Il terrore dei barbari

This is probably the guiltiest pleasure of any of the late 50's, early 60's European peplum movies. Released in the US by American International Pictures (under the supervision of Arkoff and Nicholson), this picture was an amazing box-office coup for that studio and one of the most memorable exploitation pics of it's day. Though this film is less famous than his star-making vehicle, HERCULES, Mr. Universe Steve Reeves is on display to much better advantage here, and thanks to the extraordinary participation of the fabulous Cuban beauty, Chelo Alonso, more memorable, too. These two superstructures were, and probably still are, the stuff of adolescent daydreams and adult fetishes. This sword-and-sandal flick is pure sexist fun and exemplifies an era in films when marketing a movie was practically an art form in itself, instead of the crass, big-business system it is today. Hopefully someone can bring this potboiler to DVD in a widescreen version that does it some justice. Aside from Steve and Chelo, there's a memorable music score by AIP's lead music director, Les Baxter, which was used to perk up a lot of the muscleman epics of the time. I think the title card for this picture, paraphrased, says it all: "569 A.D. A TIME, WHEN, IF YOU DIDN'T FIGHT OR LOVE, LIFE WAS A VERY SHORT AND DULL AFFAIR." Stop the presses! You gotta love that! Enjoy.

"Terror of the Barbarians" with STeve Reeves of "Hercules" fame, is a very enjoyable sword and sandal epic. Reeves stars as Emiliano, aka Goliath, a Italian in the 4th century who seeks vengeance on the Barbarians who killed his father and plundered his village. Reeves is just great in this type of picture. Chelo Alonso is the love interest here and she's a real knockout, sort of a Halle Berry type with a great figure. Bruce Cabot, of "King Kong" Fame, co-stars at Alboino but shares no scenes with Reeves. Sigh.

Emiliano is a one-man army at first, so he dons a lion's mask and basically scares the tar out of the barbarians by yelling at them and then beating them senseless! They manage to capture him, but unsure of who Goliath is, they put him to feats of strength. Terrific torture ensues as Reeves is stretched, pulled and finally put between two horses to be torn apart! Wowza! Reeves of course triumphs and the surprisingly fair leader of the horde lets him go. This sits not well with Igor, Alboino's right hand man.

Reeves, despite himself, falls for the barbarian princess Landa, played by Chelo Alonso, and uses all his resources and some loyal friends, to save the day for his village. Nicely paced and well shot, I finally saw this on DVD and its one of Reeves' best efforts. It makes one wonder what he could have done with a real director and a solid cast. The music is better than average too. The barbarians are shown raping and pillaging, but they're not cardboard cutouts here and some are given real personality, i.e. Landa's father Delfo and Igor's sometimes ally, well played by Arturo Dominici. A well done b-movie.

In 1960 I was a 13-year-old boy, undergoing the initial fires of puberty, pimply and awkward and ugly (well, STILL ugly), when I saw this movie. BONG!! Immediately wanted to BE Steve Reeves. Thought if I saw the movie enough times, I might metamorphose. Sigh. For me, this was THE Steve Reeves movie - didn't see "Hercules" till much later. Thrilled with the music, too, I wrote a letter to the studio (amateurishly addressed to "Hollywood") asking if an album was available. A few weeks later, a copy of the soundtrack album arrived, gratis! That album was damaged in a house fire, but the cover, a photo of the lead actress in arms-raised dancing pose (underarm hair!?!) is still largely intact. I dream of seeing this movie again before I die!!!! Pleeeeese, powers that be, DVD it for me!!

It's easy to get these Italian sandal-and-spear movies mixed up, but clearly the best "hero" to emerge from the genre was Steve Reeves. His mere presence elevates a movie from the "also-ran" to the "must-see" status. Reeves looks great in this predictable but lively outing which has him tied between two horses charging in opposite directions. Rather than being pulled apart like a wishbone, Reeves manages to rein them in, and you know something? His powerful physique and straining muscles almost make this seem plausible. The dubbing, as usual, is sloppy, but hey, who's looking at the lips?

Hercules was good, Hercules Unchained better still, and Morgan the Pirate was nothing to scoff at. Still, this remains the best Steve Reeves mini-epic of all, if also the hardest to get ahold of on VHS and DVD. He's typecast as a gentle giant who becomes a masked avenger when a horde of barbarians invades his terrain, leading the good people on a guerilla campaign against the marauding mob. Until, that is, he gets a good look at the barbarian princess (Chelo Alonso) and falls apart at the seams. Don't blame him - you will too. This former dancer at Paris nightspots is an exotic beauty, dark and dangerous looking, and she has not one but two extremely erotic dance numbers. They may seem relatively mild today, but this was real hot stuff for those of us who were adolescent boys when the movie was first released in America. The fight scenes are well staged, considering the tight budget, and this rates as the kind of exciting fun that used to make up the top half of a double bill at Saturday matinees during the late fifties and early sixties.