Wernher von Braun

As the world turned its attention to the possibilities of manned spaceflight Werner von Braun acquired a sufficiently high profile to be the subject of a movie, with the film that emerged getting a hostile reception in a Britain still bearing the scars wartime bombing (von Braun had himself ruefully admitted "We aim at the stars, but sometimes we hit London").

After playing Ernst Udet in 'The Devil's General' Curt Jurgens was for the next few years Hollywood's favoured personification of The Good German; which is why when a whitewash was required of von Braun Curt was the man they enlisted.

The central part of the film plays like the director's next film 'The Guns of Navarone' from the point of view of the Germans. Physically Jurgens was all wrong for the part (Braun was a much younger man for starters). The Holocaust is briefly alluded to but the film tactfully skirts the issue of his enthusiastic use of slave labour.

The later section when he takes over at White Sands to help the Americans in Korea is far less well known and is therefore more informative. And then it's up and away into the heavens.

A passe hagiography of the life of Werner von Braun, a great rocket engineer with a questionable past. It's original title was "I Aim For the Stars." The best line I ever heard about this film was: "I aim for the stars, but sometimes I hit London."

Producer Chares H Schneer (Jason and the Argonauts '63) assembled a variety of talented people for his space-age story of rocket scientist Wernher Von Braun. It follows portions of Braun's life from his youth in Germany, his war research service with the Nazis - through to his 'capture' and being seconded to the US space research program.

Screenplay writer Jay Dratler (Laura'44) strikes a deft balance in the moral argument between whether or not great scientists, who create technologies used in war, should be held responsible for the deaths of innocent bystanders - or should they simply be regarded as perfecting new technological developments for future progress? In this case, it was Wernher Von Braun's determination to perfect a rocket to eventually carry man into space. Whatever your moral stand, the brilliance of this man's brain cannot be denied.

German-born Curt Jurgens makes for a perfectly cast Von Braun. Jurgens was openly critical of Nazism and was interned in a Nazi Labour Camp for the 'politically unreliable'. He escaped and went into hiding - after the war, he became an Austrian citizen. In a long and distinguished career, he appeared in over a hundred movies and numerous stage plays. Though this film was shot in Munich it features a varied international cast including Australian actress Victoria Shaw, playing Braun's wife.

Director J. Lee Thompson (The Guns of Navarone'60) was blessed to have Wilkie Cooper selected by Schneer to guide principle photography, helping to create the films solid visuals. Cooper, one of Britain's most gifted directors of photography had worked with many of the world's acclaimed directors Including Hitchcock and Cardiff. His visual design excellence gave many of Ray Harryhausen's great animation epics (Jason and The Argonauts '63, etc) their strong images. Respected British composer Laurie Johnson provides an interesting music score.

Actual footage from failed Rocket test launches (both in Germany and the USA) capture the devastatingly destructive power and huge expense of these pioneering days in space exploration.

The quip I've heard was "I Aim at the Stars -- but I hit Antwerp and London". More V-2's were targeted at Antwerp than London, it being a major port used by the Allies during the invasion of Europe.

Von Braun's relation with the Nazis was Faustian -- he was obsessed with space travel, and developing liquid-fueled rockets was a first step. The V-2 (A-4 was the military's designation) was actually counterproductive to the Nazi war effort, and von Braun no doubt realized that (as Hitler did not). It was not a practical weapon, being expensive to produce and burdensome to launch. Few actually reached their targets; more tonnage was delivered by one Allied air raid than all the V-2's carried.

This movie starts with the younger years of von Braun's life when he was experimenting with rockets and propulsion.

The film shows the March 1944 arrest of von Braun by the Gestapo. The alleged crime was that Von Braun had declared his main interest in developing the V-2 was for space travel, not as a weapon. Also, since von Braun was a pilot, it was suggested that he was planning to escape with V-2 secrets to the Allies.

After a recording of von Braun referring to Adolf Hitler in an insulting manner is heard, the scientist is told he will be executed, but through Dornberger's influence, Hitler becomes convinced that von Braun's intellect puts him in a class of people too important to be executed.

After surrendering to the Americans, Von Braun refuses to consider himself a war criminal, but Maj. William Taggert, a former newspaperman whose wife and baby were killed in a London bombing raid, argues that because von Braun "invented an infernal device used to support an iniquitous regime," he was a war criminal.

Wernher von Braun was responsible for the space age becoming a reality in the 20th century. Von Braun was named by Life magazine as one of the "100 Most Important Americans of the 20th Century," touting him as the man who "launched the greatest adventure of all, a journey to the Moon".

This interesting film includes some of von Braun's strongest critics but is balanced with von Braun's contributions to the American space program. The film ends in 1958, however von Braun when on to design the Saturn V moon rocket that put a man on the moon (the Saturn V still remains the most powerful rocket ever built, and it never had a critical failure).

Anyone interested in space travel will enjoy this movie.