Too Many Crooks

One of the better British farces of the late fifties, the plot of Mario Zampi's "Too Many Crooks" was later used for the Bette Midler vehicle "Ruthless People". The humour here is broad and decidedly British and is often laugh-out-loud funny. The cast comprises of some of the best British comedy actors of the time, (Terry-Thomas, George Cole, Bernard Bresslaw, Sidney James), as well as that wonderful character actress Brenda De Banzie as the kidnap victim whose husband, (the sublime Terry-Thomas), refuses to pay the ransom to get her back. What happens next may be predictable but thanks to Michael Pertwee's screenplay is also hugely enjoyable and on its own simple level, Zampi's direction is just about perfect.

The look and feel - and the influence, no doubt - at the start of this crime-caper could easily have Bogart and Cagney concocting a devious plan, such is the lighting and sinister mood of this film, part of the Terry-Thomas Collection.

However, as soon as the Cor-Blimey's emanate from these London cockney's the illusion is shattered and we feel reassured that this is going to be a who-who of British acting talent, mostly being really rather funny, or stupid. The caper itself is a devilish affair, a sort of film-noir since Brenda de Banzie gets kidnapped but her millionaire wheeler-dealer hubby Terry Thomas refuses to pay up as he's glad to be rid of her!

She then sets out get her own back on him and steal the ransom for herself, by persuading the crooks holding her that they'll each receive a share. In some ways, the plot matters little; it's scenes such as the Courtroom, with the always great John Le Messieur as magistrate, totally unable to control his subjects and of course, Terry Thomas himself, who is the epitome of OTT, rather vulgar and haughty - and sneering, mustn't forget sneering - sort of braggart that we know him so well for.

Production values, from Italian director Mario Zampi are well up on any Carry On's and probably on-par with the best Ealings, but slicker, which oddly doesn't suit rough-and-tumble comedy that well. That said, a minor but enjoyable British comedy, which mainly remains wholly watchable through our fondness for its many so-familiar stars.

This film popped up on TCM last week and I'm glad I caught it. I'm a fan of British comedies, from Ealing to Carry On, but this one had somehow escaped my radar. It's a delightful cast, and they make the most of scriptwriter Pertwee's gags (even the tired ones). There are little bits of plots from elsewhere, such as O Henry's RANSOM OF RED CHIEF (the unlovable kidnap victim) or the original LADYKILLERS (banknotes in the breeze). An upbeat, jazzy 50s score adds to the merriment, and George Cole is a stand-out for the many different characters he portrays throughout the film. Terry-Thomas, Bernard Bresslaw & Sid James, and Brenda De Banzie also deserve special mention. If you recall that Ms De Banzie played a very sinister villain just three years earlier in THE MAN WHO KNEW TOO MUCH, you'll appreciate her acting range. You might even want to watch twice so you don't miss some of the more subtle verbal gags.

Absolutely hysterical! I have never forgotten any of the Mario Zampi comedies I first saw as a teenager in the 1950s, especially this one & Laughter in Paradise. George Cole was in both (he's still around & working, lucky for us) & gives a brilliantly funny performance. Terry-Thomas has never been funnier. In this film he's like a broader version of Rex Harrison. Many of the set pieces (such as the undertakers in top hats pulling a criminal caper) & performances (especially by George Cole) seem like predecessors of Monty Python. The entire cast is perfect & includes Sid James & Bernard Bresslaw from the Carry On movies. One of the funniest films I've ever seen.

A wonderful British caper comedy from 1959, this film, along with School for Scoundrels (made the same year), probably stands as the most perfect vehicle for the caddish comic talent of Terry-Thomas. He plays wide boy entrepreneur Billy Gordon, who is targeted by the incompetent Fingers, or 'Mr X' (George Cole) and his criminal gang. When robbing the safe at Gordon's office proves unsuccessful, Fingers instead decides to kidnap Gordon's daughter, but things don't go according to plan... Too Many Crooks is a hilarious film, stylishly directed by Mario Zampi and featuring a wonderful script from Michael Pertwee. But it is the performances that really make it work, none more so than Terry-Thomas, who is a full-on tornado of one-liners, indignant snorts, impatient outbursts, and caddish cackles. Cole is also brilliant as a sort of proto-Arthur Daley, a bumbling no-mark with a taste for the lifestyle of a criminal mastermind, but almost no idea how to make it a reality. Further down the cast list, Bernard Bresslaw is memorably gormless as ex-wrestler Snowdrop (I love his Spike Milligan-style line 'I never heard of anything more precious than money. Except dollars.'), whilst Sidney James (a year away from achieving leading-man status with his first Carry On film) is as good as always as the frustrated professional crook fed up with Cole's fiascos; as is usual with James, his character is of course called Sid. The stunning Vera Day (who also appeared with Sidney James in the classic thriller Hell Drivers and Hammer's movie adaptation of the TV serial Quatermass II) plays Fingers' moll (or his 'nice little bit of X-certificate'), whilst such familiar faces as John Le Mesurier, Sidney Tafler, and Terry Scott have very funny cameos. About the only performance that doesn't quite work is that of Brenda De Banzie as Gordon's wife; a actress more noted for her dramatic turns in films like Hobson's Choice and The Entertainer, De Banzie does a good job as the meek housewife in the early scenes, but quite fails to convince as the re-invented crime boss and glamour puss later on; she plays these later scenes totally straight, and oddly, the script doesn't give her a single funny line. My favourite scene in the film has to be the one in which Fingers and Sid go to Gordon's office in the guise of police officers, which includes Cole's truly insane comic line 'A nod's as good as a wink to a blind horse. That's an old Latin quotation and it means 'is this your old woman's nightie?'', as well as Gordon's incandescent rage when the real police subsequently turn up and Gordon accuses the entire force of trying to blackmail him. The film is full of such wonderful episodes (the first attempted robbery and Gordon's appearance in court are also stand-outs), and it is a great reminder of a time when Britain used to make better comedy movies than any other country in the world.