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Some Like It Hot

  • 1959
  • U
  • 2 घं 1 मि
IMDb रेटिंग
8.2/10
3 लाख
आपकी रेटिंग
लोकप्रियता
1,577
113
Marilyn Monroe, Tony Curtis, and Jack Lemmon in Some Like It Hot (1959)
Trailer for the classic comedy Some Like It Hot, starring Tony Curtis, Jack Lemmon, and Marilyn Monroe
trailer प्ले करें2:17
3 वीडियो
99+ फ़ोटो
कॉमेडीतमाशादोस्तों की कॉमेडीम्यूज़िकरोमांटिक कॉमेडीरोमांसव्यंग्यस्क्रूबॉल कॉमेडी

दो पुरुष संगीतकार भीड़ के दौड़ाने के बाद, महिलाओं के रूप में भेस बदल कर एक महिला बैंड में राज्य से भाग जाते हैं, लेकिन आगे और जटिलताएं आ टपकती हैं.दो पुरुष संगीतकार भीड़ के दौड़ाने के बाद, महिलाओं के रूप में भेस बदल कर एक महिला बैंड में राज्य से भाग जाते हैं, लेकिन आगे और जटिलताएं आ टपकती हैं.दो पुरुष संगीतकार भीड़ के दौड़ाने के बाद, महिलाओं के रूप में भेस बदल कर एक महिला बैंड में राज्य से भाग जाते हैं, लेकिन आगे और जटिलताएं आ टपकती हैं.

  • निर्देशक
    • Billy Wilder
  • लेखक
    • Billy Wilder
    • I.A.L. Diamond
    • Robert Thoeren
  • स्टार
    • Marilyn Monroe
    • Tony Curtis
    • Jack Lemmon
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    8.2/10
    3 लाख
    आपकी रेटिंग
    लोकप्रियता
    1,577
    113
    • निर्देशक
      • Billy Wilder
    • लेखक
      • Billy Wilder
      • I.A.L. Diamond
      • Robert Thoeren
    • स्टार
      • Marilyn Monroe
      • Tony Curtis
      • Jack Lemmon
    • 531यूज़र समीक्षाएं
    • 246आलोचक समीक्षाएं
    • 98मेटास्कोर
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  • टॉप रेटेड मूवी #136
    • 1 ऑस्कर जीते
      • 11 जीत और कुल 13 नामांकन

    वीडियो3

    Some Like It Hot
    Trailer 2:17
    Some Like It Hot
    Some Like it Hot: Meet Sugar Kane
    Clip 2:13
    Some Like it Hot: Meet Sugar Kane
    Some Like it Hot: Meet Sugar Kane
    Clip 2:13
    Some Like it Hot: Meet Sugar Kane
    Some Like It Hot: Beach
    Clip 1:36
    Some Like It Hot: Beach

    फ़ोटो294

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    + 286
    पोस्टर देखें

    टॉप कलाकार87

    बदलाव करें
    Marilyn Monroe
    Marilyn Monroe
    • Sugar Kane Kowalczyk
    Tony Curtis
    Tony Curtis
    • Joe…
    Jack Lemmon
    Jack Lemmon
    • Jerry…
    George Raft
    George Raft
    • Spats Colombo
    Pat O'Brien
    Pat O'Brien
    • Detective Mulligan
    Joe E. Brown
    Joe E. Brown
    • Osgood Fielding III
    Nehemiah Persoff
    Nehemiah Persoff
    • Little Bonaparte
    Joan Shawlee
    Joan Shawlee
    • Sweet Sue
    Billy Gray
    • Sig Poliakoff
    George E. Stone
    George E. Stone
    • Toothpick Charlie
    Dave Barry
    Dave Barry
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    Mike Mazurki
    Mike Mazurki
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    Harry Wilson
    Harry Wilson
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    Beverly Wills
    • Dolores
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    Edward G. Robinson Jr.
    Edward G. Robinson Jr.
    • Johnny Paradise
    Sam Bagley
    • Minor Role
    • (बिना क्रेडिट के)
    Brandon Beach
    • Party Guest
    • (बिना क्रेडिट के)
    • निर्देशक
      • Billy Wilder
    • लेखक
      • Billy Wilder
      • I.A.L. Diamond
      • Robert Thoeren
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं531

