Ulmer
  • लेखक
    • Arthur C. Pierce
  • स्टार
    • Robert Clarke
    • Darlene Tompkins
    • Arianne Ulmer
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.3/10
    2.3 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Edgar G. Ulmer
    • लेखक
      • Arthur C. Pierce
    • स्टार
      • Robert Clarke
      • Darlene Tompkins
      • Arianne Ulmer
    • 67यूज़र समीक्षाएं
    • 41आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • वीडियो1

    Trailer
    Trailer 1:32
    Trailer

    फ़ोटो52

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    टॉप कलाकार18

    बदलाव करें
    Robert Clarke
    Robert Clarke
    • Maj. William Allison
    Darlene Tompkins
    Darlene Tompkins
    • Princess Trirene
    Arianne Ulmer
    • Capt. Markova
    • (as Arianne Arden)
    Vladimir Sokoloff
    Vladimir Sokoloff
    • The Supreme
    Stephen Bekassy
    Stephen Bekassy
    • Gen. Karl Kruse
    John Van Dreelen
    John Van Dreelen
    • Dr. Bourman
    • (as John van Dreelen)
    Boyd 'Red' Morgan
    • Captain
    • (as Red Morgan)
    Ken Knox
    • Col. Marty Martin
    Don Flournoy
    • Mutant
    Tom Ravick
    • Mutant
    Neil Fletcher
    • Air Force Chief
    Jack Herman
    • Dr. Richman
    William Shephard
    • Gen. York
    • (as William Shapard)
    James 'Ike' Altgens
    • Secretary Lloyd Patterson
    • (as James Altgens)
    John Loughney
    • Gen. Lamont
    Russ Marker
    • Col. Curtis
    • (as Russell Marker)
    Arthur C. Pierce
    • Mutant Escaping from Jail
    • (बिना क्रेडिट के)
    Malcolm Thompson
    • Guard
    • (बिना क्रेडिट के)
    • निर्देशक
      • Edgar G. Ulmer
    • लेखक
      • Arthur C. Pierce
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं67

    5.32.3K
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    फ़ीचर्ड समीक्षाएं

    5Coventry

    Sadly not beyond the budget barriers

    "Beyond the Time Barrier" is the type of late 50s/early 60s Sci-Fi film of which you know, after approximately five minutes already, that it could have been a fantastic contemporary genre highlight if only the cast and crew didn't have to work with such a minimalist budget! Most of the conceptual ideas are really great and well- elaborated, but the cheap looking set pieces and the pitiable special effects have an immensely restraining impact on the overall plausibility and entertainment value. In case you serve an ambitious plot that is dealing with time-traveling and largely takes place in a futuristic dystopia, you can't afford to use paper made spaceships or drawings of the metropolis and you most certainly cannot speak of horribly deformed mutants the entire time without properly showing their faces! So, in an attempt to cover up for the budgetary weakness, Edgar G. Ulmer does what every experienced veteran director would do: replace the action sequences with endless intellectual speeches and complicated time warp theories as much as you can! In 1960, Major William Ellison has the honor and privilege to test-fly a brand new and hi-tech type of army fighter plane. The speed of the aircraft is even a little too successful, as Ellison breaks through the time barrier and ends up in the year 2024. It takes quite a while before our Major properly realizes that he fast- forwarded 64 years into the future, and the technical details are explained to him by three other scientists that went through the same experience. By the way, I didn't understand one iota about those time-traveling theories, but I also figure that incomprehensible speeches are a mandatory aspect of 50s Sci-Fi… Ellison immediately gets confronted with the terrible state of our planet and civilization in the year 2024. Apparently an all- devastating kind of cosmic plague made the entire world population sterile (the last child was born more 20 years ago) and gradually transforms the remaining survivors into mutants. There's also good news, however, as the last fertile woman on earth is a beautiful princess and she has chosen him to re-populate the planet! She – Trirene – is a deaf-mute with telekinetic powers and she can read Ellison's thoughts, which results in at least one (unintentionally?) hilarious sequence: "I know you can read my mind…. Although right now I probably wished you couldn't" and then he gets slapped in the face! Admittedly "Beyond the Time Barrier" principally got made to cash in on the tremendous success of H.G. Wells' "The Time Machine" and also borrows many elements from Fritz Lang's "Metropolis", but it's an engaging and occasionally suspenseful tale. I even like to think that some nifty ideas from this film were copied years later in massive Hollywood productions (for example the sterility in "Children of Men"), although I'm probably mistaken.
    7ebeckstr-1

    Better-than-average

    Better-than-average low-budget science-fiction from that era. Edgar Ulmer makes the most of inventive sets, some interesting low camera angles, some moments in which mid-ground objects such as pillars intercede between foreground and background during tracking shots...not the kind of effort one usually sees in movies of this kind. The whole film comes off as sincere - maybe more like 6.5 stars, but I'm rounding it up for the effort.

