IMDb रेटिंग
6.5/10
5 हज़ार
आपकी रेटिंग
एक वयोवृद्ध कोरियाई युद्ध से पहाड़ों पर घर आता है और पारिवारिक चांदनी व्यवसाय को संभालता है।एक वयोवृद्ध कोरियाई युद्ध से पहाड़ों पर घर आता है और पारिवारिक चांदनी व्यवसाय को संभालता है।एक वयोवृद्ध कोरियाई युद्ध से पहाड़ों पर घर आता है और पारिवारिक चांदनी व्यवसाय को संभालता है।
- निर्देशक
- लेखक
- स्टार
Peter Breck
- Stacey Gouge
- (बिना क्रेडिट के)
Charles Elledge
- Jimmy
- (बिना क्रेडिट के)
Jerry Hardin
- Niles Penland
- (बिना क्रेडिट के)
Charles Hendrix
- Townsman
- (बिना क्रेडिट के)
Betsy Holt
- Mary Barrett
- (बिना क्रेडिट के)
Peter Hornsby
- Lucky - Kogan's Henchman
- (बिना क्रेडिट के)
Francis Koon
- Sarah Doolin
- (बिना क्रेडिट के)
Christopher Mitchum
- Washboard Player
- (बिना क्रेडिट के)
Russell Offhaus
- Noisy Customer
- (बिना क्रेडिट के)
Jack Perry
- Kogan Henchman Killed in Car Crash
- (बिना क्रेडिट के)
Robert Porterfield
- Preacher
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Whatever the film lacks, which is a lot, focus on the imagery -- duelling hotrods, a dangling cigarette, and country two-lanes, along with a precious load of illegal booze, family honor, and a good woman. This is movie myth-making at its near purest, so what else could a ducktailed Elvis- clone of the 50's have wanted. Girls may have swooned over treacle like "A Summer Place", but hot-rodders packed this drive-in classic bumper to bumper. Sure, it's badly produced ($50 budget, tops), badly acted (even Mitchum struggles with the hopeless Keely Smith), and features one of the worst canvas backdrops on record (the water-wheel scene). Still it has the King of Cool gunning down the asphalt (don't let the sleepy eyes fool you), pits rugged individualism against angry collectivism (organized crime and big govn't), and opens with a throbbing title tune (composed and sung by Mitchum) -- topped by a look and feel unlike the usual Hollywood contrivance. And who can forget those forlorn headbeams searching their way through an existential void. The imagery was compelling and caught the edgy mood of a drive-in crowd feeling their own way through a world of teenage angst. Few would grow into the mythic shoes of road-warrior, Luke Doolin, but a lot sure wanted to try. Which is why this primitive slice of small-screen black-and-white continues to resonate, even into the big-screen myth-making of souped-up starships, evil empires, and computerized magic.
Arthur Ripley directs this cult classic crime/Noir. War vet Robert Mitchum returns home to ramrod the family moonshine business. This hard headed bootlegger takes on the Feds and the Mob while burning the roads in his whiskey laden hot rods. If that is not enough, he must keep his young brother(James Mitchum)from moving up from mechanic to driver in the family business and then there is the romancing of a Memphis chanteuse(Keely Smith). Also in the cast are Gene Barry, Sandra Knight and Jacques Aubuchon. Bob Mitchum produces, and takes partial writing credit plus writes songs for this evocative glimpse of southern culture. Mitchum also oversees his younger brother's film debut.
NOTE: It is said that Elvis Presley enjoyed this movie so much he memorized bad Bob's lines of the script.
NOTE: It is said that Elvis Presley enjoyed this movie so much he memorized bad Bob's lines of the script.
From the opening scene of a 1950 Ford coupe racing along a mountain road to the closing crash of a 1957 Ford - yes that must have been the product placement company, along with the tobacco industry, but the cops get around in great 1957 Chevy Bel Airs - this movie has plenty of involving drama centred around a guy who acts as a transporter for moonshiners. The female characters and the acting are weak but handsome Robert Mitchum keeps it all together in between the action sequences. Technically it ain't too bad, but there are obvious continuity problems. One scene between the younger brother and a law enforcer starts out and ends on location but there are a couple of minutes of dialog that are obviously filmed in the studio - even in 1957 this surely could have been done a little better.
I was 5 when this was made, but the first time i saw it I must have been 9 or 10 - I will never forget the electric-feeling charge that went through me that first time. When viewing the movie today, one has to keep in mind the period in which this movie was made. It looks and feels dated.
Being a car nut even at that young age, I started paying close attention when i saw Lucas Doolin's 50 Ford flying around a curve with a 57 Ford carrying two G-men on its tail. Just when it looks like he's about to get caught by a bumper clamping device on the front of the 57, he activates a lever that releases the rear bumper of the 50 Ford and leaves the G-men sitting there holding nothing but a bumper.
With a cigarette dangling from the corner of his mouth, Robert Mitchum as sleepy-eyed Lucas Doolin seems utterly cool and totally unafraid of anything that stands in the way of his way of making a living, which happens to be transporting illegal liquor. Everyone in his small community of Harlan seems to either look up to him or be envious of him. The scene where Gene Barry walks up to him after a chase and boxes Doolin and the 50 Ford in is classic. Realizing he is caught, Mitchum sits in the car, shuts off the engine, lights a cigarette and leans back in the seat. Barry walks up, leans over to the window and says "I believe I have a bumper that belongs to you." Mitchum nonchalantly replies "Well, why don't you give it back? That's like stealing, ain't it?"
I last saw this about 5 years ago. I would have been 46 then. It still excited me then. I guess it always will.
