Popiól i diament

First, I've read a book by Jerzy Andrzejewski and then I've seen the movie. After that, I never went back to the book. It was not because it was bad, quite the contrary - it was very good. But the movie by Andrzej Wajda is definitely a masterpiece of Polish movie-making. The main plot of the movie revolves around Maciek Chelmicki, a young idealist who fought against the Germans and then turned to fight against the Communists. He is sent to kill Szczuka, one of The Party's middle rank administrators, by the Polish underground.That's the plot. The movie itself is about a lot of important things, common to all people (but I believe the Polish people will find a few of them more emotionally binding):

1. Nothing is black or white, everything is just a shade of gray

2. Is death, no matter how you try to justify it, senseless?

3. Is it better to live, while on your knees or die standing straight? Or maybe it's better to try to live standing straight?

4. That sometimes it's not war that is hell, it's living through war and trying to live a normal life that is a lot harder (thank God I do not know if it is so)

Wajda's movie doesn't give direct answers to any of these questions - each person may watch the movie from a different point of view and get to a totally different conclusion. But even if you're not into psychological movies about war, or noir-movies (and Popiol i Diament is definitely a sort of a noir-movie) it's worth watching for just one scene - the burning vodka glasses at the bar - Cybulski at his best.

And lastly - the motto of the movie (and of the book as well):

"Will ash and chaos be left in the end, that follows a storm into abyss Or may a diamond be found in the ash, a dawn of an everlasting victory"

Cyprian Kamil Norwid

PS: I hope Mr Norwid will not turn in his grave at the quality of my translation but that part of a poem by CK Norwid sums up the movie really well.

"Ashes and Diamonds" (Polish, 1958): And, this is the third of Wajda's trilogy about WWII in Poland, or perhaps better stated, inside the Polish people. This one is set on the last night of the war, and the following first day of official peace & freedom from German domination. As with both of the other films, nothing is as simple as it might first appear to us, or to the story's characters. Although it might not be "necessary" to view this trilogy three nights in a row (as I did), they SHOULD be seen in sequence. The writer and director chose exceptionally interesting and symbolic moments in time to place these stages. Note: NONE are upbeat, optimistic considerations of what war creates, except perhaps Wajda's inclination that the Poles do what they MUST for the greater good, even when it is for their individual worst.

This is a movie that becomes mostly great due to its fine directing approach. The movie at times picks an artistic approach but without disconnecting itself ever from its viewers.

It's really the way how this movie looks that made this an interesting and good watch for me. It features some beautiful black & white cinematography and it has some some really strong and unforgettable images in it.

The story in itself is being kept deliberately small and simple. The movie very rarely dwells, which is a good thing but it at the same time also prevents this movie from making a truly lasting impression with a good or powerful story. In my opinion the movie was lacking this, which prevented me from truly regarding this movie as a perfect movie, or a must-see classic, even though it is generally being regarded as perhaps the best and most definitive Polish movie ever made.

Neverhteless, the characters all do work out well, due to the movie its story and overall approach. It was also truly a pleasure to watch Zbigniew Cybulski act, who is known as the Polish James Dean. He was truly great and really solely carried the movie, for most part.

Due to the fact that the movie is being kept simple and small, there is also very little to indicate in this movie that it's actually one being set during WW II. Don't know whether this was done intentionally or not but anyway, I liked that about this movie. It's a war movie without the war and everything that goes along with that and basically all that ever indicates that there is war going on is shown by the presence of a few soldiers.

A solid but above all things beautifully directed movie, by Andrzej Wajda.

8/10

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This film shows an alternative lost youth to that of 1950's America. In the late 1940's and early 1950's some of Poland's teenagers were involved in a life and death struggle against the Soviet and Communist Polish authorities. these young people had been raised in the bloodshed of WWII and had learned to fight and die.

The film shows the lost youth of Poland struggling to find a way to leave this vicious upbringing and return to a normality which they often didn't ever have.

The film's hero wants to return to being a student and having romances and friends after years of fighting for the Polish underground (this is why he wears sunglasses, because his eyesight was damaged fighting in tunnels during the Warsaw Uprising), however he has a mission to kill a communist officer...

The film is amazing, the imagery reflects the detruction and sorrow of this lost generation. The direction and acting are superb. Like a previous poster, however, I was a little dis-satisfied with the ending, which differed from the book. That is a trivial point, though.

At its most basic, Andrzej Wajda's "Popiol i diament" (called "Ashes and Diamonds" in English) may seem to be a look at where Poland would be going after WWII ended. The plot involves young Maciek Chelmicki (Zbigniew Cybulski), who has helped expel the Nazis from Poland. With the Soviet Union now taking over the country, he is ordered to shift his allegiance to them. Through Maciek's acquaintances with communist leader Szczuka and barmaid Krzystyna (Ewa Krzyzewska), a potentially explosive situation arises.

If you know nothing about how the movie got made, this seems to be the whole purpose. But there are other points. In a mini-documentary about the movie, Andrzej Wajda and his collaborators explain how the novel on which the movie is based had Szczuka as the main character. Wajda not only moved the focus to Maciek - and gave him sort of a James Dean look - but also stressed the scene where Maciek talks with the man who fought in the Spanish Civil War. Apparently, fighting like the man did is a Polish tradition. Therefore, the film likely appeals to the Poles in almost every way; the perfect Polish movie, if you will.

Although I've never seen any of Andrzej Wajda's other movies - hell, I'd never heard of him until the Academy Awards gave him an honorary Oscar - I staunchly recommend this one. One can clearly see how he used the movie to subtly challenge the Soviet domination of his country (of course, they couldn't openly say anything against the USSR). Poland's pro-Soviet government had approved the movie, but didn't want to let it outside Poland. Wajda got some people to smuggle it out of the country, and it reached much of the world. Probably the most amazing scene is the end. I won't spoil the end, but I'll note that blood on a white sheet looks a bit like Poland's flag (a nationalistic statement).

All in all, a great movie. Andrzej Wajda has every reason to be proud of it.