    The acting is mixed, with some of the cast turning in competent performances, and two or three others about on par with some of Bela lugosi's most stilted performances. The story, if not original, is well-paced. What really sets this film apart from similar low-budget affairs are the aforementioned sets and camera work, and especially the unexpectedly ambiguous, perhaps even somewhat dark, conclusion of the film, which seems surprisingly in keeping with some of Ulmer's other work.

    Fans of 1950s and 60s science-fiction, or of time travel flicks, should take a look.
    Michael_Elliott

    For Sci-Fi Buffs Only

    Beyond the Time Barrier (1960)

    ** (out of 4)

    Sci-fi has a military test pilot (Robert Clarke) goes into flight during 1960 and moments later he lands his spaceship in a strange land. After walking around for a bit he's finally taken captive by a group of people who don't make much sense to him but before long he realizes that his little trip actually sent him through a time barrier and he landed sixty-four years after taking off. The world has been destroyed due to a plague so he tries to get back in time to prevent it. This is an ultra low-budget movie that has a few ideas going for it but unfortunately there's not too much that can be done in regards to the science fiction because the budget didn't allow for it. The "future" city looks just like any abandoned city of 1960 and there special effects just aren't all that convincing. Fans of Edgar G. Ulmer will probably say that his keen eye manages to take the low budget and do more with it than most would. I'll buy that to a certain level but there's still no question that the majority of the film is dialogue scenes that really just talk about stuff instead of us ever actually getting to see it. I thought Clarke was good in his leading role as the pilot turned hero. Clarke is always fun to see in these low-budget movies and he does a nice job with the part. Darlene Tompkins plays the love interest, a princess in the future and she too is good. Vladimir Sokoloff plays "The Supreme" and isn't too bad. Universal horror fans will be happy to see Jack Pearce's name pop up in the credits for the special effects. There's talk of mutants in the film but sadly those hoping to see the make-up legends work on them will be disappointed because they're just normal people in bald caps. Pearce does get to do a little make-up at the end but I won't reveal with what as it will give away a major plot twist. This twist is actually pretty good and I think the final five-minutes are actually quite effective.
    5Uriah43

    A Decent Science-Fiction Film for the Most Part

    "Major William Allison" (Robert Clarke) is a test pilot for the United States Air Force who has been assigned to fly an experimental jet into space at speeds never before attempted by mankind. Unfortunately, his mission accidentally takes him 64 years into the future to a time when a plague has decimated most of the population and created hostile mobs of mutants who seek to wreak havoc on the few less infected people living underground. Yet while these people don't quite suffer from the full ravages of the plague the disease has rendered all of them deaf, mute and completely sterile. All but one that is and the arrival of Major Allison gives them hope that perhaps he and a beautiful woman named "Trirene" (Darlene Tompkins) can offer them a chance of repopulating the human species. But there is another opportunity presented with Major Allison's arrival which another group has formulated, and it conflicts with the plans of the establishment. Now rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that this was a decent science fiction film for the most part. Admittedly, being produced in 1960 it lacks the special effects of movies made during the present time and the film lacked depth and substance to a certain degree as well. But in any case, I kind of enjoyed it and so I rate this movie as about average and recommend it to fans of this particular time and genre.
    4kevinolzak

