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Adua e le compagne

  • 1960
  • Not Rated
  • 1 घं 46 मि
IMDb रेटिंग
7.6/10
1.5 हज़ार
आपकी रेटिंग
Sandra Milo, Emmanuelle Riva, Gina Rovere, and Simone Signoret in Adua e le compagne (1960)
ComedyDrama

अपनी भाषा में प्लॉट जोड़ेंWhen a brothel closes because of new laws, four of the prostitutes decide to go into business running a restaurant. They discover they cannot escape their past.When a brothel closes because of new laws, four of the prostitutes decide to go into business running a restaurant. They discover they cannot escape their past.When a brothel closes because of new laws, four of the prostitutes decide to go into business running a restaurant. They discover they cannot escape their past.

  • निर्देशक
    • Antonio Pietrangeli
  • लेखक
    • Ruggero Maccari
    • Ettore Scola
    • Antonio Pietrangeli
  • स्टार
    • Simone Signoret
    • Marcello Mastroianni
    • Sandra Milo
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.6/10
    1.5 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Antonio Pietrangeli
    • लेखक
      • Ruggero Maccari
      • Ettore Scola
      • Antonio Pietrangeli
    • स्टार
      • Simone Signoret
      • Marcello Mastroianni
      • Sandra Milo
    • 12यूज़र समीक्षाएं
    • 25आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 1 जीत और कुल 3 नामांकन

    फ़ोटो29

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 26
    पोस्टर देखें

    टॉप कलाकार26

    बदलाव करें
    Simone Signoret
    Simone Signoret
    • Adua Giovannetti
    Marcello Mastroianni
    Marcello Mastroianni
    • Piero Salvagni
    Sandra Milo
    Sandra Milo
    • Lolita
    Emmanuelle Riva
    Emmanuelle Riva
    • Marilina
    • (as Emmanuele Riva)
    Gina Rovere
    Gina Rovere
    • Caterina Zellero, detta Milly
    Claudio Gora
    Claudio Gora
    • Ercoli
    Ivo Garrani
    Ivo Garrani
    • L'Avvocato - Adua's ex-customer
    Gianrico Tedeschi
    Gianrico Tedeschi
    • Stefano
    Antonio Rais
    • Emilio
    Duilio D'Amore
    • Brother Michele
    Valeria Fabrizi
    • Fosca
    • (as Valeria Fabrizzi)
    Luciana Gilli
    • Dora - Piero's lover
    • (as Gloria Gilli)
    Enzo Maggio
    • Calypso - Stefano's colleague
    Roberto Meloni
    • Carletto
    • (as Roberto Melone)
    Nando Angelini
      Alfredo Adami
      • Customer Friend of Ercoli
      • (बिना क्रेडिट के)
      Edda Ferronao
      • Concetta
      • (बिना क्रेडिट के)
      Margherita Horowitz
      • Lady with Striped Suit in the Trattoria
      • (बिना क्रेडिट के)
      • निर्देशक
        • Antonio Pietrangeli
      • लेखक
        • Ruggero Maccari
        • Ettore Scola
        • Antonio Pietrangeli
      • सभी कास्ट और क्रू
      • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

      उपयोगकर्ता समीक्षाएं12

      7.61.4K
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      फ़ीचर्ड समीक्षाएं

      7lasttimeisaw

      a diverting Italian romp carrying a scorching message

      Italian screenwriter-director Antonio Pietrangeli died young at the age of 49, during a drowning accident while shooting COME, QUANDO, PERCHÉ (1969), and ADUA AND HER FRIENDS, perhaps is his most distinguished work treads the post-Neorealism soil with a broad comic vibe.

