The Man Who Understood Women

What the heck was this? The Bad and the Beautiful Goes on the Twentieth Century, I guess. Based on a novel by Romain Gary, Fonda plays Willie Bauche, a triple threat in the Orson Welles tradition whose films don't make any money, so he soon finds himself kicked out of the studio. While observing a screen test, he becomes interested in the actress doing the test, Ann Garantier (Leslie Caron) and decides to make her the biggest thing since Greta Garbo, manipulating his old boss at the studio to sign her. Ann and Willie fall in love and marry. On their wedding night, Willie becomes involved in some movie business and leaves the hotel. This turns Ann off, and the implication is that she doesn't sleep with him - and six months later, apparently, she's still not sleeping with him. His work always takes precedence over her, and she doesn't like it.

While on a trip to Paris, Ann meets a soldier, played by Cesare Danova, and runs away with him. He applies for discharge from his regiment and tells her that he's supposed to leave at the end of the week, but he's not going.

I've actually described the plot of this film in a much more exciting way than it was filmed. All I'll say is that Leslie Caron looked beautiful and had some beautiful clothes. Everyone is very low key and says their lines as if they're on their deathbed. Except for Fonda, they all sort of moan.

The lead role, Willie, is indeed a Welles type or the kind of producer played by Barrymore in Twentieth Century. Fonda was in comedies, but he was usually the straight man. This role called for a flamboyant, meglomaniacal performance. Fonda was a very internalized actor - I can't imagine anyone worse for this role. It's like having Cary Grant play Mahatma Gandhi.

A complete waste of time - your time, my time, and the actors' time.

I don't give this movie as low a rating that many had. It was an ok movie. It's listed as a comedy, that's the reason I wanted to watch it. But it's not a funny movie at all. If you want laughs from a movie, watch something else, this is not for you.

But that's about it. It's the reason I came here, to see who wrote the script. The tone of the dialog sounded vaguely familiar. I wouldn't be surprised to learn that there were other unnamed doctors who tried to breathe life into this script. I also began to wonder if this was some cockamamie remake of A Star Is Born. It isn't, not that I think it would be better if that had been the case.

I'm also somewhat gratified to see that I'm not the only person who never saw the appeal of Leslie Caron. She's always just Leslie Caron; it doesn't matter what the role is.

My fellow reviewers are right. Don't bother with this. It's a European production/film trying to be American, and as a consequence, it's neither one nor the other. It's a disaster of a hybrid.

Nunnally Johnson, one of the great talents of the movie business in the 1930s and 1940s eased up for several years, and then came back to write and direct this immobile lump of a motion picture..... not helped in the least, by the way, by the fact that the color has faded on the print shown this evening on Turner Classics Movie, going all pink.

Into this mess, he injected some very talented performers, particularly Henry Fonda, but then seems apparently to have directed everyone in a monotone, from megalomaniac Henry Fonda, who plays Leslie Caron's starmaker husband, to Myron McCormick, who plays his platitude-spouting assistant, to Cesare Danova, who plays her seducer. Caron gets to weep and screech a bit, but that's about the limit of emotions on display. Everyone speaks in long speeches all the time.

A thorough-going stinker. Avoid this one.

The best thing I can say about The Man Who Understood Women is it is not the worst comedy I ever saw: Machete, Jewel Robbery, Candy ( 1968), and Damsels In Distress ( all on my 10 worst films list) nor the worst movie I ever saw about Show Business (No Time For Comedy says hi). But It is the worst film of Henry Fonda's career and I despised the movie. The worst part? Fonda in clown makeup which is more cringe worthy ( and longer) then Octopussy with James Bond in clown makeup. On to Leslie Caron. I must admit I never got what other people saw in Leslie Caron: There are Frenchwomen so much more beautiful and better actresses ( Sophie Marceau, Catherine Deneuve, Denise Darcel and Julie Delpy to name a few), but here she is at her worst. Why? Her constant crying throughout this movie is sickening, which is why I had to fast forward through half the movie. Did I forget to mention, there is not one character ( especially Fonda and Caron) that you can like ( or even care about)? While it is not the worst movie I ever saw ( the ones I mentioned earlier plus Reality Bites and Walk On The Wild Side are worse, it it still makes my 10 worst films list and although I cannot rate it as no stars ( the minimum is 1), it still deserves 0 stars. 0/10 stars.