एक पूर्व पुलिस जासूस अपने निजी समस्याओं से जूझने के साथ साथ एक खूबसूरत महिला की तरफ़ आकर्षित हो जाता है.एक पूर्व पुलिस जासूस अपने निजी समस्याओं से जूझने के साथ साथ एक खूबसूरत महिला की तरफ़ आकर्षित हो जाता है.एक पूर्व पुलिस जासूस अपने निजी समस्याओं से जूझने के साथ साथ एक खूबसूरत महिला की तरफ़ आकर्षित हो जाता है.
- 2 ऑस्कर के लिए नामांकित
- 9 जीत और कुल 8 नामांकन
David Ahdar
- Priest
- (बिना क्रेडिट के)
Isabel Analla
- Undetermined Role
- (बिना क्रेडिट के)
Jack Ano
- Undetermined Role
- (बिना क्रेडिट के)
Margaret Bacon
- Nun
- (बिना क्रेडिट के)
John Benson
- Salesman
- (बिना क्रेडिट के)
Danny Borzage
- Juror
- (बिना क्रेडिट के)
Margaret Brayton
- Ransohoff's Saleslady
- (बिना क्रेडिट के)
Paul Bryar
- Capt. Hansen
- (बिना क्रेडिट के)
Boyd Cabeen
- Diner at Ernie's
- (बिना क्रेडिट के)
सारांश
Reviewers say 'Vertigo' is acclaimed for its narrative complexity, innovative techniques, and psychological depth. Praised for its use of color, camera work, and Bernard Herrmann's score, the film features standout performances by James Stewart and Kim Novak. Despite some finding it slow-paced and its themes unsettling, 'Vertigo' is often cited among the greatest films, captivating audiences with its enigmatic plot and atmospheric tension.
फ़ीचर्ड समीक्षाएं
Alfred Hitchcock directed this mesmerizing film that stars Jimmy Stewart as John 'Scottie' Ferguson, a retired San Francisco policeman who is approached by old college friend Gavin Elster(played by Tom Helmore) who wants him to follow his wife Madeline(played by Kim Novak) who has been acting strangely. Scottie does follow her, and becomes obsessed by her beauty and behavior, eventually falling in love with her, with devastating consequences. Though that is only the start of the mystery... Barbara Bel Geddes costars as Scottie's friend Midge, still in love with him, despite jilting him years before. Superbly directed and acted film has an ingenious story and stunning imagery, making this an unforgettable romantic mystery, with a stunning ending...though if you have the DVD, watch the extra feature on the lost extended ending, which is fascinating, and changes the tone of the film as a result!
There are no accidents here. Next year, in a few weeks, Vertigo will be 60 years old and it will celebrate it on top of the list of The Greatest Films Ever Made overtaking Citizen Kane and many other masterpieces. Why? Maybe when a filmmaker of Hitchcock's greatness taps into his own unconscious and reveals himself. By now we know enough about Hitchcock the man to know he was obsessed in finding that woman who'll look and behave just the way he wants and once he find them, they are destroyed to then embark on a quest to replace or duplicate her. Vera Miles was suppose to be the object of James Stewart's obsession and she opted for motherhood instead. Kim Novak replaced her and her coldness and detachment worked beautifully here. Barbara Bel Geddes the real woman who loves him he doesn't even notice, his focus is in the impossible.The magic touch in Vertigo is truly Bernard Herrmann. Try to see Vertigo without the score. No, don't. This classic is a marriage of images and music. A thriller with an uncomfortable truth at its very center. A personal truth from its filmmaker. I don't know if Vertigo will still be the number 1 in the list a hundred years from now, I will never know but I suspect that it will always be among the top.
An interesting psychological piece that richly displays Hitchcock's talents. It is unfair to compare this film to the suspense thrillers of today which are subjected to more realism in sex and violence. Hitchcock had to be more subtle in 1958, where I'm sure a work like this, that seems tame by today's standards, appeared bizarre and risqué. Also the acting here seems histrionic; not that people actually spoke like that in the 50s but the audiences liked such dictionally refined dialogue back then as opposed to the lines of modern-day scripts that more accurately portray the way individuals speak.
James Stewart and Kim Novak are appealing on numerous levels, the former mainly because he doesn't wander far from the amiable joe we have come to expect (even though he does weird-out near the conclusion) and the latter because she maintains a veneer of vulnerability that we can relate to.
This is not a film I especially like (I couldn't watch it again and again) but I respect for its strong filmmaking.
James Stewart and Kim Novak are appealing on numerous levels, the former mainly because he doesn't wander far from the amiable joe we have come to expect (even though he does weird-out near the conclusion) and the latter because she maintains a veneer of vulnerability that we can relate to.
This is not a film I especially like (I couldn't watch it again and again) but I respect for its strong filmmaking.
