Beyond the Time Barrier

I have always been fascinated by the philosophical aspects of space and time, for example, such as the possibility of time dilation. That is why movies such as "The Time Machine", "World Without End" (especially, "World Without End" being one of my all-time favorite SF films), and this one, "Beyond the Time Barrier" have a great deal of appeal.

The highlights of the film and worth far more than the price of admission are the scenes in which Robert Clarke first breaks the time barrier up in space (in physics, this sounds like what is currently referred to as a "wormhole" in contrast to the older concept of time dilation) and the scenes after he touches back down to earth. The scene in which Robert Clarke observes the exterior of the futuristic city along with the pulsating solar energy tower is fascinating. (I first saw this when I was ten years old and never forgot it.) Also the scenes of Darlene Tomkins are also a delight for the eyes (especially the swimming pool scene - I never forgot this either). I also liked the triangular designs. They looked almost out of Die Blaue Reiter (The Blue Rider) Gruppe - the Munich Art School that specialized in abstract expressionism (producing such greats such as Klee, Marc, Kandinsky, others) or, perhaps out of the Bauhaus School of Architecture which produced such greats such as Ludwig Mies van der Rohe and others who pioneered modern futuristic design. For this, the art designer for the movie, Ernst Fegte should take a bow.

However, the overall plot is somewhat disappointing after Robert Clarke is captured. The idea that the human race can bring the earth to such a state in which it is perilous to walk the actual surface of the earth due to excessive radiation because the protective atmospheric screens had been decimated (the ozone layer in the stratosphere, for example) seems very dreary indeed (The scientist played by Istvan Bekassy mentions the ionosphere being contaminated by nuclear particles). Furthermore, what happened to the various animal and plant species ? Were they decimated, too ? Perhaps the writers could have planned a less dismal story. As the story progresses, the plot becomes even more pessimistic with the sterility of the population, the evil scientists, the barbarity of the mutants, the almost complete resignation to the eventual extinction of the human race as voiced by the Supreme, Vladimir Sokoloff, and the murder in the final reel of Trirene, his daughter, played by Darlene Tomkins. In general, the writers could have done a lot better, in terms of plot, theme, and characters.

Not the best, not the worst.

Worth watching for the art design and certain aspects of the story which make a person think.

6/10

Dan Basinger

From Edgar G. Ulmer (director of `The Man from Planet X' and `The Amazing Transparent Man') comes this likable little sc-fi tale. A test pilot (Robert Clark) is catapulted into the future by a freak phenomenon, where a post World War III society lives in futuristic cities that protect them from the lingering radiation. However, the populace is having fertility problems, and the head of the government (Vladimir Sokoloff) hopes that his daughter (gorgeous Darlene Thompkins) and Clark will get together.

The costumes will meet with male approval; the women all wear short dresses and high heels (if you like it, guys, check out `World Without End').

Okay, back to the plot: a group of dissidents conspire to take over the government by releasing a horde of imprisoned mutants. They do, and the first thing the mutants do is attack all the women. Girls, be forewarned: if you dress provocatively, you'll suffer the consequences, especially if imprisoned mutants get loose.

Hats off to Ulmer for efficiency: he filmed this enjoyable effort in a matter of weeks, and he saved money on sets by using an exhibit of futuristic art-and-design at the 1959 Texas State Fair in Dallas. The interior architecture is appealing, despite being relatively simple. The doors, walls, and pillars are all based on triangles and pyramids. Don't' expect any elaborate special effects, but the film does manage to invoke a pleasant Buck Rogers feeling.

Unfortunately, I've never seen this movie shown on local or cable TV, and it doesn't seem to be avail on VHS or DVD. Dedicated sci-fi fans will have to work to get a peek at this lost gem. But it's worth the effort if you're a 1950s sci-fi fan.