      Adua (Signoret) and her three friends, more specifically, her workmates, Lolita (Milo), Marilina (Riva) and Milly (Rovere) are prostitutes, who are out of work due to the Merlin law, which made brothels illegal in Italy in 1958, together, they invest all their savings to open a trattoria in the suburbs of Rome, hope to start a new business and leave their dishonourable past behind, but a second chance seems to be a dashed dream for people like them. The restaurant business is thriving, at one time, their customer even includes the famed cantautore Domencico Modugno, but soon the reality check will catch up with these girls, a bleak coda shows that the society is not ready to welcome them back with warm arms.

      The synopsis sounds rather despondent, but the movie is beguilingly infused with a boisterous commedia dell'arte sheen. The quartet itself doesn't hold together in the first place, Lolita is a hackneyed bimbo, gullible and care-free , who foolhardily believes in her swindling beau Stefano (Tedeschi); Marilina is the cynical one made up with plenty of bile and has an unbaptised son to care about; Milly, is an unassuming hard-worker, who is really close to a happy marriage with their one of their frequenters Emilio (Rais); finally Adua, the oldest and wisest among them, has a worldly perception but her ill-fated romance with a smooth-talking Italian Romeo Piero (Mastroianni, in his usual dashing and flirtatious flair) can only spell happiness is nothing but a dashed dream for her, Signoret again cement the scenes where superficial comedy head-butts with harsh realism.

      Pietrangeli never shifts his sympathy towards these women of ill repute in his vigorous portrayal, even for Marilina (Riva is equipped with searing fierceness here), whose wanton behaviour initially occasions a fervent sense of objectionableness, but her hard edge begins to mellow once her son is back in her life. They are far from perfect, but at least, they try very hard to be self-sufficient, which is in sheer comparison with all the men in their lives, are either ignoble self-seekers, callous brutes or dreadful cowards, save for the layman priest (D'Amore). The condemnation is sublimated in the ending, where although only Adua is present, but if she is at her wits' end, it is not difficult to imagine what happens to the other three. On balance, the film is a diverting romp carrying a scorching message, deserves the attention of hardcore cinephiles.
      8christopher-underwood

      There are so many moments where this could easily have become sentimental and doesn't

      Very fine, gloriously black and white, very well acted drama involving four girls who decide to pool their resources and run a restaurant together when their brothel is closed down. There are so many moments where this could easily have become sentimental and doesn't and is much to the director's credit that this looks so good throughout. The jazz soundtrack is a great help as are the snatches or 'real life' - the steam trains rushing below car dealer Mastroianni's window, the fine moment in the main street when he passes off Signoret's failing car to another whilst slipping her into one more. But the best of all such sequences is the final shot upon the cobblestoned street in the pouring rain and without a cloying close-up, we all know exactly what the facial expression is. As I say all the acting is good but Signoret particularly puts in another excellent performance where she ranges from sexy to sad and energetic to dejected, but perhaps best of all her verbal onslaught upon 'the landlord'.
      6gavin6942

      Prostitution and the Law!

      When a brothel closes because of new laws, four of the prostitutes decide to go into business running a restaurant. They discover they cannot escape their past.

      European films (particularly French and Italian) seem to have some strange preoccupation with brothels and prostitution, often glamorizing it. Here is more of that, with these four ladies coming across as fiercely independent. Not impossible, but probably not the most common sort of folks who worked the trade.

      What makes this film interesting, at least historically, is that it was made in response to an actual law that shut down brothels. And, indeed, it does raise that question: where are prostitutes to go? They have an unusual skill set, odd references... and respectability is limited.
      9skepticskeptical

      Why isn't this famous?

      What a perfect piece of Italian neorealism this is. I am seriously wondering why it is not included in all of the usual lists with I ladri di biciclette, Umberto D, Roma Citta Aperta, etc. A gripping story about the life of prostitutes and how they struggle to survive against all the odds. Also a story about classism and hypocrisy, more generally. Simone Signoret is excellent as always, but so is Emanuelle Riva. Plus Marcello Mastroianni plays the consummate cad. All in all, extremely well done with a gripping story and a searing look at politics and classism in Italy.

