IMDb रेटिंग
6.9/10
9.1 हज़ार
आपकी रेटिंग
एक बूढ़े क्यूबा के मछुआरे का जादू तब टूट जाता है जब वह एक विशाल मछली को पकड़ लेता है जो उसे समुद्र में बहा देती है. अर्नेस्ट हेमिंग्वे की कहानी पर आधारित है.एक बूढ़े क्यूबा के मछुआरे का जादू तब टूट जाता है जब वह एक विशाल मछली को पकड़ लेता है जो उसे समुद्र में बहा देती है. अर्नेस्ट हेमिंग्वे की कहानी पर आधारित है.एक बूढ़े क्यूबा के मछुआरे का जादू तब टूट जाता है जब वह एक विशाल मछली को पकड़ लेता है जो उसे समुद्र में बहा देती है. अर्नेस्ट हेमिंग्वे की कहानी पर आधारित है.
- निर्देशक
- लेखक
- स्टार
- 1 ऑस्कर जीते
- 6 जीत और कुल 5 नामांकन
Felipe Pazos
- The Boy
- (as Felipe Pazos Jr.)
Richard Alameda
- Gambler
- (बिना क्रेडिट के)
Robert Alderette
- Gambler
- (बिना क्रेडिट के)
Don Alvarado
- Waiter
- (बिना क्रेडिट के)
Don Blackman
- Hand Wrestler
- (बिना क्रेडिट के)
Don Diamond
- Cafe Proprietor
- (बिना क्रेडिट के)
Mary Hemingway
- Tourist
- (बिना क्रेडिट के)
Mauritz Hugo
- Gambler
- (बिना क्रेडिट के)
Mike Morelli
- Gambler
- (बिना क्रेडिट के)
George Nardelli
- Gambler
- (बिना क्रेडिट के)
Jose Portugal
- Gambler
- (बिना क्रेडिट के)
Carlos Rivero
- Gambler
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
This is an interesting movie for someone who is more into "Hearing" than "watching" a movie. Its a good adaptation of the book, made almost LIKE a book which makes it both interesting as well as a little boring for viewers with taste for changing scenes. It's about this Old Cuban fisherman who wakes up on an ordinary day after several UNLUCKY days & heads to his beloved sea to find a bite. He gets lucky hooking a big catch that he kept on holding to for 3 days non stop & then how he struggles with his age, sleep & hunger to bring it back home. The story's simple, but for someone with taste for exclusive art, this is a must watch!
Ernest Hemingway's "The Old Man and the Sea" is a fine story, but it gives every indication of being quite a challenge to any film-maker hoping to adapt it to the screen. This is a good effort, with a well-conceived approach to getting across the story and the main ideas. Yet it required above all the right leading actor, and Spencer Tracy comes through with a poignant performance that pulls everything else together.
Tracy is perfectly cast as the old fisherman. His voice is ideal, not only for the character but also for reading the lengthy voice-over narrations from Hemingway's text. The narration is used to communicate some of the story's key themes, and without just the right reader it probably would not have worked at all. Tracy also seems to identify with the character closely, since his mannerisms and body language almost always seem just right.
The action parts of the story rely heavily on stock footage, and sometimes on rather obvious models, but the action is not nearly as important as are the old man's character and his thoughts. Although there are some exciting moments in his battle with nature, it is what these bring out in him, not the events themselves, that are important.
What works especially well here are the old man's dreams and thoughts of the past. They are all-important in defining the character, and this adaptation manages them better than you could hope for, with the simplest of means. Once again, Tracy's narration matches the content perfectly.
The heart of the story is an honest but compassionate look at a man almost thoroughly ignored by the world, seemingly with little purpose to his life. His importance comes not from any outstanding achievement or valuable talent, but simply because he is a human being, with his own hopes, memories, and worries that are unique to him. This movie version succeeds well in rendering a touching picture of its main character.
Tracy is perfectly cast as the old fisherman. His voice is ideal, not only for the character but also for reading the lengthy voice-over narrations from Hemingway's text. The narration is used to communicate some of the story's key themes, and without just the right reader it probably would not have worked at all. Tracy also seems to identify with the character closely, since his mannerisms and body language almost always seem just right.
The action parts of the story rely heavily on stock footage, and sometimes on rather obvious models, but the action is not nearly as important as are the old man's character and his thoughts. Although there are some exciting moments in his battle with nature, it is what these bring out in him, not the events themselves, that are important.
What works especially well here are the old man's dreams and thoughts of the past. They are all-important in defining the character, and this adaptation manages them better than you could hope for, with the simplest of means. Once again, Tracy's narration matches the content perfectly.
The heart of the story is an honest but compassionate look at a man almost thoroughly ignored by the world, seemingly with little purpose to his life. His importance comes not from any outstanding achievement or valuable talent, but simply because he is a human being, with his own hopes, memories, and worries that are unique to him. This movie version succeeds well in rendering a touching picture of its main character.
