The Big Circus

"The Big Circus" is going to be a hard film for me to like. After all, the other three big circus spectaculars I've seen ("The Greatest Show on Earth", "Billy Rose's Jumbo" and "Circus World") were incredibly dull films. The only circus-themed films I can recall enjoying were comedies and so I am questioning now why I bothered to watch "The Big Circus"...perhaps I am just a glutton for punishment.

When the film begins, Hank Whirling (Victor Mature) is trying to arrange for a loan to keep his circus afloat. However, the bank is hesitant to make the loan and come up with an idea. Instead of just loaning the money, they'll send one of their people, Randy (Red Buttons), to go hang out with the circus for a few weeks to see if it really is worth the money. In addition, they assign a press agent, Helen (Rhonda Fleming) to go along as well and see if she can do anything to increase business and make the circus more profitable. Not surprisingly, Whirling is not the least bit thrilled by this but since he really has no other choice he accepts the proposition. Through the course of the film, lots of problems pop up but as the saying goes "The Show Must Go On!". But some of these problems might not be accidents...someone might just be deliberately sabotaging the circus!

"The Big Circus" is a bit different from the other three circus films I already mentioned. It seems a tiny bit smaller in scope and the actors tend to be more second-tier in stature. This is NOT necessarily a bad thing as the film seems to rest less on big names and concentrates a little more on entertaining the audience with a script that is at least modesty interesting and entertaining. I didn't love the film but found it kept my interest much more than the other circus epics and is actually worth seeing. I especially liked learning the identity of the saboteur...a really, really interesting choice!

C'mon, where else are you going to find a cast like this - at these prices, at least? It may not have the benefit of a DeMille budget, but this little gem succeeds where that director's "The Greatest Show On Earth" fails.

In place of DeMille's overblown hokum (which took itself too seriously to the point of campiness), THE BIG CIRCUS is earnest, lean and tightly paced, with no illusions that it's anything other than what it is: a collection of all the admittedly cliché elements that belong in a big-top thriller: sabotage by a rival, a lion on the loose, a killer in their midst, a fire, a train wreck and even a walk across Niagara Falls on a tightrope!

Seasoned pros Victor Mature, Gilbert Roland, Red Buttons and Rhonda Fleming give it their all without going overboard, Vincent Price and Peter Lorre appear appropriately suspicious for those wondering if type-casting will reveal one of them as the villain, David Nelson is on hand doing some of his own trapeze work and even Steve Allen gets into the act!

Don't look for import, just sit back and enjoy the ride (and forgive the cheesy matte work on the Niagara sequence; at least they sprang for CinemaScope).

After previously doing The Story of Mankind, producer Irwin Allen decided to do another all-star production with this: his version of The Greatest Show on Earth. Among the players are Victor Mature and Vincent Price who both previously were in Allen's Dangerous Mission as well as Peter Lorre who along with Price was also in Irwin's movie that I just mentioned at the beginning of this review. There's also Rhonda Fleming, Red Buttons, David Nelson from "The Adventures of Ozzie and Harriet", Gilbert Roland, Steve Allen as himself, and Kathryn Grant-the same one who I saw in The 7th Voyage of Sinbad last week and who by the time this movie was released was the second Mrs. Bing Crosby. Oh, and for fans of "The Andy Griffith Show", yes, that's Howard McNear near the end of the movie with a funny scene involving a lion! I'll just now say this was a very entertaining movie so that's my recommendation of The Big Circus. P.S. This review is dedicated in memory of Ms. Fleming who passed away on Oct. 14.

"The Big Circus," from 1959 is one of those spectacles in color that begged to be seen on a big screen, the type of film intended to lure audiences from their TV sets back into the movie theater.

It's a predictable story. Henry Whirling, the owner of the Whirling Circus (Victor Mature) gets a loan from a bank, but an accountant (Red Buttons) is sent along to watch the investment. He hires a publicist (Rhonda Fleming), though Whirling objects strenuously. Meanwhile, a rival circus is trying to sabotage Whirling's efforts to get into the black.

The film also stars Vincent Price as the ringleader, Gilbert Roland as the aerialist Colino, Peter Lorre as a Skeets the clown, David Nelson, a member of the high wire act, and Kathryn Grant. Grant plays Mature's sister -- they are twenty years apart, but it's within the realm of possibility.

With more attention paid to the care of animals today, I doubt you'd see multi-colored elephants, which really bothered me.

Some interesting aerial routines, a little suspense, and need I say that Red Buttons takes Skeets the Clown's place at one point.

This is before CGI and computers, so the process shot of Colino walking a wire at a national landmark is lousy.

The acting is nothing special. The best actors like Lorre and Price have smaller roles. Victor Mature was a serviceable leading man. Very, very few men in Hollywood were handsome throughout their lives; I think Gilbert Roland was a notable exception. He's quite effective in a dramatic role.

All in all, entertaining.

This was all-too-obviously modeled by producer Irwin Allen on Cecil B. De Mille’s prestigious (and surprising) Oscar triumph THE GREATEST SHOW ON EARTH (1952); consequently, the script is cliché-ridden, contrived and corny – but the end result is still professionally assembled and definitely not unentertaining for undiscriminating film buffs.

The stars (Victor Mature, Red Buttons and Rhonda Fleming) are easily overshadowed by the character actors (Gilbert Roland, Peter Lorre and Vincent Price); the latter two’s casting may be construed as a red herring given the presence of a saboteur – a rival’s lackey – amidst the troupe. Incidentally, Lorre has the old James Stewart clown role and Gilbert Roland ably steps into Cornel Wilde’s aerialist shoes; his all-important “crossing the Niagara” stunt is a (back-projection) highlight. Similarly, the initial animosity between Mature and ‘interlopers’ Fleming and Buttons predictably blossoms into, respectively, romance and familiarity (due to Buttons becoming engaged to Kathryn Grant, Mature’s younger would-be trapeze artist sister).

Along the way, the circus is hit by potential bank foreclosure, a lion set loose during a press conference, haystacks set ablaze, a fatal train-wreck, a trapeze artist losing his nerve during a performance, etc. The circus is also seen to move with the times – so that beleaguered owner Mature manages to bring his show to the people (rather than the other way around), via the nascent medium of television, when bouts of thunderstorms hit their scheduled stops!