The Two-Headed Spy

This is an exciting movie! I could not imagine that it can be so good. Jack Hawkins is incredibly good in the role of Gen. Alex Schottland and Gia Scala has charm and is very natural in the role of the singer Lily Geyr, some kind of Mata-Hari. A unique movie in the genre Drama, Thriller, War, an exceptional achievement from all points of view.

The amazing thing about this film is its actuality - it's a true story, general Schottland was actually a British spy in Germany from 1914 to the end of the second world war, with high responsibilities as a general and trusted implicitly by Hitler himself. The one fellow officer who didn't trust him is played by Alexander Knox who makes a fearful Nazi bully and idiot. Gia Scala plays the woman, a singer in a relationship with Jack Hawkins and others, and there is a traumatic story very similar to "The Counterfeit Traitor" with William Holden and Lilli Palmer some years later, but this is in black and white and sticks very strictly to realism, postponing true romance till after the war, if possible. The situation of general Schottland is hair-raising. His responsibility was tremendous, and he had the power and means to obstruct several of the most vital operations of the Germans during the war, for example the outcome of the battle of the Ardennes, actually causing immense casualties, and that's the shocking insight of this film - you learn how little millions of human lives mattered to officers in charge of the war. They are perfectly strict in casualness, and if one mark with a pen means the sacrifice of millions, it's for them just a mark of the pen. Jack Hawkings keeps up a terrible balance, constantly throwing a glance behind his back, constantly watched by the Gestapo, and ultimately no longer able to suppress his humanity. It's a great film on a small scale and definietely an enduring classic for all times.

I have nothing much to add to the reviews already here, but that I loved the film. Stylish, beautifully paced, and remarkably suspenseful, it features an intriguingly controlled and flawlessly nuanced performance by Jack Hawkins, who makes you believe it possible that a British agent, hidden for twenty years, could exist undercover at the highest levels of the Third Reich. And as a sign of the 1958 that produced "The Two-Headed Spy," most revealing of the relationships between international film interests that the blacklisted Michael Wilson and Alfred Levitt were denied credit as scriptwriters in a British film because of its U.S. release by Columbia.

However, for the record, I would like to correct a remark made by oxbridgeup from New Hampshire, who took issue with the use of tape recording in a scene, stating that it was not invented until 1947. Tape recording had actually been invented in Germany in the 1930s; it was used extensively in radio stations and by the Gestapo, most effectively as a tool to issue simultaneous statements by Hitler to units at all the various military fronts to give the Fuhrer the illusion of omnipresence. 1947 is the year the technology was introduced in the United States, and was patented by a group funded by Bing Crosby, who saw the potential in the format. An American audio engineer who, while assigned to the U.S. Army Signal Corps, had absconded with two of the pioneering German Magnetophon recorders (and numerous IG Farben magnetic tapes) at WWII's end, presented the technology to MGM and Crosby. Before this forming of Ampex, Farben had held the rights for magnetic tape (originally patented in the '20s as a long paper strip with an iron oxide coating) and AEG for recording/playing decks and their improvements -- most significantly, AC tape bias and stereophonic recording. Farben was, of course, dissolved in 1945 because of its cooperation with the Nazi regime (and notorious production of Xyklon-B), thus leaving its patents for the taking. How the AEG patents were voided is a mystery to me, but perhaps some knowledgeable reader might enlighten us.

The story of a brit, who signed up as a german soldier, and gets promoted to general. And starts passing valuable information to the allies. The story is presented as a true story, but in fact, had some inaccuracies. Schottland had served as a german soldier, but prior to world war one. With this knowledge, it becomes another world war two spy thriller, but not quite the documentary it's sometimes said to be. It's still a good tale! Starring jack hawkins, who was nominated for four baftas in the 1950s. Keep an eye out for donald pleasence in a small role. Directed by andre de toth; he had been nominated for the gunfighter in 1951. More details in wikipedia, under the entry alexander scotland.

Jack Hawkins plays an English officer spying from within Hitler's high command and forever under the watchful eye of the Gestapo.

This is an enjoyable, sometimes tense, if rather hard to swallow spy story, held nicely together by director De Toth and the always reliable and very British Jack Hawkins who is particularly impressive herewhen taking advantage of Hitler's absurd self belief. Good support from Felix Aylmer as his British contact and interesting to see Ronald Hines, Donald Pleasence and Michael Caine in very early bit parts.