An American drama; A story about an old Cuban fisherman who has not caught anything in 84 days. This is a film adaptation of Hemingway's Pulitzer-winning novella. The best that can be said about it is Spencer Tracy's Academy Award-nominated performance, its winning score, and the sumptuous colour photography also recognised that year by the Academy. It is a faithful adaptation in terms of narrative. Tracy embodies the old man wonderfully, particularly in capturing the modesty and kindliness of Santiago, the Cuban apprentice boy's hero. The film's shortcomings can be said to be the production values, i.e., the scenes at sea. The producers also failed to effect Santiago's wrestling with the fish, scenes that were key to the source material as well; the brilliant stock footage of big fish only goes so far to assuage the disappointment in these sequences. All in all, viewers will admire Tracy for his naturalism on screen, something that comes easy to very few film actors.
Arguably the best novella ever written gets both a reading from Spencer Tracy and a dramatization - neither of which quite mesh with each other. There is a great deal of unnecessary narration, probably owing to the fact that no one thought Hemingway's words could be improved upon. I wish this movie had been made ten years later, when the sparse style of the prose could have been matched by the sparseness of the period.
All that aside, it's a beautiful movie and Tracy is excellent. You wouldn't think that an old-hand white guy actor would be able to carry off being a old-hand white guy actor doing an old Cuban man without looking silly. But he does, without trying to do anything besides portraying an aging fisherman. This is the key to his performance - he looks so comfortable in the role that you absolutely believe him as that fisherman. One of his greatest roles.
All that aside, it's a beautiful movie and Tracy is excellent. You wouldn't think that an old-hand white guy actor would be able to carry off being a old-hand white guy actor doing an old Cuban man without looking silly. But he does, without trying to do anything besides portraying an aging fisherman. This is the key to his performance - he looks so comfortable in the role that you absolutely believe him as that fisherman. One of his greatest roles.
I read the book again before viewing the movie on video. The book is very short and the movie follows the narration very closely. Some of the narration is dropped, however, in the version I viewed. The fisherman is a lot like many of us as we grow older and it is very heartwarming to see how he faces his tribulations with such a wise philosophy. He does not harbor ill will toward anyone or anything, including the great fish, but accepts life and makes no judgements.
Spencer Tracy provides an excellent portrayal, as usual, of the main character. The boy acted very well and I wondered what his future had in store for him. I wondered if He would be effected by the Cuban Revolution a few years later. I told my wife that it would be interesting if he became a revolutionary if the story continued. It was very interesting to find that in real life, according to the Movie data base biography, his father was an economist and a principal participant in the Cuban Revolution a few years later.
A book well written and a film adaption that presents the story as I imagined it while reading the book.
Spencer Tracy provides an excellent portrayal, as usual, of the main character. The boy acted very well and I wondered what his future had in store for him. I wondered if He would be effected by the Cuban Revolution a few years later. I told my wife that it would be interesting if he became a revolutionary if the story continued. It was very interesting to find that in real life, according to the Movie data base biography, his father was an economist and a principal participant in the Cuban Revolution a few years later.
A book well written and a film adaption that presents the story as I imagined it while reading the book.
क्या आपको पता है
- ट्रिवियाErnest Hemingway was initially involved in the production, although the extent of his participation after selling his book's film rights to Warner Bros. was to go marlin fishing off the coast of Peru to try to find a fish suitable for use in the film. In the end, the producers used a rubber marlin and stock footage of marlin fishing in which Hemingway didn't participate. After seeing the film, Hemingway expressed his disappointment, remarking that Spencer Tracy looked less like a Cuban peasant fisherman than the rich actor he was. Nevertheless, Tracy earned an Oscar nomination for the role.
- गूफ़(at around 30 mins) There's a white fishing line extending upward from the marlin as it jumps out of the water, which is impossible because Spencer Tracy is sitting at water level. As explained in the end titles, this footage was obtained when Alfred C. Glassell Jr. caught a record-sized marlin at the Cabo Blanco Fishing Club in Peru.
- भाव
The Old Man: Do not blame the hand, it is not the hand's fault
- क्रेज़ी क्रेडिटThe only opening credit is the following: Ernest Hemingway's The Old Man and the Sea. The cast and crew all appear in the closing credits. There were only three cast members named and are listed in the following order: Felipe Pazos Jr., Harry Bellaver, Spencer Tracy.
- कनेक्शनEdited into La classe américaine (1993)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Old Man and the Sea?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Starac i more
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $50,00,000(अनुमानित)
- दुनिया भर में सकल
- $67,740
- चलने की अवधि
- 1 घं 26 मि(86 min)
- पक्ष अनुपात
- 1.85 : 1
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