Westbound

The not so good first. The use of weaponry by all of the characters years before it was available. Much of the clothing appears more appropriate for a modern day dude ranch rather than the 1860's west (although I always love Randy's dark blue shirt, dark blue pants and yellow bandanna). The writing and characterizations just were not on a par with the other Scott/Boetticher efforts.

The good news. This is a Randolph Scott western. None of the above matters. Enjoy!

During the American Civl War, an Army captain is tasked with ensuring the safe transport of government gold in the Old West. This is perhaps the weakest of the seven Boetticher-Scott Westerns, thanks to a so-so script that fails to evolve into a compelling narrative. The best of the series featured the writing of Burt Kennedy, and he's absent here. Scott plays a character similar to the others in the series, an easy-going fellow pushed to fight by the bad guys. Mayo plays the love interest, although she has a small role. Featured in a more prominent female role is Steele, who also appeared in two other Boetticher-Scott Westerns.

Agree with other viewers that "Westbound" is the least of the seven Budd Boettcher/Randolph Scott westerns. But the assured work of both Director Boettcher and Star Scott take this up a notch or two from the run-of-the-mill fifties oater. Nice work too from Michael Pate as the arch villain (watch the way he moves). And it's good to see Virginia Mayo, even in a throwaway role. In most other respects, though, this just isn't up to Boettcher's other work with Scott, and the fact Boettcher dismissed and virtually disowned it is no surprise. The movie lacks the tough, lean feel that makes the others real classics that can be seen over and over. One viewing is enough for "Westbound."

This is a decent western—how could it not be since it stars Randolph Scott, always a cowboy who could make you believe it. Here he's a cavalry officer charged with getting gold shipments back east for the Union war effort. Trouble is there are Southern sympathizers in town, including his romantic rival (Duggan) and the hired gunsel (Pate); on the other hand, Scott's only help is a one-armed ex-Union soldier and his eye-catching wife (Dante & Steele).

Most of the action occurs in town or at the stagecoach way station, but we do get some well-chosen scenic shots in Warner Color. Also, Dante makes a likable ally for Scott, as he shows us how to fire a rifle with only one hand; at the same time, he and Scott play off one another really well. However, Mayo's role looks like an inessential add-on, maybe for marquee value.

Unfortunately, that final shootout is not up to Boetticher's usual standards— for example, Mace (Pate) looks like he wants to get shot, standing in the middle of the street as bullets fly. Speaking of the versatile Michael Pate, he seems to have been in about every sage opera of the period. But then he's got such a different look, so well suited to playing baddies.

Anyway, the overall result is not on par with Boetticher's classic Ranown series of westerns, made at about the same time, (The Tall T {1957}, et al.). It's a comparison that may indicate the importance of producer Harry Joe Brown to that exceptional series. Nonetheless, Westbound is still worth a look-see as Scott turns in another fine performance.

Westbound does not form part of the "Ranown "cycle of Westerns on which star Scott and director Boetticher collaborated in the 1950's and which included such stone classics as Comanche Station,The Tall T and Ride Lonesome .These were the work of the excellent screenwriter ,later director, Budd Kennedy while this has a workmanlike script from a pair of studio hacks The storyline is a little thin and this is the only major weak spot in a tense and crisp Western which takes the Civil War as its backdrop .Scott plays a Union cavalry officer assigned to re-establish a stage line that he once managed before the war ,the purpose being to ship gold from California to the Federal banks .He must overcome a Confederate agent ,in the form of Andrew Duggan and still he finds time to romance the feisty and gallant heroine played by Karen Steele Boetticher directs with style and aplomb ;there is a lively musical score and some limpid colour cinematography by J Peverell Mackay that adds real lustre to the look of the picture . Add some strong performances and you get an above average minor Western with a crisp running time and lots of lively action by way of diversion .It is a very neat little movie indeed and recommended to Western fans in particular