For the First Time

Lanza's last film is an enjoyable lightweight concoction with some lovely scenery and the star in glorious voice. The story is a bit hard to swallow but since his films were never the bedrock of reality this one is about par for the course. He performs many songs and as usual those are the strongest parts of the film since Mario was more of a personality than an actor but his part doesn't demand too much of him and he does fine with it. While Lanza sounds wonderful he's not looking his best, probably a result of his hard living ways which of course resulted in his passing shortly after the completion of this film. Someone who is a knockout is Zsa Zsa Gabor, her part is small but she perks up the picture every time she sweeps onto the screen beautifully dressed and oozing a sophistication that would be hard to find today.

Released two months before his demise, For The First Time proved to be Mario Lanza's last film. While it's not the young Lanza in his prime, booming out Be My Love, it's still a good film to go out on. It's a Cinderella type fairy tale of a concert singer/Prince Charming who meets and falls for a deaf girl and spends his time looking to cure her affliction.

One thing For The First Time has going for it are those European locations, especially the fabulous Isle of Capri. Capri is one of those places in the world where you cannot film anything that won't be beautiful. Ranks right up there with the Grecian Isles and Hawaii in that regard. Paramount would also use Capri around the same time for the Clark Gable-Sophia Loren film, It Started In Naples also with gratifying results.

The deaf girl who Lanza falls for precisely because she can't hear him and isn't groupie material is played by German actress Johanna Von Koczian who's had a distinguished career in German cinema to this day. She's billed as 'introducing Johanna Von Koczian' but she's only being introduced here to American audiences. Walter Rilla as the hearing specialist who operates and cures her and Hans Bohnker as Von Koczian's uncle, are also from the German film industry. Most of the rest of the cast is Italian. Of course with the exceptions of Kurt Kaszner as Lanza's manager and Zsa Zsa Gabor as Zsa Zsa under any name.

Mario too is Mario under any name. He always was himself because the audiences came to hear him sing, they didn't expect Hamlet from him. For The First Time has a good mix of classical and popular songs. Highlights are Come Prima which Lanza introduced and which sold a few records for him on RCA Victor Red Seal label and O Sole Mio which he sings at Sandra Giglio's wedding.

Lanza was in training at the time of his death on October 7, 1959 to finally go into grand opera. A hint of what he could have done is in the arias he does from Otello and the triumphal march from Aida which is a great piece of DeMille like spectacle in opera. He's just fabulous in both.

Back in the days of The Odd Couple I remember an episode where Felix says to Oscar he wants the triumphal march from Aida played at his funeral as his casket is paraded seven times around the cemetery before the planting. As an opera lover, I'm sure Felix must have seen For The First Time and was influenced.

If he heard Mario Lanza sing it, it sounds like a plan.

Mario Lanza sings and stars in his last film, "For the First Time," which has beautiful music sung against some of the most glorious scenery in the world on the Isle of Capri.

Lanza plays opera star Tonio Costa who is seemingly always in trouble -- on the night of a concert, he doesn't show up and is found standing on a taxi singing for the people who couldn't get into the theater.

He seems to have developed a bad reputation along the way. So his manager (Kurt Kasznar) sends him away for a vacation and to straighten himself out. He goes to Capri, and while there, he meets a young deaf woman (Johanna von Koczian). They fall in love, but she refuses to marry him until she can hear him.

The story is sappy, but it's just an excuse for the music. Lanza's voice is much darker here, with the middle voice really opened up. As a singer myself, I will say this normally happens about 15 years after it happened to Lanza. With age, the vocal cords thicken. Many singers find new warmth and power in the middle, while the top notes become more difficult. I attribute these changes in Lanza to his drinking and hard lifestyle, which I suspect included smoking.

At any rate, here he sings "Come Prima," "La Donna e mobile," "Vesti la giubba", the final scene of "Othello", the beginning of the Rigoletto quartet, a partial duet from Cosi fan Tutte, the Triumphant March from Aida, and Neopolitan and Bavarian songs. And with all that, I could have used more.

