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Libel

  • 1959
  • Not Rated
  • 1 घं 40 मि
IMDb रेटिंग
7.2/10
1.7 हज़ार
आपकी रेटिंग
Libel (1959)
DramaMystery

अपनी भाषा में प्लॉट जोड़ेंA shell-shocked World War II veteran with memory problems is accused of being an impostor by a former comrade.A shell-shocked World War II veteran with memory problems is accused of being an impostor by a former comrade.A shell-shocked World War II veteran with memory problems is accused of being an impostor by a former comrade.

  • निर्देशक
    • Anthony Asquith
  • लेखक
    • Anatole de Grunwald
    • Karl Tunberg
    • Edward Wooll
  • स्टार
    • Dirk Bogarde
    • Olivia de Havilland
    • Paul Massie
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.2/10
    1.7 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Anthony Asquith
    • लेखक
      • Anatole de Grunwald
      • Karl Tunberg
      • Edward Wooll
    • स्टार
      • Dirk Bogarde
      • Olivia de Havilland
      • Paul Massie
    • 36यूज़र समीक्षाएं
    • 11आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 ऑस्कर के लिए नामांकित
      • कुल 1 नामांकन

    फ़ोटो15

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    पोस्टर देखें

    टॉप कलाकार43

    बदलाव करें
    Dirk Bogarde
    Dirk Bogarde
    • Sir Mark Loddon…
    Olivia de Havilland
    Olivia de Havilland
    • Lady Loddon
    Paul Massie
    Paul Massie
    • Jeffrey Buckenham
    Robert Morley
    Robert Morley
    • Sir Wilfred
    Wilfrid Hyde-White
    Wilfrid Hyde-White
    • Foxley
    • (as Wilfrid Hyde White)
    Anthony Dawson
    Anthony Dawson
    • Gerald Loddon
    Richard Wattis
    Richard Wattis
    • The Judge
    Richard Dimbleby
    Richard Dimbleby
    • Richard Dimbleby
    Martin Miller
    Martin Miller
    • Dr. Schrott
    Millicent Martin
    Millicent Martin
    • Maisie
    Toke Townley
    • Associate
    Deering Wells
    • Editor
    Bill Shine
    Bill Shine
    • The Guide
    Ivan Samson
    • Admiral Loddon
    Sebastian Saville
    Sebastian Saville
    • Michael Loddon
    Richard Pearson
    Richard Pearson
    • The Butler
    Robert Shaw
    Robert Shaw
    • First Photographer
    Geoffrey Bayldon
    Geoffrey Bayldon
    • Second Photographer
    • निर्देशक
      • Anthony Asquith
    • लेखक
      • Anatole de Grunwald
      • Karl Tunberg
      • Edward Wooll
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं36

    7.21.7K
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    फ़ीचर्ड समीक्षाएं

    8kijii

    Great movie courtroom drama with a mysterious 'identity crisis'

    This Anthony Asquith directed movie is one of Dirk Bogarde's finest movies. I would rank up there with Bogarde's performance in Victim (1961). Here, he plays the double role of portraying Sir Mark Loddon and his POW look-alike, Frank Welney.

    As the movie begins, one of his fellow POWs, Jeffrey Buckernham (Paul Massie) sees Loddon on TV giving a tour of his plush country estate with his American wife, Lady Loddon (Olivia de Havilland). Convinced that Loddon is Welney, Buckenham arranges to have a newspaper call him out which, in turn, forces Loddon to sue the newspaper for libel. However, he, himself, is not totally convinced about his own identity in that there are certain blank spots in his memory resulting from his escape from the POW camp many years previously.

    This is one of those great courtroom dramas in which the two opposing attorneys--Sir Wilfred (Robert Morley) represents Loddon and Wilfrid Hyde-White (Hubert Foxley) represents the defense for the newspaper in for Loddon's libel suit. Loddon's low point of the trial occurs when his own wife takes the stand, believing that he is not her husband.
    8hitchcockthelegend

    The Amnesiac Doppleganger.

    Libel is directed by Anthony Asquith and adapted from Edward Wooll's play by Anatole de Grunwald and Karl Tunberg. It stars Dirk Bogarde, Olivia de Havilland, Paul Massie, Robert Morley, Wilfrid Hyde-White, Anthony Dawson and Richard Wattis. Music is by Benjamin Frankel and cinematography by Robert Krasker.

    A shell-shocked ex-WWII prisoner of war with amnesia is accused of being an impostor by one of the guys he was imprisoned with. This sends him spinning into the middle of a Libel court case that could destroy everything in his life.

    A splendidly stylish mystery/drama that offers up two Dirk Bogarde's for the price of one. The big question throughout is if Bogarde, in the shoes of Sir Mark Sebastian Loddon, is actually a doppleganger that he was in the war with called Frank Welney. Loddon has the riches, the estate and a beautiful loving wife, Welney was a struggling actor and something of a mischievous imp. The big narrative thrust is that Loddon is not sure himself, he can only remember certain things, thus we are never sure either as the plot twists and turns and the court case simmers away with dramatic force.