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    सारांश

    Reviewers say 'Some Like It Hot' is acclaimed for its humor, script, and performances by Curtis, Lemmon, and Monroe. Its cross-dressing theme and exploration of gender and sexuality add depth. The blend of comedy and drama, memorable lines, and Wilder's direction are praised. The lead actors' chemistry is a highlight. Despite some criticisms, its innovative approach and cultural impact are noted.
    यूज़र की समीक्षाओं के टेक्स्ट से AI द्वारा जेनरेट किया गया

    फ़ीचर्ड समीक्षाएं

    8hsm2310

    Some Like It Hot - The Classical Comedy

    There is always a thing about Classics, even before you absorb the first frame; you are burdened with huge expectations. But, Some Like It Hot is one of those jet planes where you got to tight your seat belt and forget everything else to enjoy the joyride or you would fall off your seat.

    I feel casting in a movie is one of the most under discussed elements of movie making amongst general public but it plays a very significant role in the success of a movie and SLIH is the prime example of it. Apart from Jack Lemmon, none of the protagonists were known for their superior acting skills and they would not have made the cut for a Billy Wilder piece. But, in retrospect, who other than Tony Curtis who had a boyish look and at the same time possessed sharp features could have played a saxophone playing woman charmer who could cross dress to be a part of a woman band. You can only get a flawless performance from a bad actor only if he/she is playing himself/herself and that is the exact reason why Marilyn Monroe wows you in every scene of Some Like It Hot. She is playing a dumb, vivacious and vulnerable damsel who can sing, doesn't mind sleeping with a charming guy whenever she gets a chance and then dips herself in a whiskey bottle when left all alone with herself. Jack Lemmon with a broad muscular jawline was surely the one who had a better chance of getting caught as someone not in the right clothes, but that is very small price to pay, as an actor of his caliber was indispensable to the cause of SLIH. He has an amazing sense of timing when it comes to humor; he is almost chaplinesque when it comes to expressions and the confidence with which he delivers his lines puts him right at the top of stack.

    I am not sure when was the concept of black humor introduced in the world of cinema, but, SLIH has to be one of the better examples from the old times where black humor is integrated in the comedy. The black humor is there only to make its presence felt and nothing more. Other than that SLIH is a fun filled journey of Gerald (Lemmon) and Joseph (Curtis), two musicians on the run from dangerous Chicago gangsters who are after their lives. They find their safe house in an all-woman band that is off to Florida for a string of performances. This is where they meet the gorgeous Sugar (Marilyn) and try their luck on flattering her. It is all about how Joseph manages to get ahead in the race and Gerald like a true friend tags along without any explaining or pleading by Joseph. This is what makes SLIH sweet. The necessary salt is added to the movie by little moments like women having a party on train, Sugar hiding whiskey in her stocking, Fielding (Joe Brown) hitting on Dalphe (Gerald disguised as a woman) and further complications that set in because of these. What makes this classical comedy special is the fact that it makes you laugh at so many occasions without being slapstick or cheap or using the chaos technique. And when it doesn't make you laugh, it makes you smile. Most importantly, the movie stays with you.

    The manner in which the movie begins, it suddenly makes you wonder - that's too much of real car chasing and shooting for a black and white movie of 40's and then you realize it's done in 1959 and the movie was intentionally produced in black and white. The first scene itself is a cracker and will create a cocktail of emotions, with words like liquor, crime, party, death, music all floating around at the same time. There are plenty of scenes where the camera pans out from one object to another capturing multiple things with different moods and complexion in the same scene and that is a technique which I guess wasn't used quite frequently back then. Make-up job of Curtis and Lemmon is too good for those times and it would have been so important for that to have been correctly done as that is absolutely central to the whole plot. Marilyn's costumes are way modern and she carries them effortlessly.

