The Trap

A twisted family plot about one son who leaves his small California desert town and becomes a lawyer for the mob, and the other, who remains and follows in his father's footsteps to become a sheriff's deputy in the same town, and who meet again when brother number one returns with a fleeing mob boss and his bodyguards, who are attempting to help him escape into Mexico via a desert airstrip. Between them (the two brothers) aside from being on opposite sides of the law, is a woman who is now married to the deputy but who was with the other brother before he left town. And the father, the town sheriff, is a by-the-book character who resents the one son for leaving and the other for his personal weaknesses, especially his drinking. Along comes the mob boss and his boys into the desert town, and all hell breaks loose, leading to the film's finale, a scenic cat and mouse chase through the desert. Widmark's character turns out to be not bad at all, as he's shown to be really a good guy at heart, and contrasts with the corrupted mob figures whom he ultimately battles. Earl Holliman, as the other brother, plays the tragic part, a marriage (Tina Louise as his wife) that turns out to be a farce, and a job that's his only due to the influence of his father (sheriff Carl Benton Reid), a man who has zero respect for him.

'The Trap (1959)' is a rather obscure crime thriller, but nevertheless has some star-power behind it. Richard Widmark is Ralph Anderson, a prodigal son returning to his hometown in the middle of the California desert. Lee J. Cobb is Victor Massonetti, a fugitive mob-boss intent on boarding a private plane to Mexico. When Ralph and his alcoholic brother Tippy (who is unhappily married to Ralph's ex-flame, Linda) capture Massonetti, the gangster's Mafia affiliates go into overdrive. With just a single dirt road leading out of town to civilisation, getting Massonetti into the hands of the authorities isn't going to be pleasant or easy. Just like John Sturges' wonderful 'Bad Day at Black Rock (1955)', this film has all the trademarks of a Western, but is set in modern times. As the escort winds its way across the lonely, parched landscape, you can cut the tension with a knife. Cobb is a formidable villain, his silent glowers and snide threats from the backseat proving both entertaining and unsettling. Tina Louise is certainly alluring as the love interest torn between two brothers, and Carl Benton Reid is impressive as Ralph and Tippy's overbearing sheriff father. And just to prove that Bruce Willis has nothing on his forebears, Widmark takes out a plane with a car!

Richard Widmark stars with Lee J. Cobb, Tina Louise, and Earl Holliman in 1959's "The Trap," produced by Widmark's company.

Widmark plays a mob attorney, Ralph Anderson who returns to his home town, despite being estranged from his sheriff father and deputy brother (Holliman). He needs his father to look the other way while a mobster, Vincent Massonetti (Cobb) takes a plane from there to Mexico. He explains that if his father doesn't do it, lots of blood will be shed.

Unfortunately, Massonetti is spotted and all hell breaks loose. Anderson decides to drive Massonetti to the authorities - and there's one road out of the desert town. Accompanying him are his brother and his brother's wife (Louise), a former girlfriend of Anderson. Lots of complications as they attempt to get past the people who want to free Massonetti.

Tense thriller with good performances all around. Louise was probably 20 at the time and very beautiful. I had the extreme displeasure of interviewing her some years ago, so I hesitated to watch this.

Small but effective film that has the feel of a western, though it isn't one.

A romance, a crime drama, and a family feud all rolled into one - and starring Richard Widmark. Yes, please! Dick has been estranged from his family for years, and his dad Carl Benton Reid is ashamed of his career: working as a lawyer who represents mob boss Lee J. Cobb. The unreliable brother, Earl Holliman, has taken his place in his dad's heart. Carl is the sheriff in town, and Earl is the deputy, despite his drunkenness and incompetence.

Earl has also taken his place in another way: he married Dick's old girlfriend Tina Louise. There's still a smoldering chemistry between them, though, so when he comes back to town the sparks really fly. Dick has a reason for coming back: to ask his dad to break the law and allow Lee to cross the border before his trial date. Do you think his favor will be granted?

The Trap is pretty entertaining, even though parts of it are predictable. I'll watch anything with cutie-pie Richard Widmark in it, and I always like seeing him as a romantic lead since he so often played villains. Lee. J. Cobb isn't given anything to do besides be a mafioso, so if you're looking for a range of acting in this movie, you probably won't find it. You will find a tense small town meets big mafia drama with the time ticking away at every moment.

The Trap grafts a dysfunctional-family drama onto a glorified road-chase movie; it also grafts the shoot-from-the-hip conventions and sun-parched look of the Western onto a late-fifties crime drama. These various components, all vying for our attention, give birth to a hybrid that lacks any individuality.

Prodigal son Richard Widmark turns up in his hometown of Tula, out in the California desert, after a decade's absence. The old homestead, seething with tensions, houses his father (Carl Benton Reid), the town sheriff; his drunken wastrel of a brother (Earl Holliman); and the brother's wife (Tina Louise), an old flame of Widmark's. It seems that Widmark works for the mob as a mouthpiece, come home to persuade his law-and-order dad to call off the police guarding an airfield where crime kingpin Lee J. Cobb will make a break for Mexico. In the ensuing chaos, after his dad gets killed, Widmark decides to bring Cobb to justice himself. Unfortunately, he needs the help of his resentful brother, who in turn needs the cash Cobb offers him....

The trek through the desert to the nearest big town proves a fiendish obstacle course: What with snipers and double-dealings and radiators gone dry, it's just one damn thing after another. The relentless heat and blazing sun suck out much of the movie's juices, too; watching it becomes an endurance contest like being stranded in the desert. Widmark and Cobb walk through their roles with expected professionalism, but do nothing unexpected, either. Holliman telegraphs his vacillating weakness loud and clear, while Tina Louise doesn't bring much to the party (but then again, director Norman Panama didn't ask her to bring much). Once it's over, The Trap just sort of dries up and blows away.