The Rebel

One of the best Western series of all time. Johnny Yuma, The Rebel took no grief from anybody and was quick to help the underdog defeat injustice. I personally like the on going feature of Johnny's writing in his journal of his travels and people he meet along the way. I am proud to have all 76 episodes in my VHS collection.

Nick Adams starred in this post Civil War western The Rebel and unlike many series was the one and only cast member. Johnny Yuma went west to do a bit of soul searching. Fighting on the losing side will have you analyzing yourself a lot. And he kept a journal of his travels.

His life might have been a lot easier had he worn traditional cowboy attire. But every week there was Adams in part f his Confederate uniform. Would have saved him a lot grief but then about half the episodes in the two year run would have disappeared. And Adams was always playing young men with a chip on their shoulder.

he Rebel lasted two seasons and was faithfully watched by my Ukranian grandparents because they liked to see a nice Ukranian kid like Nick Adams make good. That he did but he died way too young.

THERE SEEMS TO be a nearly eternal popularity deeply entrenched into the very fiber of the stories dealing with "rebels." Be they authentic guerrilla type fighters or those representing restless and idealistic (and often very naïve)individuals. We need only look at some of our most popular movies of the day.

IN GOINGH BACK some years (being ever since WWII), we have had many films with this particular theme. Often categorized as the "Anti-hero", the characters and their stories have had such appeal as we've been talking. Consider: Marlon Brando in THE WILD ONE, Paul Newman in COOL HAND Luke, Tom Laughlin in BILLY JACK and the premier candidate, James Dean in REBEL WITHOUT A CAUSE.

AND SPEAKING OF Mr.Dean, it was his meteoric rise and tragic demise that added to both his own personal legend; as well as to the desire to have "rebellious" movie themes. In typical Hollywood fashion, there was a frantic scurrying about in hopes of finding the "New James Dean"; or at least someone who resembles him and could fill the void.

THIS EXHAUSTIVE SEARCH by "Talent Scouts" did manage to bring forth a number of talented individuals; although none really did the impossible by replacing the fallen Star. Among those who were thought to be viable candidates were: Robert Conrad, Martin Sheen, Ty Hardin, Rip Taylor* and Nick Adams.

SO IN THE casting of the youthful Mr. Adams as the lead in THE REBEL TV Series, the producers essentially fulfilled both rebel types. The character of Johnny Yuma was both young and full of blank and vinegar and was also a veteran of the defeated Army of the Confederate States of America. Indeed, what a coup de tat this was for the producers in "killing two birds with one stone", so to speak.

THE SERIES, WHICH did make it successfully through two seasons of brutal ratings wars of its own, traced the adventures lived by the young veteran former foot soldier. We follow his meandering through the Post-Bellum Western United States. He always has to prove himself to somebody; both as a man (because of his young age) and because he is a former "Johnny Reb".

NO MATTER WHERE Yuma 'wandered', the locals were sure to be able to size him up instantly as a Reb. Why, you ask? Well it was probably because he always wore his Gray uniform and rebel flat-topped brimmed cap; being a dead give away.

AS WAS THE custom, the central character in these 1950s 'Horse Operas' had special weapons. Much like Josh Randall (Steve McQueen) on WANTED: DEAD OR ALIVE, Johnny's weapon of choice was sawed off. But rather than its being a cut down carbine rifle, This Rebel had a surgically shortened shotgun. OUCH!!!

WE HAVE JUST discovered that in addition to being in front of the camera, Nick Adams was both the co-creator and sometimes writer to the series. He also did own some piece of the series. (Good for you, Nick!)

WHEN ONRE WATCHES one of the episodes of THE REBEL today, there is something very different. The original theme song and signature song, "The Ballad of Johnny Yuma" is not present on these modern day prints. It was very well known and sung by every kid in our neighborhood. It was recorded for the series by a singer named Johnny Cash. It has been replaced on the soundtrack by an instrumental instead. Once again, why you asked?

WELL THIS IS only a guess, but it's probably over either the rights to the song or because it may well require payments of healthy residuals to the Estate of the Late Mr. Cash; a practice abhorred by just about any Hollywood producer.

CAN YOU SAY "bottom line", Schultz?

Character actor Nick Adams was an unlikely choice for the lead on an action TV series, particularly a western, where the genre was dominated by large fellows like Clint Walker and James Arness. The diminutive Adams played Johnny Yuma, a Confederate veteran who after the Civil War wanders the west. But whereas virtually all of the other cowboys who did precisely that on a nearly endless number of shows were simply looking for work, romance, or adventure, Yuma was trying to 'find himself.' He was a writer, and "Johnny Yuma's Journal" always remained a focal point of the series. More interesting still was that the title had three meanings: One one level, Johnny was indeed a rebel in that he was among the defeated Southerners; on another, he was being played by Nick Adams, who had co-starred with James Dean in REBEL WITHOUT A CAUSE, and ABC made a great deal of the fact that, in an era of adult westerns, this was the first "teenage western" - though Adams was over thirty when he filmed the show, the idea was to bring a James Dean type character to television, if in the context of a western to avoid any possible controversy. Finally, there was at least a hint of Camus's THE STRANGER, a certain existential quailty to the character and the stark situations in which he found himself, that made this show vaguely philosophical, intentionally or otherwise. Much of the action took place at night, allowing this a certain noir sensibility not in evidence on any other western of the era. One wonderful element was the theme song, performed by the inimicable Johnny Cash: "Johnny Yuma, was a rebel; he roamed through the west." The show was a huge hit, particularly with teenagers, but ended up getting canceled when ABC entered into a hostile relationship with the company that produced The Rebel and cut off their nose to spite their face by canceling one of their top rated shows. Unlike most canceled series, which went immediately into syndication, the Rebel was picked up by NBC as a midseason replacement, though all those episodes were reruns. This move may have been an attempt to keep Nick Adams 'live' in the public consciousness, as they premiered his new series, Saints and Sinners (about a newspaperman) in the fall of 1962, though that series was a flop.

I was an avid fan of "The Rebel" when it first came out and I was in high school. I was a shy, skinny kid who tended to get rammed into the hallway lockers by the beefy kids bruising by, so I liked the image portrayed in "The Rebel". In contrast to the big, imposing guys in the TV westerns of the late 50's and early 60's such as James Garner, Clint Walker, and Chuck Conners, Nick Adams playing Johnny Yuma was a small guy who was even kind of asking for it by wearing a Confederate cap which designated him as someone the big guys would take as a loser and therefore, a temptation to bully. The very first episode introduces Johnny Yuma as a loner riding into a small western town and leading his horse to the water trough. The town toughs immediately see the Confederate cap and start shoving him around. "Don't push," Yuma says not in a whiny voice but with warning menace. "You aught to be used to being pushed by now, Reb," one of the toughs smirks. By the time this episode is over, Johnny Yuma has emptied his Confederate cap and ball pistol into them and blasted them and with his sawed off double barreled shotgun. Then, he grabs from his saddle bag a cluster of dynamite with the fuse already fashioned, lights it, storms to the saloon, and tosses the explosive package over the swinging doors. Boom! Each week, Johnny Yuma encountered another version of bullying by the bad guys and apathy by the onlookers which kind of resembled Will Kane's isolation in "High Noon." And each week Johnny Yuma would fight and blast his way to vengeance and justice. I haven't seen any of "The Rebel" episodes for almost 40 years. On top of that I have been living in Asia since 1969. But in light of what I have read about the recent tendency in American high schools for certain alienated students to keep journals like Johnny Yuma did and to one day march into the cafeteria blasting away, I wonder if "The Rebel" serves as catharsis or provocation. Or just good entertainment.