    Some Like It Hot is without any doubt a classic but, probably in no other movie would have the last line played such an important role as in this. The finishing frames where Joe Brown utters the unexpected leave you pleasantly surprised and I am sure it would have had far better impact on the audience 50 years back.
    9EijnarAmadeus

    A Legendary Comedy

    With Billy Wilder's steady direction, the great casting, and Wilder/Diamond's sparkling script Some Like It Hot has become one of the most enjoyed comedies of cinema history. The story itself is pure comedy gold; the unhappy jazz-musicians Joe (Tony Curtis) and Jerry (Jack Lemmon) are witness to the St. Valentine massacre in 1929 and flees from Chicago with an all-girl-band who's headed for Miami, dressed up as "Josephine" and "Daphne". Soon both are hooked on Sugar Kane (Marylin Monroe), the band's lead singer - but things gets more complicated when arrived in Miami, Daphne attracts a elderly playboy and the gangster of Chicago arrives at the Floria-hotel to have a mafia-meeting.

    The work of the three participants in center is truly great; Marylin Monroe is at her most sexy and charming, Tony Curtis' brilliant control and Jack Lemmon is truly priceless at his peak. The movie paces fantastically throughout opening scenes of Chicago, onto the train-ride (features fantastically funny moments of brilliant comedy timing) and arriving at the hotel in Florida, and the situations that occurs with the band, with playboy Osgood Fielding III, Marylin Monroe and the mafia. And Billy Wilder shows his talent with keeping such a sparkling screenplay brilliantly paced and edited, never rushing itself - and Wilder sneaks in some fine moments of noir with the Chicago-gangsters brutality and cruelness. And the movie is a altogether different experience as a comedy than anything before it, the absurdity and quirkiness of Curtis and Lemmon in a transvestite-comedy is fantastically funny, and the final dialog between Osgood Fielding and Daphne/Jerry seemingly came out of the blue, and surprised me just as much today as it did back in 1959. Some Like It Hot is nothing less than a must-see in comedy, and cinema history.
    10claudette-crivelli

    The Perfect Comedy

    Why a man would want to marry another man? asks Tony Curtis, Security! Jack Lemmon replays without missing a beat. Clearly he had put the question to himself before and had arrived to a perfectly sensible conclusion. Everything in this gem of a movie had been thought so cleverly and as it turned out so prophetically, that the world of our three characters, a world of prohibition and gang wars could be today and more than likely will be tomorrow. Billy Wilder analyzes human nature with an acid eye and a glorious panache for underlining our most endearing features. Our frailties. Marilyn Monroes is at her pick, the sadness in her eyes a startling metaphor in a comedy about wanting. Tony Curtis with an Eve Arden's pout is so beautiful, so charming, imitating Cary Grant and trying to be himself that, in my mind he'll be always be in a frock. And, of course, Jack Lemmon, throwing himself into the part, body and should. Only perfection can allow to end its course with a line like "Nobody's perfect"
    darth_sidious

    Awesome, it really is!

    Sit back and enjoy this comedy, I don't believe in greatest this and that when it comes to films, but boy, this is superb.

    The acting here is fantastic, all actors, even Monroe are on top form.

    The direction by Wilder is superb, the guy's style in this picture is perfect. He directed this film in a very clever way, by using one camera for the majority of the scenes, he could easily edit the film together without studio interference.

    The script is well written. The dialogue between Lemmon and Curtis is beautifully balanced.

    Monroe is just too hot for the screen in this picture. Although, Monroe had major off-screen problems (83 takes to get things right) she is fantastic on-screen. She may not have the best lines, but what the heck! She plays the role very well.

    Overall, this is awesome, it really is.
    psionicpoet

    A gender-bending comedy ahead of its time

    What Jack Lemmon and Tony Curtis do in "Some Like it Hot" would be par for the course in modern movies – every other month, similar fish-out-of-water movies premiere with men posing as women ("Tootsie"), women posing as men ("The Associate"), black people posing as white people ("White Chicks"), and on and on. What makes "Some Like it Hot" different is two things: the strength of its comedy, and the presence of Marilyn Monroe, then at the height of stardom.

