A Night to Remember

The Titanic disaster has provided material for quite an assortment of films, and a number of them have at least something to offer. This is one of the more effective, with its straightforward and, based on the knowledge then available, factually accurate approach. One particularly worthwhile aspect is that it spends more time detailing the reasons for the disaster than do most movies on the subject.

Often movies that try to stay close to the facts suffer from a lack of focus, especially when there is/are no central character(s) to hold things together. In this adaptation of "A Night to Remember", they solved the problem by focusing much of the action around Second Officer Lightoller, who was involved in some way in so many different aspects of what happened. As a device it works well, and there is enough action involving the other characters to keep it balanced.

Another inherent challenge in the story is that there are so many characters, and most of them hold some interest. In this adaptation, they chose simply to depict as many brief situations as possible, often without giving much with which to identify the characters. If you are familiar with Walter Lord's book, it is often possible to identify many of them, but otherwise, it might be a little confusing to sort through so many characters.

For such a detail-heavy story, this is an effective and commendable movie. With very few frills, it tells the story believably and sometimes memorably.

It does a pretty good job of meeting the main challenges, not telling the complete story, of course, but providing a worthwhile overview of events.

I've seen several film versions of the Titanic tragedy (I'm something of a buff--I'm distantly related to Mr. & Mrs. Edwin Kimball, who were 1st class passengers!) "A Night to Remember" is still the best, no contest. The effects are 1958 state-of-the-art, the script was meticulously researched, and the people are actually written and played as 1912 people (James Cameron's cast were a bit too much 1990's to be convincing). Even those characters who are slightly fictionalized (the "lady" who represents--without mentioning--Lady Cosmo Duff-Gordon, and "my dear son" and his family, for examples) behave as their real life counterparts would have in 1912, giving the film a documentary feel without failing to give the viewer people to identify with and care about. This is classic film-making at its finest!

The original adaptation of the "Ship of Dreams", 'A Night to Remember' is a riveting and emotional study of the fateful maiden voyage of the RMS Titanic. A British production made on location at Pinewood Studios, Roy Baker's meticulous re-creation of the sinking of the Titanic is an utter masterpiece of cinema. The scale of the sets, the ingenuity of the visual effects and the stellar performances all make this a 1950's Brit-blockbuster at its very best. Whilst the '97 adaptation from James Cameron is a powerful piece of cinema, this stunning and melodramatic 1958 flick spends its 2-hour duration focussing on the lives of everybody aboard the ship instead of wandering off to study a love story between two characters. A film that relies on real-life survivor testimony, 'A Night to Remember' is in my opinion the best adaptation of the tale of the "unsinkable" ship and one of the best British films to have ever graced the screen.

Including the very first movie that dealt with the Titanic disaster, SAVED FROM THE TITANIC (1912) starring Dorothy Gibson, an actual survivor who wore the same outfit in the movie that she had on that fateful night just a few months earlier, there have been TEN movies made covering the sinking, A NIGHT TO REMEMBER, based on Walter Lords' ultimate reference work of the same name, was the 6th. The film has no equal! For those who are interested, the other nine ARE chronologically:

TITANIC (1915) TITANIC: DISASTER IN THE ATLANTIC (1929) TITANIC (1943) TITANIC (1953) A NIGHT TO REMEMBER (1958) SOS TITANIC (1979) TITANIC (1984) TITANIC (1996) TITANIC (1997)

The REASON that A NIGHT TO REMEMBER excels, is that it is a straight up docudrama of the event. Historical accuracy (lets forget the "split,"... although actually "suggested" by a few eye-witnesses at the time, it was believed the ship had foundered intact) was observed, the main characters were vastly better portrayed than in later films and the "scale" of the disaster far more keenly felt, for all James Cameron's $180 million! Kenneth More made an unimprovable-upon Captain Lightoller and Laurence Naismith simply WAS Captain Smith. (The less said about Bernard Hill's loopy characterization in Cameron's epic, the better!) Those who wish to compare multi million dollar digitization to that which was available in 1958 need to get REAL and for all that money, and exciting as Cameron's was - it just didn't either LOOK or feel anything more than, well...a massive film-set! The 1958 version went to the heart of the tragedy...and took the viewer with them. A NIGHT TO REMEMBER will remain a tribute...THE tribute to that night of madness. Little things, David McCallum fighting for his life-vest, Michael Goodliffe as Thomas Andrews - dignity personified waiting for his last moments, the drunken cook - they were all worth more than $100 million dollars worth of fx! You can't BUY credibility. This could never have been an American tale - it didn't work with the 1953 Barbara Stanwyck version and it didn't ring true for Cameron (good though it was as a movie rather than as the tragedy!) Did anyone notice dear old "Q" (Desmond Llewelyn) below decks and old Brit-turned-Aussie favorite Stuart Wagstaff, as a steward in Steerage?

As I looked in awe at the special effects used to create the more recent telling of the story of the Titanic, my mind wandered back to being ten years old and seeing "A Night to Remember" on our black and white TV. Watching the portrayal of the tragic deaths of all those people and realizing that the tragedy was real kept me from sleeping well for several days. While it doesn't have the flash of the contemporary film, it has the heart the newer version never has. No star-crossed lovers, no angry fiances wielding pistols, just the people who trusted the big companies and the engineers to produce an "unsinkable" ship.

This film, which starts slowly, draws us into the lives of the several characters--put together with delicacy from the text of Walter Lord's wonderful book. The tragedy is in the hopelessness of a group of people who are at the mercy of an overall antagonist--arrogance--which will destroy them. It is all dramatic irony, like so many disaster films are and we are the viewers. The movie tries to even inject an element of humor and show the totality of the human spirit, not just the incredible despair. It's what we are.

I'm sure modern viewers will criticize the pacing (although once the action starts, it is remarkably done), but this movie has more emotional clout than Mr. Cameron's also incredible film. The acting is subtle and controlled and if one is looking for heroism, there was plenty to go around on board that ship.