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Separate Tables

  • 1958
  • Approved
  • 1 घं 40 मि
IMDb रेटिंग
7.3/10
9.3 हज़ार
आपकी रेटिंग
Separate Tables (1958)
Trailer for this film based on the stage play
trailer प्ले करें2:40
1 वीडियो
99 फ़ोटो
DramaRomance

अपनी भाषा में प्लॉट जोड़ेंThe stories of several people are told as they stay at a seaside hotel in Bournemouth which features dining at "Separate Tables."The stories of several people are told as they stay at a seaside hotel in Bournemouth which features dining at "Separate Tables."The stories of several people are told as they stay at a seaside hotel in Bournemouth which features dining at "Separate Tables."

  • निर्देशक
    • Delbert Mann
  • लेखक
    • Terence Rattigan
    • John Gay
    • John Michael Hayes
  • स्टार
    • Rita Hayworth
    • Deborah Kerr
    • David Niven
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.3/10
    9.3 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Delbert Mann
    • लेखक
      • Terence Rattigan
      • John Gay
      • John Michael Hayes
    • स्टार
      • Rita Hayworth
      • Deborah Kerr
      • David Niven
    • 99यूज़र समीक्षाएं
    • 23आलोचक समीक्षाएं
    • 68मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 2 ऑस्कर जीते
      • 7 जीत और कुल 15 नामांकन

    वीडियो1

    Separate Tables
    Trailer 2:40
    Separate Tables

    फ़ोटो98

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 92
    पोस्टर देखें

    टॉप कलाकार13

    बदलाव करें
    Rita Hayworth
    Rita Hayworth
    • Ann Shankland
    Deborah Kerr
    Deborah Kerr
    • Sibyl Railton-Bell
    David Niven
    David Niven
    • Major Angus Pollock
    Burt Lancaster
    Burt Lancaster
    • John Malcolm
    Wendy Hiller
    Wendy Hiller
    • Pat Cooper
    Gladys Cooper
    Gladys Cooper
    • Mrs. Railton-Bell
    Cathleen Nesbitt
    Cathleen Nesbitt
    • Lady Gladys Matheson
    Felix Aylmer
    Felix Aylmer
    • Mr. Fowler
    Rod Taylor
    Rod Taylor
    • Charles
    Audrey Dalton
    Audrey Dalton
    • Jean
    May Hallatt
    May Hallatt
    • Miss Meacham
    Priscilla Morgan
    Priscilla Morgan
    • Doreen
    Hilda Plowright
    • Mabel
    • (बिना क्रेडिट के)
    • निर्देशक
      • Delbert Mann
    • लेखक
      • Terence Rattigan
      • John Gay
      • John Michael Hayes
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं99

    7.39.3K
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    फ़ीचर्ड समीक्षाएं

    7Holdjerhorses

    David Niven Deserved His Oscar

    Having recently watched "You Were Never Lovelier" with Fred Astaire and Rita Hayworth, it's interesting to notice how she was largely shot and directed throughout her career.

    Her dancing in "Lovelier" was fun and fine in "The Shorty George," where she's relaxed and clearly having a ball -- and appears to be keeping up with Astaire. "Appears" is the operative word. Astaire (who choreographed) carefully kept their routines within Hayworth's range, never challenging her beyond her capacities. But Hayworth completely lacked Ginger Rogers' lithe body fluidity and on screen electricity.

    Hayworth was stunningly beautiful, of course. But even in "Lovelier" there are moments when, not carefully lit, the forehead lines that were so apparent in later years (unless also carefully lit) were already apparent and fleetingly distracting.

    More to the point was how she was directed and photographed in "Lovelier." She actually has very few lines. What she does have are usually brief and delivered in a relatively quick take before cutting away.

    She never makes emotional transitions in a scene. Rather, the camera cuts to a new angle when she's called on to register a different emotion. The primary goal at all times is to maintain her seemingly flawless facial beauty. Fine in a fluff piece like "Lovelier."