As usual, the repertoire is strange - you don't give Cosi to a spinto tenore, and you don't give that role to one of Costa's supposed stature, nor should he have been singing Othello.

Yes, singers can start out their careers with a lyric Mozart role, and as the voice develops, sing spinto roles - not a month later, but years later -- and possibly end their careers with an Othello, which is a dramatic tenor role, but again, not a month later.

Lanza is bloated in many closeups and wears a suit jacket or a robe the entire movie, apparently to cover weight gain which isn't really that evident.

How many young men did Mario Lanza inspire to take up operatic singing? How many people did he introduce to opera? One can only look at him here and say, what a waste.

Since he was living in Rome, he was offered operatic stage roles. Imagine if he had lived to do them. One can only wonder why some gifted people are like fireworks, flaring up and then fading.

The young woman in the movie, Johanna von Koczian, is "introduced" here and a superficial knowledge of movies is enough to tell you she didn't make it in Hollywood. However, she had, and is still having, a wonderful, full career in Germany. Her daughter is an actress as well.

Highly recommended if you love opera and especially for Lanza fans.

All of Mario Lanza's films are worth watching, even his weakest Seven Hills of Rome. For the First Time was his final film before his ultimely death shortly after, and is one of his best along with Serenade(my favourite) and The Great Caruso, The Student Prince is excellent too but because Lanza only provided the singing voice I'm not counting it.

The sometimes silly and rather thinly written story(which is one of the weak points of all Lanza's films except Serenade) is best forgotten, and the film sometimes felt too rushed, with Tony and Christa's relationship developed initially a touch too quickly. While the story is forgettable, the music and Lanza are most certainly not.

The music is a mix of operatic favourites and lightweight 'popular songs', with the highlights being Come Prima, the very moving Ave Maria and Vesti La Guibba(which along with the Otello monologue from Serenade contains Lanza's best film acting) being the standouts. Lanza's performance here is one of his best, along with Serenade and The Great Caruso(though he is a little better in those films). Sure he is not in the best physical shape due to ill health and La Donna e Mobile sounded strained, as a result of the drinking maybe and because of the voice darkening. But he plays with much more charm and assured ease than he did in his previous film Seven Hills of Rome, and he brings the same great emotional intensity that he brought in Serenade. He is in great voice, the tone here is unmistakable and beautiful with a richer darker quality than to his earlier films, his musicality and phrasing as solid as rocks and he there is some genuine pathos in his renditions of Ave Maria and Vesti La Guibba and charm in Come Prima.

Improvements over Lanza's previous films would be the script and the chemistry with his leading lady. Like the story, the script was a weak point in some of Lanza's films(Seven Hills of Rome was particularly bad in this case) but while it's not a strong point in For the First Time it does not bring it down. It's appealingly light-hearted and has some genuine pathos, without trying too hard, being manipulative, being too cloying and it doesn't veer into melodramatic soap-opera. Chemistry between Lanza and his leading ladies tended to not quite convince, often feeling cold(and this is including Kathryn Grayson in his first two films). The rapport between Lanza and the very touching Johanna Von Koczian in For the First Time though is very convincing and remarkably tender, which brings depth and poignancy to the story.

For the First Time is a very well-made film visually too, with lavish costumes and sets and vibrant Technicolor photography. Rudolph Maté's direction is assured and sympathetic, and of the strong supporting cast a big standout would have to be Zsa Zsa Gabor, who brings incandescent sophistication to a role that doesn't really have an awful lot to it.

In summary, For the First Time may be Lanza's swan-song, but it is also one of his best. 8/10 Bethany Cox

From the beautiful backdrop of Capri, to the enormous, passionate ringing voice of Mario Lanza, this is a must see movie for one and all.

Mario is in wonderful voice, and looks every bit the part of an opera singer hiding incognito. The scene where he sings "Come Prima ("For the First Time") is a showstopper, and you can almost feel the warm sunlight in your face and the salt air in your lungs as you listen to the one true voice known as Mario Lanza, singing to the swooning girls and admiring men. Don't miss this one!