Don't Give Up the Ship

Jerry Lewis plays John Paul Steckler VII who has just got married to beautiful Prudence Trabert (Diana Spencer).The bliss doesn't last for too long.John happens to be a Navy officer and he was responsible for getting USS Kornblatt home after the WWII ended.USS Kornblatt is a battleship.John Paul Steckler (the seventh) has hard time remembering where he left the vessel.Now he has ten days to find it or he's in big trouble.He won't be having too much time for the honeymoon.He does get close to a woman but that woman isn't his wife.That woman is Ensign Rita Benson (Dina Merrill) who's there to help John Paul Steckler (the seventh) with his trouble.When Prudence finds out that the Ensign is a she and that they shared a cabin together in a train that means another trouble for John.This time marital.Norman Taurog's Don't Give Up the Ship (1959) gives the Jerry Lewis fans what they need; Laughs, lots of, lots of laughs.Jerry is surrounded in this movie with beautiful and talented ladies.Dina Merrill and Diana Spencer are both superb.Mickey Shaughnessy does the part of Stan Wychinski and he does it brilliantly.Robert Middleton is great as Bludde.There are lots of funny scenes in this movie.In one awfully funny one John is at the bottom of the sea diving with Stan.Oh man did I laugh! In another funny scene Jerry ends up in a wrestling ring.Jerry Lewis is the mastermind behind many classic movies.He may not have directed or written this one but he is there with his comedy.That's enough.His comic touch makes this movie something really special.Jerry's comedy is something very original, something you can't copy.Many have tried, many have failed.Some have gotten close maybe, but nobody can beat the original.

The destroyer USS Kornblatt has been missing since World War II and Congressman Gale Gordon wants to know where it is. It's several million dollars worth of taxpayer's money from Uncle Sam. The last guy in charge was a career Navy man who since World War II has risen from Ensign to Lieutenant John Paul Steckler VII played in every generation by Jerry Lewis.

Don't Give Up The Ship deals precisely with a guy who apparently did just that and can't find it now. In a brief prologue to the film we see how Jerry playing several members of his family served their country in a kind of homage to Alec Guinness in Kind Hearts and Coronets. Despite a Steckler serving in the Navy for seven generations, the USA still became a superpower.

As VJ Day was celebrated the USS Kornblatt was given orders to sail to San Diego and be decommissioned. Every other officer had enough points for discharge so command devolved on Jerry Lewis. The Kornblatt stopped at an island where Lewis was captured by some Japanese soldiers left there who weren't told the war was over. His men left him there, thinking he was killed. That was the last he saw of his ship.

With this renewed interest in the Kornblatt and Navy appropriations on the line, Admiral Robert Middleton has given Lewis a special assignment to find his lost destroyer. Aiding him is Ensign Dina Merrill from Naval Intelligence.

On top of everything else Jerry's planning to get married to Diana Spencer and the wedding has to be postponed. Diana's not understanding her beloved working in close quarters with Merrill. Romantic complications are the last thing Jerry needs.

I think Don't Give Up The Ship was one of Jerry Lewis's funniest solo films since breaking up with Dino. It's got a lot of good physical comedy that Lewis excelled at and many opportunities to overact outrageously and with gusto.

It's a must for Jerry Lewis fans.

It seems that the USS Cornblatt is missing. How can a USS Cornblatt be missing? Oh wait, Jerry Lewis was left in charge of it. In what I think is one of his best films, Jerry Lewis is at his funniest as he is trying to find this huge piece of metal, or else pay an exorbitant amount for it. But wait! He was just married and on his honeymoon, when he was shanghaied. Diana Spencer plays his new wife, and she is very good at being teasingly impatient. He tries to see his wife every chance he gets, but then he is quarantined to private quarters. Mabel Albertson is his mother who frowns on this inconvenience and especially the mention of Jerry's father, who was absolutely no good, absolutely. And, when Ensign Benson, played deliciously by Dina Merrill, is assigned to help Jerry look for the destroyer, he keeps trying to keep her away from his wife. Part of the story is told by way of flashback, when Ensign Benson puts him into hypnosis! Also costarring Mickey Shaughnessy, Gale Gordon, and Claude Akins, this is a feel-good film all over. Up there with "The Delicate Delinquent," this is simply Jerry Lewis at his best.

I've always liked this film. It made me laugh when I first saw it as a youngster, and I got a bigger kick out of it as an adult. As a former Naval officer, I can appreciate some of the silliness that Jerry goes through in this movie; from "inheriting" his ship, to the naval bureaucracy.

Dina Merrill is great as Ensign Benson (I actually knew an Ensign Benson, and a Midshipman Shipman, but that's beside the point!) as is Mickey Shaugnessy as the Chief who helps him along (always listen to your Chief).

There's silliness galore, but it wouldn't be Jerry Lewis without it. Look for a nice homage/parody to the Caine Mutiny Courtmartial during the hearing scenes. Gail Gordon is at his ornery best in these scenes.

This is a lighthearted film that makes for an entertaining 90 minutes. Not a classic, but a lot of fun.

The premise here isn't bad -- the Navy misplaces a destroyer escort and wants to hold somebody accountable, so they go after the nebbish-y officer least likely to put up a fight. If you work in a bureaucracy, you know the thinking is accurate. And the film is shot reasonably well. But the results are merely above average and not more, and that's mostly because like so many old movies, this one has a scope and production that belie the sitcom plotting.

Jerry Lewis is that officer. Now, when you're a kid, you don't understand why so many adults don't like him. But you get older and realize his constant rubberfaced mugging is neither clever not satisfying. It stands in place of actual performance. Worse, they cast Dina Merrill as his romantic interest. Now, Merrill was always a dry actress, but when paired up with Lewis, she comes across more manly than he does. A lot of potential actresses comes to mind that Lewis could play off of.

For instance, Suzanne Pleshette, who was in Lewis' often offensive The Geisha Boy the year before, could provided the motherly grounding necessary to make Lewis tolerable. But Merrill comes across more like an icy cheerleader who just wants to be one of the gang. It's not that she's bad -- because she's not -- but just that she's not particularly good.

There are some odd moments in the film, too, which doesn't often fit the tone. For instance, when Lewis' character is playing with "worry balls," is it supposed to parodying The Caine Mutiny? If so, the scene never does anything else with it. When he dives headfirst into the ocean bottom and later gets attacked by an octopus, it's slapstick to the point of being cartoonish. Yet, the bits about WW2 seem more melodramatic and not a little bit racist.

There are obvious comparisons of this movie to Blake Edwards' Operation Petticoat, a far superior film. If Blake Edwards had done this one, the script no doubt would have been tighter, but it also would be hard to imagine a craftsman like Edwards putting up with the sophomoric haminess of Jerry Lewis. After all, he worked with the great Peter Sellers.