    Cut to "Separate Tables" 16 years later.

    Hayworth is still beautiful if more "mature." AGAIN she is never shown making an emotional transition in one shot: cutaways are instead employed. The technique (to disguise her limited acting abilities) is particularly jarring in her dramatic scene in her bedroom with Burt Lancaster. On closer inspection, she "poses" from cut to cut rather than displaying her character's emotional arcs.

    Sure, she was supposed to be an aging model, all self-possessed poise. But not in that dramatic scene.

    Still, it's a fascinating lesson in how skilled film making disguises limited range. (For a heartbreaking account of the making of her last film, read Frank Langella's "Dropped Names.")

    Terence Rattigan's play was forced to disguise the homosexual "scandal" of the Major's (David Niven) being arrested for soliciting men in dark movie houses, though the implication is fairly clear.

    Knowing the repression of homosexuality at that time makes Niven's performance even more involving; especially once the scandal is revealed to the boarders at the Beauregard.

    Niven's amazing performance (in only 16 minutes of screen time) is disarmingly deep. He goes from an almost comical figure to an exposed fraud with a dark secret since childhood, to a lost late-middle-aged man with no future, to the final hope of redemption.

    Niven shows all his character's subtle emotional transitions in sustained takes (unlike Hayworth).

    Deborah Kerr is fine and completely convincing, as always.

    Burt Lancaster gives another version of Burt Lancaster in not his finest hour. "Sweet Smell of Success," "The Rose Tattoo," "Come Back, Little Sheba," "Birdman of Alcatraz" and "Judgment at Nuremberg" -- even "Trapeze" -- are better records of his talents. But he's always believable.

    The remaining cast, especially the nuanced Wendy Hiller, are terrific.

    Still, it's Hayworth's impression -- not her character's -- who lingers as something not quite real, not untalented, but unrealized and somewhat vacant. It's not her mental deterioration. It was there on screen from the beginning. She tried gamely throughout her career, and looked magnificent thanks to careful costuming, lighting and cinematography. But even with careful cutaway direction she seems little more than a paper doll -- and finally, tragically, just as fragile.
    yorky

    What a pity most of today's cinemagoers will never see this very moving film

    This is without doubt one of the best films I have ever seen. The fact that it all takes place in one small Bournemouth (England) hotel, no violence, no special effects, no thousands of extras, or vast expenditure says it all. Excellent performances from a star studded cast, especially David Niven. It is gripping from start to finish, but by modern standards in a gentle way. A movie possibly mainly for women, but as a man I can only say that I found it very moving. A film I will always watch whenever it comes around as it always will. A classic.
    10braggs123

    If you like human nature you'll love this movie.

    I enjoyed this movie immensely. I went back and watched parts of it over because it was done so well.

    The actors show the greatness and degradation of human nature under the duress of great personal obstacles and non-ideal circumstances.

    Burt Lancaster is both bold and vulnerable, directly honest and compassionately understanding.

    One person exhibits unsurpassed understanding with unselfish love. To me, this is a love story on many levels; manipulative love, selfish, lonely love, the love of people's opinion, love battling fear and finally... well, you need to watch it and see.
    7FilmOtaku

    Intriguing and well-written drama

    This film came highly recommended to me by my parents, so I was anxious to watch it. Again, I realized that my impression of Burt Lancaster is completely different from what he actually is as an actor. His portrayal of an alcoholic man who gets a visit from his ex-wife (Hayworth) at the hotel he resides is again different from the boisterous, oafish guy that I always believed him to be when I was younger. Also at the hotel are a varied group of characters – including an oppressive woman who lords over her timid spinster daughter (Kerr) and a retired Army officer with some secrets, (Niven) who are all taken care of by the distant, yet sincere proprietress, Pat Cooper (the amazing Wendy Hiller). The film encompasses all of their separate plot lines, and interweaves them gradually until the climatic ending. There was no action in this film, just wonderful, straight melodrama and some great writing and acting. A year later, Lancaster and Hecht, the producers behind this film, went on to produce `Sweet Smell of Success', which is infinitely more searing and dark, but it was interesting to see the precursor to that film. I recommend this film for anyone who appreciates solid classic melodramas.