"Major William Allison" (Robert Clarke) is a test pilot for the United States Air Force who has been assigned to fly an experimental jet into space at speeds never before attempted by mankind. Unfortunately, his mission accidentally takes him 64 years into the future to a time when a plague has decimated most of the population and created hostile mobs of mutants who seek to wreak havoc on the few less infected people living underground. Yet while these people don't quite suffer from the full ravages of the plague the disease has rendered all of them deaf, mute and completely sterile. All but one that is and the arrival of Major Allison gives them hope that perhaps he and a beautiful woman named "Trirene" (Darlene Tompkins) can offer them a chance of repopulating the human species. But there is another opportunity presented with Major Allison's arrival which another group has formulated, and it conflicts with the plans of the establishment. Now rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that this was a decent science fiction film for the most part. Admittedly, being produced in 1960 it lacks the special effects of movies made during the present time and the film lacked depth and substance to a certain degree as well. But in any case, I kind of enjoyed it and so I rate this movie as about average and recommend it to fans of this particular time and genre.

Better-than-average low-budget science-fiction from that era. Edgar Ulmer makes the most of inventive sets, some interesting low camera angles, some moments in which mid-ground objects such as pillars intercede between foreground and background during tracking shots...not the kind of effort one usually sees in movies of this kind. The whole film comes off as sincere - maybe more like 6.5 stars, but I'm rounding it up for the effort.

The acting is mixed, with some of the cast turning in competent performances, and two or three others about on par with some of Bela lugosi's most stilted performances. The story, if not original, is well-paced. What really sets this film apart from similar low-budget affairs are the aforementioned sets and camera work, and especially the unexpectedly ambiguous, perhaps even somewhat dark, conclusion of the film, which seems surprisingly in keeping with some of Ulmer's other work.

Fans of 1950s and 60s science-fiction, or of time travel flicks, should take a look.

"Beyond the Time Barrier" is the type of late 50s/early 60s Sci-Fi film of which you know, after approximately five minutes already, that it could have been a fantastic contemporary genre highlight if only the cast and crew didn't have to work with such a minimalist budget! Most of the conceptual ideas are really great and well- elaborated, but the cheap looking set pieces and the pitiable special effects have an immensely restraining impact on the overall plausibility and entertainment value. In case you serve an ambitious plot that is dealing with time-traveling and largely takes place in a futuristic dystopia, you can't afford to use paper made spaceships or drawings of the metropolis and you most certainly cannot speak of horribly deformed mutants the entire time without properly showing their faces! So, in an attempt to cover up for the budgetary weakness, Edgar G. Ulmer does what every experienced veteran director would do: replace the action sequences with endless intellectual speeches and complicated time warp theories as much as you can! In 1960, Major William Ellison has the honor and privilege to test-fly a brand new and hi-tech type of army fighter plane. The speed of the aircraft is even a little too successful, as Ellison breaks through the time barrier and ends up in the year 2024. It takes quite a while before our Major properly realizes that he fast- forwarded 64 years into the future, and the technical details are explained to him by three other scientists that went through the same experience. By the way, I didn't understand one iota about those time-traveling theories, but I also figure that incomprehensible speeches are a mandatory aspect of 50s Sci-Fi… Ellison immediately gets confronted with the terrible state of our planet and civilization in the year 2024. Apparently an all- devastating kind of cosmic plague made the entire world population sterile (the last child was born more 20 years ago) and gradually transforms the remaining survivors into mutants. There's also good news, however, as the last fertile woman on earth is a beautiful princess and she has chosen him to re-populate the planet! She – Trirene – is a deaf-mute with telekinetic powers and she can read Ellison's thoughts, which results in at least one (unintentionally?) hilarious sequence: "I know you can read my mind…. Although right now I probably wished you couldn't" and then he gets slapped in the face! Admittedly "Beyond the Time Barrier" principally got made to cash in on the tremendous success of H.G. Wells' "The Time Machine" and also borrows many elements from Fritz Lang's "Metropolis", but it's an engaging and occasionally suspenseful tale. I even like to think that some nifty ideas from this film were copied years later in massive Hollywood productions (for example the sterility in "Children of Men"), although I'm probably mistaken.