Being a car nut even at that young age, I started paying close attention when i saw Lucas Doolin's 50 Ford flying around a curve with a 57 Ford carrying two G-men on its tail. Just when it looks like he's about to get caught by a bumper clamping device on the front of the 57, he activates a lever that releases the rear bumper of the 50 Ford and leaves the G-men sitting there holding nothing but a bumper.
With a cigarette dangling from the corner of his mouth, Robert Mitchum as sleepy-eyed Lucas Doolin seems utterly cool and totally unafraid of anything that stands in the way of his way of making a living, which happens to be transporting illegal liquor. Everyone in his small community of Harlan seems to either look up to him or be envious of him. The scene where Gene Barry walks up to him after a chase and boxes Doolin and the 50 Ford in is classic. Realizing he is caught, Mitchum sits in the car, shuts off the engine, lights a cigarette and leans back in the seat. Barry walks up, leans over to the window and says "I believe I have a bumper that belongs to you." Mitchum nonchalantly replies "Well, why don't you give it back? That's like stealing, ain't it?"
I last saw this about 5 years ago. I would have been 46 then. It still excited me then. I guess it always will.
Thunder road. just the name brings back memories of being young. My dad's favourite movie is thunder road and he used to sing the song when I was young. He had the 45 of the ballad of Thunder road sung by Robert Mitchum. When the film was released on VHS My mom paid a $110. for it. the whole family sat down and was hooked and my dad was transported back to 1958. The film has a honest and touching quality about it. The people in it react as real people would.
The story is simple and that's part of the charm.
Lucas Doolin is home from the Korean War. Filled with a death wish. Luke drives his father's moonshine to the buyers. It's a dangerous job. the Mob is out to shut them down by any means needed. and the Tresury department is out to shut down the mob and the moonshiners. When drivers start getting killed and some drivers are arrested the pressure is on. only one driver is brave enough or reckless enough to keep running and that's Luke. Despite pressure from his mother and his father and his lover to quit. Luke just can't bring himself to quit. The recklessness of it gives him a thrill. Plus he doesn't like to be told what to do. When the mob boss contacts Luke and asks him to work for him Luke declines even though he knows it means a death sentence. When the Boss tells him if he can't get him then he'll get his brother Robin to drive. Luke beats the man and warns him. That No one will ever make a whisky runner out of his brother he'll kill the first man that tries. When one of Luke's cars is tagged as a whisky transport Luke sells it to a friend and buys a new car. When his friend dies in the old car the victim of a bomb meant for Luke he knows his time has run out. Trapped between the Mob and the G-Men Luke makes his last run and his last stand on Thunder Road. The Movie's influence is pretty far reaching Bruce Springsteen named one of his songs after it even tho he never saw the film. Steve Earle rewrote it as Copperhead Road his biggest hit song to date. And Burt Reynolds made a career out of his whisky runners in the 70's. And to this date it's been well remembered as the king of the drive in pictures. Tough gritty with some romance and a lot of action. The acting is decent. And Robert Mitchum can forever lay claim to the title of the king of cool after making this movie. This is the Movie that Steve Mcqueen could only dream of making !
The story is simple and that's part of the charm.
Lucas Doolin is home from the Korean War. Filled with a death wish. Luke drives his father's moonshine to the buyers. It's a dangerous job. the Mob is out to shut them down by any means needed. and the Tresury department is out to shut down the mob and the moonshiners. When drivers start getting killed and some drivers are arrested the pressure is on. only one driver is brave enough or reckless enough to keep running and that's Luke. Despite pressure from his mother and his father and his lover to quit. Luke just can't bring himself to quit. The recklessness of it gives him a thrill. Plus he doesn't like to be told what to do. When the mob boss contacts Luke and asks him to work for him Luke declines even though he knows it means a death sentence. When the Boss tells him if he can't get him then he'll get his brother Robin to drive. Luke beats the man and warns him. That No one will ever make a whisky runner out of his brother he'll kill the first man that tries. When one of Luke's cars is tagged as a whisky transport Luke sells it to a friend and buys a new car. When his friend dies in the old car the victim of a bomb meant for Luke he knows his time has run out. Trapped between the Mob and the G-Men Luke makes his last run and his last stand on Thunder Road. The Movie's influence is pretty far reaching Bruce Springsteen named one of his songs after it even tho he never saw the film. Steve Earle rewrote it as Copperhead Road his biggest hit song to date. And Burt Reynolds made a career out of his whisky runners in the 70's. And to this date it's been well remembered as the king of the drive in pictures. Tough gritty with some romance and a lot of action. The acting is decent. And Robert Mitchum can forever lay claim to the title of the king of cool after making this movie. This is the Movie that Steve Mcqueen could only dream of making !
क्या आपको पता है
- ट्रिवियाAll of the moonrunner cars in the film had been used by moonshiners in the Asheville, NC area, where the film was shot. The moonshiners sold the cars to the film company in order to buy newer and faster cars.
- गूफ़The movie was filmed in and around Asheville, NC. However, some of the scenes take place in Memphis, TN. In one of the Memphis scenes, Lucas Doolin pays a visit to the mob boss, Kogan, who is trying to horn in on his family's moonshine business. Doolin parks his car in front of a building with "Asheville Pharmacy" on the window.
- भाव
Lucas Doolin: [to a noisy customer, about the nightclub's singer] She's trying to make a living. If you want to bray, go find yourself a barnyard.
- कनेक्शनEdited into The Twilight Zone: The Prime Mover (1961)
- साउंडट्रैकBallad of Thunder Road
(uncredited)
(Theme song)
Composed by Robert Mitchum and Don Raye
Sung by Randy Sparks
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Thunder Road?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Jack O'Diamonds
- फ़िल्माने की जगहें
- एशविल, उत्तरी कैरोलिना, यूएसए(Tunnel Road, city and chase scenes)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 32 मिनट
- रंग
- पक्ष अनुपात
- 1.66 : 1
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