The Trollenberg Terror

I kind of liked this movie for all of it's B movie glory. It's a great 50s sci-fi movie. It's a little boring but I thought the monster was pretty good. A great late night or after noon viewing, not even all that scary. Good solid drive in movie or the kind of movie that you would watch on TV late at night. I laughed at various points during the movie but they did a pretty good job with the monster. Even though, it's kind of boring, it's good to watch if you like schlock movies from the 50s like I do. I wish it had been a little more entertaining and scary. But I do have affection for the movies of this period. You can tell that they were trying to keep the cost down. The acting was okay, what you would expect to find in these types of movies. All around fun and excitement for a lazy afternoon.

When I was very young, I viewed Quentin Lawrence's "The Trollenberg Terror" and Irving Pichel's "The Most Dangerous Game" quite often on late night TV. In retrospect, they are very hokey, but at such an impressionable age, these two films scared my sister and me a great deal. In fact, I think they marked us for life.

"The Trollenberg Terror," more often referred to as "The Crawling Eye" -- I love that name -- is about two psychic sisters in a remote ski resort who are terrorized by a giant, tentacled eye which uses the fog to hide its movements. The film climaxes with a King Kong-like finale involving the United Nations and an aerial battle with phosphorous bombs.

What more could you ask for in a cinematic experience? :) ... Except perhaps some better special effects. :p

A series of decapitations on a Swiss mountainside appear to be connected to a mysterious radioactive cloud, not unlike one that appeared in the Andes years earlier.

Although one of the earliest films to be lampooned on "Mystery Science Theater 3000", there is no denying the growing reputation this movie has received over the years: not only was it referenced in Stephen King's "It", but was also the primary influence behind John Carpenter's minimalist masterpiece "The Fog" (which itself has gone on to influence others).

"Crawling Eye" was the debut feature for director Quentin Lawrence, and probably remains his best-known work. Writer Jimmy Sangster (adapting the work of Peter Key) had only been working a few years, but was a rising star with such Hammer classics as "Dracula" and "Curse of Frankenstein" under his belt. Here he crafts a tale of science gone wrong mixed with the living dead, and done to perfection.

Most interestingly, shortly before the film was released, Lawrence directed a 6-part television miniseries with Key writing the episodes. Today, no copies are thought to exist, and there is no way to know what changes were made for the big screen, as well as what cuts had to be administered to accommodate the shorter running time.

Leading the cast is Forrest Tucker as United Nations troubleshooter Alan Brooks. Tucker had been in nearly 100 films during the 1940s and 50s, and easily handles his role here as the hero -- part action star, part scientific genius. He is assisted by Warren Mitchell as a caricatured Swiss professor (a portrayal which provides the film's only comic relief).

The standout performance comes from Janet Munro as a semi-psychic young woman who goes into trances when she nears the cloud. One gets the impression that she had a bright career before her, and indeed was given a Golden Globe in 1960. Sadly, she passed unexpectedly at age 38.

Today's audiences might find some of the special effects cheesy. Obviously the crew used miniature sets and plenty of rear projection. But in general, there is no denying the impressive use of fog, the freezing effects and the creepy realism of the titular eye. While other 1950s films were busy using radiation as a plot device for large bugs, this one went in a completely different direction -- possibly the only film of its kind.

Notably, "Crawling Eye" was the final film to be produced by Southall Studios, one of the earliest pioneer film studios in the UK, which had made a steady stream of films since 1924. They went out on a high note, which is always nice.

I have a huge and very soft spot for 1950s sci-fi films with freakish aliens and/or monsters. Be forewarned - my view of this film is definitely colored by my unhealthy interest in these films.

This is a true archetypal classic of the genre.

*** Weird psychic sisters, *** alien mystery clouds, *** giant creeping cyclopes with tentacles, *** secret government agencies investigating the paranormal, *** possession, *** zombies, ***

Forest Tucker(!)

• it's all here.

This is a very entertaining low-fi, low-brow, B/W monster movie. I am convinced that the writers were asked to include every element of contemporary supernatural, sci fi and imaginative fiction stories and, kudos to them - they pulled it off! Stephen King's Dreamcatcher owes a huge debt to this beauty. If you think about it, Dreamcatcher is almost a rewrite of this film, with aliens that are just a little less ridiculous and a different narrative. And the biggest surprise of all - Forest Tucker can act! His F Troop character was not the only personality in his repertoire!

Remarkably, the absurdity of the plot is not used as an excuse for exceedingly bad special effects.

This is a little gem of a 50s pulp film. It's goofy as hell, fun, well executed, and well worth a sleepless night. Far more entertaining that the Creature from the Black Lagoon, and many others.

A mysterious radioactive cloud hovers on the side of the Trollenberg mountain but no cloud should be at that altitude. In an observatory atop the mountain scientists monitor the behavior of the cloud. Forrest Tucker, who has seen such a cloud before, arrives to investigate. When townspeople start disappearing the cloud appears suspect.

This movie isn't that bad but the monster creatures are so poorly done, they are truly cheesy and the ending reminds me of when I was a boy and used to light plastic army men on fire in the backyard and watch them melt. Just film that and you have the special effects for this film.

The opening scene certainly grabs your attention. There is some nice photography of the Swiss Alps. The acting is fine. Janet Munro is an eye full as the extremely cute psychic who gets manipulated by the monsters.

Crawling Eyes/Trollenberg Terror is a British horror film of the 50's like Day of the Triffids and the Quatermass films.