    Lemmon and Curtis turn in admirable performances both as Joe and Jerry, and as Josephine and Daphne. Tony Curtis does Lemmon one better by creating a third identity, "Junior", in order to woo Sugar Kane (Monroe).

    Tying the pair's story into the Chicago Valentine's Day Massacre, where a gang war spilled over into a parking garage, leaving a number of people lined up against the wall and shot, is a deft touch (though the serious tone of these gang sequences contrasts sharply with the bulk of the movie).

    The movie does an excellent job building the far-fetched stakes of the movie ever-higher, from their finding refuge from vengeful gangs in a women's jazz band, to their showdown in the Florida hotel, to the eventual revealing of Curtis' and Lemmon's identities. The movie's surprisingly suggestive and risque content is at odds with the time frame of the movie, and even with the period of the movie's creation. The many smart double-entendres and plays on words are very well-written, and alternate between lowbrow and highbrow comedy,

    The films only fault might be a couple of overlong musical numbers, performed either by the whole band or soloed by Sugar Kane. Though to be expected in a Marilyn Monroe film, these musical acts are literal "show stoppers" that bring the comedic momentum of the film to a screeching halt. However, it is easy to over look these minor defects in the movie as a whole, because by and large it is quite funny – no wonder it s considered a classic – and after all, "nobody's perfect".

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Years after the film's release, a movie reviewer asked Tony Curtis why his "Josephine" was so much more feminine than Jack Lemmon's "Daphne." Curtis explained he was so scared to be playing a woman (or a man pretending to be one) that his tightly wound body language could be read as demure and shy, traditionally feminine traits, whereas Lemmon, who was completely unbothered, and "ran out of his dressing room screaming like the Queen of the May," kept much more of his masculine body language.
    • गूफ़
      Early in the movie, Joe talks about the Brooklyn Dodgers, a name not officially used until 1932. From 1914 to 1931 the Brooklyn baseball team was the Robins, not the Dodgers. However, the Dodgers had been an unofficial nickname since 1895, and the World Series program from 1920 even referred to them as the Dodgers instead of the Robins.
    • भाव

      [last lines]

      Jerry: Oh no you don't! Osgood, I'm gonna level with you. We can't get married at all.

      Osgood: Why not?

      Jerry: Well, in the first place, I'm not a natural blonde.

      Osgood: Doesn't matter.

      Jerry: I smoke! I smoke all the time!

      Osgood: I don't care.

      Jerry: Well, I have a terrible past. For three years now, I've been living with a saxophone player.

      Osgood: I forgive you.

      Jerry: [tragically] I can never have children!

      Osgood: We can adopt some.

      Jerry: But you don't understand, Osgood! Ohh...

      [Jerry finally gives up and pulls off his wig]

      Jerry: [normal voice] I'm a man!

      Osgood: [shrugs] Well, nobody's perfect!

      [Jerry looks on with disbelief as Osgood continues smiling with indifference. Fade out]

    • इसके अलावा अन्य वर्जन
      Video version contains extended exit music after the film.
    • कनेक्शन
      Edited into Vida conyugal sana (1974)
    • साउंडट्रैक
      Runnin' Wild
      (1922) (uncredited)

      Music by A.H. Gibbs

      Lyrics by Joe Grey and Leo Wood

      Played during the opening credits

      Played by the girls on the train and Performed by Marilyn Monroe

      Performed also a capella by Tony Curtis

      Gene Cipriano (tenor sax for Tony Curtis) and Alton Hendrickson (ukulele for Marilyn Monroe)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Some Like It Hot?Alexa द्वारा संचालित
    • What is 'Some Like it Hot' about?
    • Is "Some Like it Hot" based on a book?
    • Where do Joe and Jerry get the clothes, wigs, and makeup to dress up as girls?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 19 मार्च 1959 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • अंग्रेज़ी
      • फ्रेंच
    • इस रूप में भी जाना जाता है
      • Una Eva y dos Adanes
    • फ़िल्माने की जगहें
      • Hotel del Coronado - 1500 Orange Avenue, Coronado, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Seminole Ritz Hotel)
    • उत्पादन कंपनियां
      • Ashton Productions
      • The Mirisch Corporation
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