I get a bit tongue-tied talking about Hitchcock's greatest movies because they are just so remarkable, so astonishing, so entertaining, so multi-levelled, that it's very difficult to put into words what makes them great. Hitchcock made some of the greatest movies ever made, and 'Vertigo', though by no means his most accessible film, is quite possibly his crowning achievement. It is without any doubt a masterpiece, and I cannot fault it in any way. Every time I watch it I am knocked out, and every time I see something new, some nuance or moment that I appreciate more than I did the previous viewing. Jimmy Stewart, one of the most popular movie star in Hollywood history, gives a remarkable performance throughout, one of the best in his career. Stewart had worked with Hitchcock before, and had always been superb, especially in the much copied suspense classic 'Rear Window' a few years prior to this, but he plays against type in 'Vertigo' and is jaw-droppingly good. It's difficult to remember now that 'Vertigo' is regarded as a movie milestone, that it received many bad reviews when it was originally released, and was a relative failure for Hitchcock. A lot of this had to do with Stewart's intense performance I think, and also the difficult subject matter. 'Vertigo' is essentially a tale of sexual obsession, something most people were probably not expecting at the time! Almost as good as Stewart is Kim Novak ('The Man With The Golden Arm') in a role that she will always be remembered for. 'Vertigo' is a virtuoso piece from Hitchcock, and a movie that will no doubt continue to inspire other film makers over the years to come. However the most important thing about it is that it is still wonderful viewing, and a movie experience that you will never forget. In my mind it is one of the three of four greatest American movies. Simply astonishing.
It's rather strange that this film was a box office flop, as it's one of Alfred Hitchcock's better movies. The only problem with "Vertigo" is that in order to really enjoy it, you need to turn off your brain and just accept the movie. If you think the plot out TOO MUCH, you'll find yourself asking too many questions and not just enjoying the film...like my oldest daughter did.
The film is the story of a somewhat creepy ex-cop (James Stewart). When the film begins, he's emotionally scarred in an accident-an accident that leaves him with a HUGE case of psychologically-based vertigo. He decides to quit the job and is soon approached by an old friend--who wants to hire him to follow his emotionally disturbed wife. What happens next is very weird--and later becomes really creepy. I could say A LOT more but think it's best you just see the film--it has quite a few twists and turns that are bound to catch you by surprise.
Overall, a wonderfully original film. The only deficit, for some, is that although Stewart was a wonderful actor, he was too old for this role. Still, I could look past this and enjoyed it immensely.
The film is the story of a somewhat creepy ex-cop (James Stewart). When the film begins, he's emotionally scarred in an accident-an accident that leaves him with a HUGE case of psychologically-based vertigo. He decides to quit the job and is soon approached by an old friend--who wants to hire him to follow his emotionally disturbed wife. What happens next is very weird--and later becomes really creepy. I could say A LOT more but think it's best you just see the film--it has quite a few twists and turns that are bound to catch you by surprise.
Overall, a wonderfully original film. The only deficit, for some, is that although Stewart was a wonderful actor, he was too old for this role. Still, I could look past this and enjoyed it immensely.
क्या आपको पता है
- गूफ़Both times the main characters drive to the old mission, the wide shots show them driving on the right side of the road. However, all shots inside the car show them driving on the left side of the road. This is because the US 101 - where filming took place - near San Juan Bautista is split, with two lanes in each direction, by a grove of Eucalyptus trees. The film shows only one of the road's directions, giving the appearance that Scottie and Madeleine are driving on the wrong side of the road.
- क्रेज़ी क्रेडिटThe opening Paramount logo is in black and white while the rest of the film, including the closing Paramount logo, is in Technicolor.
- इसके अलावा अन्य वर्जनAn additional ending was made during post production for some European countries due to certain laws prohibiting a film from letting a "bad guy" get away at the end of a film. In the new ending, after Scottie looks down from the bell tower (the original ending) there is a short scene of Midge in her apartment sitting next to a radio and listening to reports of the police tracking down Gavin Elster hiding out in Europe. As Midge turns off the radio, the news flash also reports that three Berkeley students got caught bringing a cow up the stairs of a campus building. Scottie enters the apartment, looks at Midge plainly, and then looks out a window. Midge makes two drinks and gives one to Scottie. The scene ends with both of them looking out the window without saying a single word to each other. This alternate ending can be found on the restoration Laserdisc as well as the film's DVD debut.
- कनेक्शनEdited into Histoire(s) du cinéma: Une histoire seule (1989)
- साउंडट्रैकSymphony No. 34 in C K. 338, 2nd Movement, Andante di Molto (piu tosto allegretto)
(uncredited)
Composed by Wolfgang Amadeus Mozart
Played as 'cue 10B' on a record in the psychiatric ward
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Vertigo?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Vertigo
- फ़िल्माने की जगहें
- Fort Point, Presidio, Golden Gate National Recreation Area, सैन फ़्रांसिस्को, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Madeleine's jump into the bay)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $24,79,000(अनुमानित)
- US और कनाडा में सकल
- $78,63,310
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,52,880
- 18 मार्च 2018
- दुनिया भर में सकल
- $79,74,114
- चलने की अवधि2 घंटे 8 मिनट
- रंग
- पक्ष अनुपात
- 1.85 : 1
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