अपनी भाषा में प्लॉट जोड़ेंLieutenant Hemp Brown's army payroll wagon is robbed by ex-sergeant Jed Givens' gang, forcing Brown to search for the culprits after he is deemed a coward by the court martial.Lieutenant Hemp Brown's army payroll wagon is robbed by ex-sergeant Jed Givens' gang, forcing Brown to search for the culprits after he is deemed a coward by the court martial.Lieutenant Hemp Brown's army payroll wagon is robbed by ex-sergeant Jed Givens' gang, forcing Brown to search for the culprits after he is deemed a coward by the court martial.
- निर्देशक
- लेखक
- स्टार
George American Horse
- Townsman
- (बिना क्रेडिट के)
Emile Avery
- Gang Member
- (बिना क्रेडिट के)
Walter Bacon
- Townsman
- (बिना क्रेडिट के)
Wag Blesing
- Henchman
- (बिना क्रेडिट के)
Charles Boaz
- Alf Smedley
- (बिना क्रेडिट के)
George Bruggeman
- Townsman
- (बिना क्रेडिट के)
Dick Cherney
- Court Clerk
- (बिना क्रेडिट के)
Noble 'Kid' Chissell
- Townsman
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
An army officer (Rory Calhoun) is blamed and is dishonourably discharged from the army wrongly after gold from a stagecoach is robbed. He goes after the man really responsible.
An indistinguishable low budget western that looks cheap, but fairly mature material.
An indistinguishable low budget western that looks cheap, but fairly mature material.
A rather decent U-I western from 1958.Rory Calhoun is properly vengeful as the wronged soldier who goes after bad guy John Larch and his gang. Beverly Garland was an interesting actress as she really was not beautiful in the traditional, glamorous girl or pinup way. I note this because she looks really 'hot' in this movie. I wonder if Director Richard Carlson had anything to do with this as he added a strong dose of heated passion in another U-I western that he directed four years prior ('Four Guns To the Border'); also with Calhoun. This is a good western and I don't think that you will be disappointed at all. For fans of Ms. Garland, I strongly recommend, 'Gunslinger' (1956) which is a very early directorial effort from Roger Corman. This is a bizarre western (also with John Ireland) which was completed on a shoestring budget and a one week shooting schedule.
U. S. cavalry officer, Hemp Brown (Rory Calhoun), runs into some serious trouble when the party of civilians and troops he's bringing to a nearby Army fort is ambushed. A woman is killed during the gunfight, and money is stolen by the bandits. The leader of the gang, Jed Givens (John Larch), is an acquaintance of Brown, who implicates the fugitive during the subsequent trial. But Brown is court-martialed and booted from the Army. Brown tracks down Givens to restore honor to his name.
From cavalry officer Rory Calhoun's character becomes an outcast, one who has been wronged, and searches for the key that will grant him readmission into society, and the only way he could do that is by capturing John Larch. Larch is excellent as the villain of the piece, coming across quite psychotic. Calhoun does equally well as the man desperately trying to clear his name of cowardice. Beverley Garland add some colour as well as offering advice to our hero: that revenge can be self-defeating nature of it all and how it ends up inflicting more harm on the seeker than anyone else.
This western does lack some action, but it's plot driven and you get absorbed into the story with enough things happening. When I first watched this I found it a tad boring in parts, but on second viewing I liked it more. The pace can be a bit lumbering and there's some lack of excitement - but it's still a decent western with strong themes and performances.
From cavalry officer Rory Calhoun's character becomes an outcast, one who has been wronged, and searches for the key that will grant him readmission into society, and the only way he could do that is by capturing John Larch. Larch is excellent as the villain of the piece, coming across quite psychotic. Calhoun does equally well as the man desperately trying to clear his name of cowardice. Beverley Garland add some colour as well as offering advice to our hero: that revenge can be self-defeating nature of it all and how it ends up inflicting more harm on the seeker than anyone else.
This western does lack some action, but it's plot driven and you get absorbed into the story with enough things happening. When I first watched this I found it a tad boring in parts, but on second viewing I liked it more. The pace can be a bit lumbering and there's some lack of excitement - but it's still a decent western with strong themes and performances.
Rory Calhoun is a disgraced army officer trying to track down the only man who can clear his name in this bland western with all the standard elements. It does feature the World's most inept lynch mob. So that's something, I suppose. Poor: [4/
After a botched robbery, an ex-cavalry lieutenant struggles to regain his good name by catching the real robber.
The first part—the robbery and the cashiering—made me think this would be a superior western. But then Brown (Calhoun) meets up with Mona (Garland) who falls for him immediately Hollywood style, and it's murky time from there on, especially when it's trying to figure out who's on what side and why. One thing about these Universal oaters of the 50's—they're always well photographed in Technicolor. So when the story flounders, as it does here, there's still lots to look at. I'm just sorry that two of the best B-actors of the period, Garland and Larch, don't get to do more. I was looking forward to Garland's hoochie-koochie before she wrapped herself in a cloak. Anyhow, if you can figure out the latter part of the plot-line, you might enjoy this otherwise routine oater.
The first part—the robbery and the cashiering—made me think this would be a superior western. But then Brown (Calhoun) meets up with Mona (Garland) who falls for him immediately Hollywood style, and it's murky time from there on, especially when it's trying to figure out who's on what side and why. One thing about these Universal oaters of the 50's—they're always well photographed in Technicolor. So when the story flounders, as it does here, there's still lots to look at. I'm just sorry that two of the best B-actors of the period, Garland and Larch, don't get to do more. I was looking forward to Garland's hoochie-koochie before she wrapped herself in a cloak. Anyhow, if you can figure out the latter part of the plot-line, you might enjoy this otherwise routine oater.
क्या आपको पता है
- कनेक्शनReferenced in Svengoolie: The Undead (2021)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि
- 1 घं 20 मि(80 min)
- पक्ष अनुपात
- 2.35 : 1
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