Orders to Kill

Although Eddie Albert, Lillian Gish, and James Robertson Justice are the first, third, and fourth billed actors, the largest and most important parts are played by Paul Massie, Leslie French, and Irene Worth.

British intelligence believes they've identified a traitor in the French Resistance, and they send in a war-weary pilot (Massie) because he has lived in Paris and speaks fluent French. His mission is to execute the traitor, a different matter from dropping bombs on anonymous targets. He's eager to do the job and gets specialized training in methods of killing (James Robertson Justice is one of his eccentric instructors).

When he arrives in Paris, he meets his contact, a seamstress (Irene Worth) who, unlike him, understands exactly what is involved. Worth's energy and passion leap off the screen, yet she's never theatrical in the wrong way. The target turns out to be an apparently harmless old man (Leslie French, who resembles Donald Pleasence). Is he really guilty? Can the pilot carry out his mission? Should he? What will happen after he makes his decision?

Paul Massie, a Canadian actor, had played Brick in Peter Hall's London production of CAT ON A HOT TIN ROOF. His voice is very much like Richard Chamberlain, and like Chamberlain he is well-cast as a sensitive and decent man. His other big film roles were in LIBEL as Dirk Bogarde's accuser, and in SAPPHIRE. Around 1966 he appeared as a guest artist at the University of South Florida, and he became a professor of drama there, apparently finding a profession he liked better than film and professional stage acting.

I found it amusing that the French people encountered were so English, but it didn't hurt the film which was engrossing and thought provoking and an interesting look at the morals of the war.

This movie used to be on television all the time. It disappeared several years ago and hasn't reappeared on the tube or in video. It's interesting for a lot of reasons. Two great actresses, Lillian Gish and Irene Worth, are in it. Some fine British character actors including James Robertson Justice are outstanding in it. It's a suspenseful film about World War II and the scenes in Paris are particularly gripping. I too would give a lot to see it and own

Paul Massie, Eddie Albert, Leslie French, and Irene Worth star in "Orders to Kill," a 1958 film produced and directed by Anthony Asquith.

Done in a low-key, realistic way, the story concerns a young American soldier, Gene Summers (Massie) who is chosen to go to France to kill an attorney who was a Resistance member, Lafitte (French) but has become a traitor. For Summers, it's an exciting assignment, and he relishes learning his new identity and being taught to kill either with his bare hands or by knife. One of the men in charge of his training, Major MacMahon (Albert) is afraid the ramifications of the job aren't real enough for him, but off he goes. His contact in France is Leonie (Irene Worth).

All goes well until Summers actually meets LaFitte, who saves him from a Nazi roundup by hiding him in his office. When he sees that Lafitte seems like a gentle soul, he can't kill him. Then he meets LaFitte's daughter and wife. He appeals to Leonie -- maybe this man is innocent, maybe a further investigation is warranted. Leonie is a hard-nose and insists that he carry out his orders.

Talky and slow-moving through a good deal of the film, it changes suddenly and becomes very suspenseful and exciting. Everyone underplays, making them somehow more realistic in their war-torn surroundings.

Everyone is very good, but Irene Worth, a fantastic actress, Leslie French, and Eddie Albert are standouts. The workhorse role is Massie's, and he is very good in a role that required him to be extremely natural and even throughout.

Very good.

I saw this film on the late show about 25 years ago & haven't seen it since but I still remember much of it vividly. A soldier is parachuted into occupied France during World War II & is "ordered to kill" a resistance leader who is believed to have been collaborating with the Nazis. However, as he works his way into the trust of his target, he begins to believe that he is a loyal Frenchman & not a Nazi sympathizer. He expresses his doubts to his superiors, but they order him to continue his mission. His decision & its consequences form the climax of the movie. Despite its obscurity, the film packs quite an emotional punch & I dearly wish I could see it again. Perhaps time has burnished its image in my mind, but I would rate this as a superior war movie.

I saw this move perhaps 40 years ago, during the height of my interest in espionage and spy tradecraft. I remember being mesmerized by the gritty reality of this movie and the fine portrayal of the agent/assassin as played by Eddie Albert. It remains what is perhaps one of his most serious roles, and the film reveals a side of his talent rarely revealed in his other movies. Every detail of the film, from mission preparation through to the conclusion, was exceptionally well done. I would love to find a copy of this somewhere; it remains a personal favorite.