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Adua e le compagne

  • 1960
  • Not Rated
  • 1 घं 46 मि
IMDb रेटिंग
7.6/10
1.5 हज़ार
आपकी रेटिंग
Sandra Milo, Emmanuelle Riva, Gina Rovere, and Simone Signoret in Adua e le compagne (1960)
ComedyDrama

अपनी भाषा में प्लॉट जोड़ेंWhen a brothel closes because of new laws, four of the prostitutes decide to go into business running a restaurant. They discover they cannot escape their past.When a brothel closes because of new laws, four of the prostitutes decide to go into business running a restaurant. They discover they cannot escape their past.When a brothel closes because of new laws, four of the prostitutes decide to go into business running a restaurant. They discover they cannot escape their past.

  • निर्देशक
    • Antonio Pietrangeli
  • लेखक
    • Ruggero Maccari
    • Ettore Scola
    • Antonio Pietrangeli
  • स्टार
    • Simone Signoret
    • Marcello Mastroianni
    • Sandra Milo
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.6/10
    1.5 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Antonio Pietrangeli
    • लेखक
      • Ruggero Maccari
      • Ettore Scola
      • Antonio Pietrangeli
    • स्टार
      • Simone Signoret
      • Marcello Mastroianni
      • Sandra Milo
    • 12यूज़र समीक्षाएं
    • 25आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 1 जीत और कुल 3 नामांकन

    फ़ोटो29

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 26
    पोस्टर देखें

    टॉप कलाकार26

    बदलाव करें
    Simone Signoret
    Simone Signoret
    • Adua Giovannetti
    Marcello Mastroianni
    Marcello Mastroianni
    • Piero Salvagni
    Sandra Milo
    Sandra Milo
    • Lolita
    Emmanuelle Riva
    Emmanuelle Riva
    • Marilina
    • (as Emmanuele Riva)
    Gina Rovere
    Gina Rovere
    • Caterina Zellero, detta Milly
    Claudio Gora
    Claudio Gora
    • Ercoli
    Ivo Garrani
    Ivo Garrani
    • L'Avvocato - Adua's ex-customer
    Gianrico Tedeschi
    Gianrico Tedeschi
    • Stefano
    Antonio Rais
    • Emilio
    Duilio D'Amore
    • Brother Michele
    Valeria Fabrizi
    • Fosca
    • (as Valeria Fabrizzi)
    Luciana Gilli
    • Dora - Piero's lover
    • (as Gloria Gilli)
    Enzo Maggio
    • Calypso - Stefano's colleague
    Roberto Meloni
    • Carletto
    • (as Roberto Melone)
    Nando Angelini
      Alfredo Adami
      • Customer Friend of Ercoli
      • (बिना क्रेडिट के)
      Edda Ferronao
      • Concetta
      • (बिना क्रेडिट के)
      Margherita Horowitz
      • Lady with Striped Suit in the Trattoria
      • (बिना क्रेडिट के)
      • निर्देशक
        • Antonio Pietrangeli
      • लेखक
        • Ruggero Maccari
        • Ettore Scola
        • Antonio Pietrangeli
      • सभी कास्ट और क्रू
      • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

      उपयोगकर्ता समीक्षाएं12

      7.61.4K
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      फ़ीचर्ड समीक्षाएं

      joehardy-2

      An "unknown" film that deserves a wider audience.

      Here is a wonderful example of Italian realism from 1960 that I'd never heard of until this week--and I'm 65 years old and a big fan of this genre. It was shown in San Francisco as the only "classic" film in a festival of recent Italian cinema. It deserves a wider audience. How can a film that stars Simone Signoret and Marcello Mastroianni remain so obscure? This story of four prostitutes forced to fend for themselves when a new law closes the bordellos of Rome reminds one of "Bicycle Thief" or "The Organizer," in its gritty social realism, but there are scenes of happiness and humor too. They pool their savings to open a trattoria, but find they cannot get a license. A prominent fixer with connections obtains the license for them, on condition that they conduct their old business upstairs and pay him an exorbitant monthly fee. The women are not anxious to turn tricks for a living any longer and find joy in running the restaurant. The women long to settle down--one has a child, another meets a man who loves her. Only one is tempted to return to her old life. Signoret, the major character here and as wonderful as ever, falls for Mastroianni, a glib car salesman, hustler and womanizer. While the trattoria is a success, it does not bring in the kind of money demanded by their "patron," which leads to conflict. The resolutions of their individual stories develop alongside that of their collective story. In this genre, happy endings are not a staple. Grim reality is, however. We can feel great sympathy for these women, but we know that such people are too often bound by destiny, given the realities of power--who has it and who hasn't--and the attitudes of society. All this drama is accompanied by a terrific jazz soundtrack, which is unfortunately not credited. The black-and-white cinematography is first rate. The closing scene in the rain ranks among the all-time unforgettable film endings.
      8esteban1747

      About those promoting prostitution

      I will never be tired of seeing "Adua e le compagne", this black and white film is a jewel of Italian cinematography with a plot easy to understand, and excellent acting of four women, French star Simone Signoret, then-young Sandra Milo, Gina Rovere and Emmanuelle Riva, all playing the role of prostitutes who wanted to incorporate themselves honestly to the society. Their acting was seconded by the experienced and charismatic Marcello Mastroianni in the role of a typical Italian tricky pigeon and lover. Italy of the 50s had the problem of prostitution, and mafia was around it together with some "gentlemen" of the corrupted local administration always looking for licenses, permits and other documents in a tricky way to facilitate the work of the prostitutes who at the same time had to pay heavy sum of money to the above-mentioned gentlemen. The director Antonio Pietrangeli was able to show clearly where the problem was and who were promoting the dirty business of prostitution. In addition, youth does not last forever and the same happened with the beauty of the prostitutes. The film also shows this fact convincingly. The DVD of this film exists but only in Italian, and it would be good to have it in other languages (English, Spanish and French at least).
      8christopher-underwood