      Highly recommended.
      7lastliberal-853-253708

      A film featuring strong female characters

      Antonio Pietrangelli's ADUA E LE COMPAGNE (ADUA AND HER FRIENDS) is a slice of Italian neo-realist film-making.

      Legal brothels have just been banned, and now four professional girls must find a new occupation. Adua (Simone Signoret, Room at the Top, Ship of Fools), Milly (Gina Rovere, Life is Beautiful, and Best Actress winner for this film at the Avellino Neorealism Film Festival), Lolita (Sandra Milo, Juliet of the Spirits, nominated for Best Supporting Actress for this film by Italian National Syndicate of Film Journalists), and Marilina (Emmanuelle Riva, Hiroshima Mon Amour) create a restaurant with the plan to make an illicit brothel of the upstairs rooms.

      When obstacles prevent opening their restaurant, they turn to Dr. Ercoli (Claudio Gora), a local "fixer" who'll make the license happen, but only for a price. They carry on, but know the past will eventually come knocking. With a restaurant that's slowly becoming successful, and the attentions of car salesman Piero (Marcello Mastroianni), Adua and the girls adjust to their new lives. One starts a new romance; another reconnects with her young son.

      If you are looking for titillation in a story about four prostitutes, you need to look elsewhere, as this film, with some stirring jazz, focuses on the characters in transition.

      इस तरह के और

      La visita
      7.4
      La visita
      Io la conoscevo bene
      7.6
      Io la conoscevo bene
      La ragazza con la valigia
      7.4
      La ragazza con la valigia
      Tutti a casa
      7.7
      Tutti a casa
      Fantasmi a Roma
      6.8
      Fantasmi a Roma
      Il bell'Antonio
      7.3
      Il bell'Antonio
      Estate violenta
      7.3
      Estate violenta
      La terrazza
      7.1
      La terrazza
      Il grido
      7.6
      Il grido
      Una vita difficile
      8.0
      Una vita difficile
      Cronaca familiare
      7.2
      Cronaca familiare
      Le soldatesse
      7.4
      Le soldatesse

      कहानी

      बदलाव करें

      क्या आपको पता है

      बदलाव करें
      • ट्रिविया
        This is the first time in her career that Sandra Milo dubs herself in a movie. Previously she had been dubbed by other actresses such as Rosetta Calavetta and Lydia Simoneschi.
      • कनेक्शन
        Featured in Cinema forever - Capolavori salvati (2001)
      • साउंडट्रैक
        Più sola
        Music by Domenico Modugno

        Performed by Domenico Modugno

      टॉप पसंद

      रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
      साइन इन करें

      अक्सर पूछे जाने वाला सवाल16

      • How long is Adua and Her Friends?Alexa द्वारा संचालित

      विवरण

      बदलाव करें
      • रिलीज़ की तारीख़
        • 16 सितंबर 1960 (इटली)
      • कंट्री ऑफ़ ओरिजिन
        • इटली
      • आधिकारिक साइट
        • Les Films du Camélia (France)
      • भाषाएं
        • इतालवी
        • अंग्रेज़ी
        • लैटिन
      • इस रूप में भी जाना जाता है
        • Adua and Her Friends
      • फ़िल्माने की जगहें
        • रोम, लाज़ियो, इटली
      • उत्पादन कंपनी
        • Zebra Films
      • IMDbPro पर और कंपनी क्रेडिट देखें

      तकनीकी विशेषताएं

      बदलाव करें
      • चलने की अवधि
        1 घंटा 46 मिनट
      • रंग
        • Black and White
      • ध्वनि मिश्रण
        • Mono
      • पक्ष अनुपात
        • 1.66 : 1

      इस पेज में योगदान दें

      किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
      Sandra Milo, Emmanuelle Riva, Gina Rovere, and Simone Signoret in Adua e le compagne (1960)
      टॉप गैप
      By what name was Adua e le compagne (1960) officially released in India in English?
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