    --Shelly
    Pennybear

    A film that grows on you.

    Though Deborah Kerr and David Niven are often singled out for their performances, it's really the sensitive, restrained, and vulnerable performance by Rita Hayworth and her relationship with the intense Burt Lancaster that will make you want to come back to this film again and again.

    Kerr is worlds away from her elegant performance in "An Affair to Remember." Her Sybil is dominated by her mother (excellently played by Gladys Cooper), repressed, plain, and rather odd. David Niven plays Major Pollock, a war-story windbag with some disturbing secrets. Niven won the best actor Oscar for his performance. However, on the second viewing of this film, his and Kerr's acting seemed showy and became a little irritating. I'm not so sure they stand the test of time.

    The less shrill moments with Wendy Hiller (also excellent), Lancaster, and the lovely, involving Hayworth were a welcome respite. Hayworth, more than anyone else, will break your heart in this film. She makes you care about what happens with her character, Ann. Perhaps their roles weren't as tied to an era as Niven's and Kerr's, but Hiller's, Lancaster's, and Hayworth's acting styles certainly seem more natural and real.

    Cathleen Nesbitt also turns in a warm and lovely performance as Lady Matheson.

    I definitely recommend this movie!

    इस तरह के और

    Elmer Gantry
    7.7
    Elmer Gantry
    I Want to Live!
    7.5
    I Want to Live!
    The Rose Tattoo
    6.9
    The Rose Tattoo
    Separate Tables
    7.4
    Separate Tables
    Sweet Smell of Success
    8.0
    Sweet Smell of Success
    Jezebel
    7.4
    Jezebel
    Marty
    7.7
    Marty
    The Letter
    7.5
    The Letter
    The Barefoot Contessa
    6.9
    The Barefoot Contessa
    राइन पर देखें
    7.1
    राइन पर देखें
    The Little Foxes
    7.9
    The Little Foxes
    Room at the Top
    7.5
    Room at the Top

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      When she was interviewed by the London "News Chronicle" about her Oscar win, Wendy Hiller said she thought the Academy was crazy for giving it to her. "All you could see of me in the picture was the back of my head. Unless they give some award for acting with one's back to the camera, I don't see how I could have won. They cut my two best scenes and gave one to Rita Hayworth." She went on, "Never mind the honor, though I'm sure it's very nice of them. I hope this award means cash - hard cash. I want lots of lovely offers to go filming in Hollywood, preferably in the winter so I can avoid all the horrid cold over here."
    • गूफ़
      When John takes Ann in his arms on the terrace, she drops her cigarette. As they go back inside, she still has the cigarette in her hand.
    • भाव

      Pat Cooper: [to John about his relationship with Ann] When you're together, you slash each other to pieces. When you're alone, you slash yourselves to pieces.

    • इसके अलावा अन्य वर्जन
      Delbert Mann did not want the song in the opening titles, and he discovered an old British print that included David Raksin's main title rather than the song, as he had wanted it, being used in a film festival.
    • कनेक्शन
      Featured in Hollywood and the Stars: The Odyssey of Rita Hayworth (1964)
    • साउंडट्रैक
      Separate Tables
      (1958)

      Music by Harry Warren

      Lyrics by Harold Adamson

      Sung by Vic Damone (uncredited)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल17

    • How long is Separate Tables?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 11 फ़रवरी 1959 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Odvojeni stolovi
    • फ़िल्माने की जगहें
      • Stage 5, The Lot - 1041 N. Formosa Avenue, वेस्ट हॉलीवुड, कैलिफोर्निया, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनियां
      • Hecht-Hill-Lancaster Productions
      • Clifton Productions
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $74,00,000
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 40 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.66 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Separate Tables (1958)
    टॉप गैप
    What is the French language plot outline for Separate Tables (1958)?
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