    Darlene Tompkins leaves one speechless

    "Beyond The Time Barrier" was the first of two features shot back to back by director Edgar G. Ulmer ("The Amazing Transparent Man" followed) in April-May 1959, at the Texas State fairgrounds at Fair Park in Dallas. Pacific International's presence meant that star Robert Clarke doubled as producer (having previously directed "The Hideous Sun Demon," the lead in Ulmer's 1951 "The Man from Planet X"), but collected only an actor's salary when the company went bankrupt after the pictures wrapped (more than a year passed before AIP picked them up for a nice profit). Scripting was Dallas native Arthur C. Pierce, author of "The Cosmic Man," "Invasion of the Animal People," "Women of the Prehistoric Planet," "Cyborg 2087," and "Dimension 5," all low budget wonders that have mostly achieved cult status. This low budget knockoff of "The Time Machine" (shooting title "The Last Barrier") was already in the can before George Pal began principal photography on his adaptation of the H.G. Wells novel, and AIP made no secret of the connection with their final title, since both pictures were essentially released the same month. Clarke's test pilot takes off for a short flight 1000 miles above the earth but lands only a few hours later in a dilapidated area which used to be the air base. It's not long before he ventures near an underground city, whose inhabitants capture and decontaminate him, as the surface of this world is covered with mutants suffering the long term effects of radiation. It takes a long while before the pilot learns that he had unknowingly passed through a bridge in time and now resides in the year 2024, his new mission to return to his own period to try to prevent the fallout from a plague caused by cosmic bombardment that have rendered this earth sterile and doomed. The footage of imprisoned mutants was taken from an earlier Ulmer production, "Journey Beneath the Desert," but the rest was rather uninspired, though the attractive presence of newcomer Darlene Tompkins makes her mute role most welcome (Ulmer's daughter Arianne has a major part as a female scientist from the year 1973). Unlike earlier forays into the future such as "World Without End" we see few members of this society and virtually nothing to indicate its supposedly vast size, and only two have the power of speech, the sympathetic Supreme (Vladimir Sokoloff) and hostile Captain (Red Morgan), who believes the incredulous pilot to be a spy. Clarke had endured a similar encounter in 1952's "Captive Women," and later entries like "The Time Travelers" and "Journey to the Center of Time" also used the same outline.

    इस तरह के और

    The Amazing Transparent Man
    4.2
    The Amazing Transparent Man
    The Man from Planet X
    5.7
    The Man from Planet X
    The Magnetic Monster
    5.8
    The Magnetic Monster
    The Time Travelers
    5.2
    The Time Travelers
    War of the Satellites
    5.1
    War of the Satellites
    The 27th Day
    6.1
    The 27th Day
    Day the World Ended
    5.4
    Day the World Ended
    Creature with the Atom Brain
    5.5
    Creature with the Atom Brain
    Five
    6.3
    Five
    Hidden Homicide
    5.6
    Hidden Homicide
    World Without End
    5.8
    World Without End
    Night Was Our Friend
    5.4
    Night Was Our Friend

    संबंधित रुचियां

    James Earl Jones and David Prowse in Star Wars: Episode V - The Empire Strikes Back (1980)
    Sci-Fi
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    रोमांस

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      This film and another Robert Clarke/Edgar G. Ulmer production, The Amazing Transparent Man (1960), which was shot at the same time and in the same location, were originally to be distributed by a company called Pacific International. Shortly after the films were completed, Pacific International went bankrupt, and producer Clarke lost all the money he had put into it. The films were put up for auction by the film lab that processed them in order to recoup its costs. Both films were bought by American-International Pictures for a fraction of their cost, and upon release they made the company quite a bit of money. Except for his salary as an actor for two weeks' work, Clarke never saw a dime from the films.
    • गूफ़
      As the X-80 is gaining altitude, there is a shot of the plane supposedly in a steep climb. But the clouds in the background are obviously at the same sharp angle, revealing that the footage of a level flight has just been "tilted" optically.
    • भाव

      Captain: I don't trust that man. Especially his thoughts.

    • क्रेज़ी क्रेडिट
      The opening credits scroll away from the camera, a rare style which later became popular from स्टार वॉर्स (1977).
    • कनेक्शन
      Edited from Das indische Grabmal (1959)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल16

    • How long is Beyond the Time Barrier?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • जुलाई 1960 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Traspasando la barrera del tiempo
    • फ़िल्माने की जगहें
      • Carswell Air Force Base, फ़ोर्ट वर्थ, टेक्सस, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनियां
      • American International Pictures (AIP)
      • Miller Consolidated Pictures (MCP)
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $1,25,000(अनुमानित)
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 14 मि(74 min)
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.37 : 1

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