      There are so many moments where this could easily have become sentimental and doesn't

      Very fine, gloriously black and white, very well acted drama involving four girls who decide to pool their resources and run a restaurant together when their brothel is closed down. There are so many moments where this could easily have become sentimental and doesn't and is much to the director's credit that this looks so good throughout. The jazz soundtrack is a great help as are the snatches or 'real life' - the steam trains rushing below car dealer Mastroianni's window, the fine moment in the main street when he passes off Signoret's failing car to another whilst slipping her into one more. But the best of all such sequences is the final shot upon the cobblestoned street in the pouring rain and without a cloying close-up, we all know exactly what the facial expression is. As I say all the acting is good but Signoret particularly puts in another excellent performance where she ranges from sexy to sad and energetic to dejected, but perhaps best of all her verbal onslaught upon 'the landlord'.
      9boblipton

      Trying To Start Over

      The city is closing down the disorderly houses, but Simone Signoret and her fellow working girls have a plan. They'll open a restaurant in the suburbs and and take men upstairs. Yet, as they work hard to get the restaurant up and working, they find themselves changing.

      The 1960s saw the Italians produce some serious movies about working girls, but director Antonio Pietrangeli has directed a fine one here, one that shows the women as individuals, and gotten some fine actresses in the roles; not only Signoret, but Sandra Milo, Emanuelle Riva, and Gina Rovere. They do a fine job, and the script but Pietrangelo with Ettore Scola and Ruggero Maccari makes it clear that the problem is not just with the women, but with the corrupt and venal attitudes of the men around them.

      At first I thought this was too long a movie -- it's more than two hours from start to finish -- but there's not a wasted moment.
      6gavin6942

      Prostitution and the Law!

      When a brothel closes because of new laws, four of the prostitutes decide to go into business running a restaurant. They discover they cannot escape their past.

      European films (particularly French and Italian) seem to have some strange preoccupation with brothels and prostitution, often glamorizing it. Here is more of that, with these four ladies coming across as fiercely independent. Not impossible, but probably not the most common sort of folks who worked the trade.

      What makes this film interesting, at least historically, is that it was made in response to an actual law that shut down brothels. And, indeed, it does raise that question: where are prostitutes to go? They have an unusual skill set, odd references... and respectability is limited.

      इस तरह के और

      La visita
      7.4
      La visita
      Io la conoscevo bene
      7.6
      Io la conoscevo bene
      La ragazza con la valigia
      7.4
      La ragazza con la valigia
      Tutti a casa
      7.7
      Tutti a casa
      Fantasmi a Roma
      6.8
      Fantasmi a Roma
      Il bell'Antonio
      7.3
      Il bell'Antonio
      Estate violenta
      7.3
      Estate violenta
      La terrazza
      7.1
      La terrazza
      Il grido
      7.6
      Il grido
      Una vita difficile
      8.0
      Una vita difficile
      Cronaca familiare
      7.2
      Cronaca familiare
      Le soldatesse
      7.4
      Le soldatesse

      कहानी

      बदलाव करें

      क्या आपको पता है

      बदलाव करें
      • ट्रिविया
        This is the first time in her career that Sandra Milo dubs herself in a movie. Previously she had been dubbed by other actresses such as Rosetta Calavetta and Lydia Simoneschi.
      • कनेक्शन
        Featured in Cinema forever - Capolavori salvati (2001)
      • साउंडट्रैक
        Più sola
        Music by Domenico Modugno

        Performed by Domenico Modugno

      टॉप पसंद

      रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
      साइन इन करें

      अक्सर पूछे जाने वाला सवाल16

      • How long is Adua and Her Friends?Alexa द्वारा संचालित

      विवरण

      बदलाव करें
      • रिलीज़ की तारीख़
        • 16 सितंबर 1960 (इटली)
      • कंट्री ऑफ़ ओरिजिन
        • इटली
      • आधिकारिक साइट
        • Les Films du Camélia (France)
      • भाषाएं
        • इतालवी
        • अंग्रेज़ी
        • लैटिन
      • इस रूप में भी जाना जाता है
        • Adua and Her Friends
      • फ़िल्माने की जगहें
        • रोम, लाज़ियो, इटली
      • उत्पादन कंपनी
        • Zebra Films
      • IMDbPro पर और कंपनी क्रेडिट देखें

      तकनीकी विशेषताएं

      बदलाव करें
      • चलने की अवधि
        1 घंटा 46 मिनट
      • रंग
        • Black and White
      • ध्वनि मिश्रण
        • Mono
      • पक्ष अनुपात
        • 1.66 : 1

      इस पेज में योगदान दें

      किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
      Sandra Milo, Emmanuelle Riva, Gina Rovere, and Simone Signoret in Adua e le compagne (1960)
      टॉप गैप
      By what name was Adua e le compagne (1960) officially released in India in English?
      जवाब
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      पेज में बदलाव करें

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