    Bogarde is great in his dual role, with a voice change for each character and different hair styles to help the viewers differentiate. In the court we have a trio of classy character actors, with Hyde- White and Morley as the opposing lawyers (wonderful to witness this) and Watiss as the judge presiding over the trial. Havilland isn't asked to do much until late in the day, but then she shines bright and puts some emotional punch into proceedings. The great Krasker photographs it in crisp black and white, while Asquith directs with a smoothness that undercuts the coincidences and conveniences that exist in this sort of story.

    All the highlights of a court room drama are here, and it's a cracking mystery to boot. 8/10
    8blanche-2

    Good film

    I unabashedly admit that Dirk Bogarde is one of my favorite actors, so naturally, two of him is better. In "Libel," directed by Anthony Asquith, he has a dual role - that of a baron, Sir Mark Sebastian Loddon, and Frank Welney, an actor and a lookalike in his barracks during World War II. When Mark returns from the war, he can't remember a lot of his past life and is haunted by images of events during the war that he can't connect with. Another soldier sees the baron on television and believes that he is really Frank Welney, and the story is published in a tabloid. Mark's wife (Olivia de Havilland) insists that for the sake of their young son, he sue for libel. He does.

    This is an often-told story, but I enjoyed it anyway. Bogarde is excellent as the uptight, insecure Mark and the cocky, nosy Frank, and while there is a strong resemblance between the two men, Welney's coloring and hairstyle is different, as is his manner. De Havilland turns in another marvelous, emotional performance as a woman who starts out believing her husband is indeed the man she loved before the war... and then having her doubts.

    Well directed and holds one's interest.
    7bkoganbing

    Tucked Away In His Mind

    Updated to make the protagonists be World War II veterans instead of World War I, Libel made its Broadway debut in 1935 after a run in London and ran for 159 performances during the 1935-36 season. Playing the role Dirk Bogarde does here was the screen's original Dr. Frankenstein, Colin Clive.

    As for Bogarde due to movie screen magic he gets to play two roles, the respected titled English Lord with American wife Olivia DeHavilland and a Canadian fellow prisoner of war who was a traveling player and who looks like him. Worse than that, we see in flashback how he envied him.

    Into their happy lives intrudes another former POW Paul Massie who knew both men in the camp and makes the startling accusation that the one stole the identity of the other who died during the war. This indeed is a case of Libel and one for the courts to straighten out.

    Bringing the suit on Bogarde's behalf is Robert Morley and defending Massie is Wilfrid Hyde-White, they make a fine pair of antagonists. What is the truth, for that you have to watch Libel.

    Though Olivia is first billed, the film clearly belongs to Dirk Bogarde who delivers a fine poignant performance of a man tortured by doubt, there are things tucked away in his mind that he prefers not dealing with. Olivia gets her innings in when even she starts to doubt the identity of the man she's been married to.

    This film also gives we Yanks a chance to see Richard Dimbleby who was a combination of Edward R. Murrow and Walter Cronkite, that kind of trusted voice of the British Empire for the BBC. In fact Dimbleby is hosting Bogarde and DeHavilland on a tour of their mansion when Massie spots them on a bar television and sets everything in motion.

    Libel holds up very well today it could probably be easily remade for something like the Iraq or Afghan war in about 15 years time.
    denscul

    Good Movie based on implausible plot.

    This movie employs good actors, particularly some of the great English character actors of the time. However, the premise of the plot- one person changing identities with another, ruined the movie for me. What I don't understand, and wish some other movie buff could explain, how do writers get paid for stories when they show an complete lack of basic understanding of the military. Even way back in WWII, English soldiers were fingerprinted, and most soldiers wore their dog tags religiously, particularly those who served in combat. I would imagine a baron would be particularly concerned that his remains arrive back in the family plot. These two facts of military life were never explained. The final insult to our intelligence came when a uniform of a near comatose patient is presented in the court room. Since the war ended in 1945, and the setting of the movie was contempory (1959), 14 years had elapsed. What happened to the soldier's identification tags? What efforts had been made to notify the patient's family? In real life, the question of responsibility would have generated a search to determine whether the patient was a British soldier. The two main characters were captured at the evacuation at Dunkirk, often referred as the Miracle of Dunkirk because 400,000 soldiers did excape. The number of majors captured at Dunkirk would have been relatively small, and if a hospital was stuck with a patient for long term care, it stands to reason a serious effort would be made to determine who their patient was.

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    7.2
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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The original Broadway production of "Libel", produced in 1935, was directed by Otto Preminger, years before he made his Hollywood debut as a movie director.
    • गूफ़
      In opening credits, Arthur Davey is listed as In Charge of Adminstration; no way of missing the obvious error - it takes up half the screen; of course, it should be Administration. How can such glaring errors be missed by editors.
    • कनेक्शन
      References Apasionada (1952)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल16

    • How long is Libel?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 25 फ़रवरी 1960 (पश्चिम जर्मनी)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • अंग्रेज़ी
      • जर्मन
      • फ्रेंच
    • इस रूप में भी जाना जाता है
      • Die Nacht ist mein Feind
    • फ़िल्माने की जगहें
      • Piccadilly Circus, Piccadilly, लंदन, इंग्लैंड, यूनाइटेड किंगडम(opening scenes, establishing shot)
    • उत्पादन कंपनी
      • De Grunwald Productions
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $6,15,000(अनुमानित)
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 40 मिनट
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 2.00 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Libel (1959)
    टॉप गैप
    By what name was Libel (1959) officially released in India in English?
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