Outlaws

I vividly remember this show as a kid. It had great music, as noted by others, and had a certain grittiness about it that was compelling. Don Collier had the perfect face for a US Marshal -- tough, weary, cynical, and (occasionally) smiling. That he was not handsome in a typical Hollywood way helped the series. He looked like he'd really just spent the last few days in the saddle on the trail of outlaws. Collier played the role of lawman in a serious and responsible way like all westerns back then, but somehow more realistically. I also remember the show for great shoot-out scenes, usually at the end of the show. TV westerns in the early 60s were going through a brief period of especially graphic shoot-outs, and Outlaws benefited from this. I don't mean blood or screams of pain, of course, but a lot of grazing bullets and fancy gunplay. The bad guys when shot would crash very forcefully through windows behind them, or would flip over the hitching post rail, etc. Great time for stuntmen. Great time to be a kid watching this show. I'd love to see it again.

Here's yet another of those westerns turned out in 1960 that tried to break the mold of the formulaic TV western genre, had only a mild recepetion during its first year, was then turned into a far more routine show during the second season, but still was cancelled at the end of that second year. Barton MacLane, a veteran of many old time westerns and other action films, played a tough U.S. Marshal tracking down outlaws in the badlands with the help of deputy Don Collier, a youngster then who would appear in many westerns. Sounds pretty familiar? Here was the difference - instead of telling the story from the lawmens' point of view, this was told as the outlaws saw it. That is, MacLane and his posse were always seen at a distance, almost as threatening characters. In one particularly memorable essay, James Coburn (youngster too at the time) played Culley, a confused young outlaw who wanted to go straight but didn't know what to do, who stops on his run from the law to help a blinded elderly man (Henry Hull, brilliant as always). The 'heroes' were on screen for maybe five minutes and you resented them when they arrested Coburn. For the second season, MacLane remained in the lead, they gave him a more conventionally handsome young deputy, and the stories were now told from his point of view - just like Lawman and pretty much every other western on TV at the time.

This was one of the better westerns. I forget the main star's name who, with head sheriff Barton McClaine, were the setting for each week's new bad guy's story. Yes, Slim Pickens was in it. And in an odd twist late in the series, there were a few episodes of great comedy and adventure with Neville Brand and 2 other guys as cavalry soldiers. These segments had nothing in common with the regular series of Outlaws but were introduced with a story, as I recall. Too bad TVLand doesn't bring this back plus the even older Cimarron City.

The earlier reviews jarred my memory because I had not noticed the emphasis on the outlaws' point of view. Of course, it was mentioned that the theme shifted to mainstream good guys vs bad. But, come to think of it, the shows I do remember spent an awful lot of time on the "bad guys." Thanks to the reviews, I understand why now.

But irony is what I remember most. In one episode, an embezzling bank teller is blackmailed into helping rob the bank. He feels trapped because he invested in silver only to have it decline in value. As the show wraps up--he and the professional crook caught--a prospector waving a paper gleefully shouts "Silver's up!" The best shows were like that.

Frankly, if Slim Pickens had not been a regular in the second season, this show might have no place at all in the history of series television. As it is, the niche is small enough. My brother and I got hooked late in the first season, its theme song compelling for early adolescents. The kind of western THE OUTLAWS was also had appeal because the story was told largely, albeit not completely, from the bad guys' point of view. Since we were not devotees of CRIME AND PUNISHMENT at that tender age, a distaff tale was something unique in a time when bad was bad and who cared why or how they felt . . . and one could always count on the comeupance. Of course the lawmen prevailed in the end on THE OUTLAWS too, if the wrong-doers were not destroyed by their own flaws. I have never seen an episode since 1962, and presumably only an ardent student of television subscribing to exotic cable channels would ever have the opportunity. To be honest -- a refreshing change -- it would not have its appeal to me forty years on, to be sure.