It! The Terror from Beyond Space

I dug this one out of the dust bin and was quietly amazed at the simple, yet straight on-target focus of this movie. Yes-- Alien borrowed the basic setup from this 1958 setup. And yes-- Alien did it BETTER, ICKIER, and SCARIER. But hey, this was 1958!

The script is actually very down to earth and intelligent. The snippets of Sci-Fi Factoids actually made sense for what people popularly knew about Mars back then. The women were still women of that era, but they were intelligent and level headed. No Screaming. No fainting. No Falling down and spraining of slim ankles because of fashionable stiletto heels.

The fact that the movie is B&W is a plus in terms of the monster and the make-up. Let's face it-- in most scary movies, the scariest moment is when the camera is DARK and there is almost no color. Here, the shadows hide that fact that the monster is a guy in a heavy rubber suit. And in 1966, this movie frightened me enough to keep me awake all night.

Fun spots:

1-- Guns, LOTS of handguns, Rifles, grenades, crates of 'em-- gods, they even got a BAZOOKA! And they're shooting them all off inside a tin can in Outer Space. Man, they built them thar spaceships like battleships! And they're ALL good shots because not one single bullet ever sets fire to a VITAL control panel. Wow!

2-- The women pour coffee and make sandwiches for the men. Ah. . .Heaven!

If you and your friends are Sci-Fi buff, despite being dated, this 'B' Classic is worth a Saturday Night Oldies Flick.

Just ask POLITELY: Girls, can we have some sandwiches?

In many ways, this film looks as if it was inspired by THE THING and in turn, this film seems to have inspired ALIEN. There are a lot of similarities to each other--and all are excellent and very tense sci-fi thrillers.

The film begins with an astronaut under arrest and on his way back to Earth from Mars. It seems that his ship was the first on the planet and when a rescue crew arrived, only one man was left from the crew--the others had been murdered or just disappeared. Logically, they assume that the surviving crew member had killed his comrades, so they pack him aboard and take him back for a court martial. However, what no one realizes is that they also have accidentally transported the REAL killer on the ship as well and after a while, its insatiable blood-lust is unleashed. While it looks like they are all about to die, there is a bright side--at least now they know that the guy under arrest is innocent! The rest of the film consists of the crew's efforts to stop the monster and make it back alive--and it sure doesn't look like it will be easy.

The look of the ship is very much like a 50s sci-fi film, but it looks a little better--larger and less fake than you'd find in a typical rocket film of the day. The acting also is pretty good, as is the script and the monster costume is pretty decent It's obvious that this movie was not just tossed together and is definitely a better than average film of the genre. The only negative, and it's a minor one, is that the film (like the others listed above) is rather claustrophobic. Still, it's dandy and intelligent entertainment.

This is one of the many early sci-fi movies released in the 1950s. Standard for these types of B-Pictures was to put more drama and excitement in the film, than real science. Few directors during that day and age ever sought good solid factual science facts, instead they wanted good old fashion monster vs Earthling type action. They were hooky and poorly made, but without knowing it, they created the nightmare memories of our youthful dreams. As a result, they gave audiences what they sought, trills and cheap entertainment. The story in this film is the foundation of modern films like 'Alien' and for its day had formulas which worked. Marshall Thompson plays Col. Ed Carruthers and Ray "Crash" Corrigan, the stunt man for many other films, plays the Space Monster called " It ." Dabbs Greer plays Eric Royce. Although it is an early sci-fi movie, when seen through the sleepy eyes of a youngster, at the Drive-In theaters of the day, it's nothing less than a Classic. Fun for anyone with a yearning to be frightened by a space monster. ****

When I first saw this film on late night TV, I was hypnotized by its atmosphere and clean, deceptive surfaces. There was a lot of light and shade and the monster was kept off-screen for as long as possible. The claustrophobia of the situation eventually got to me and I didn't survive my first screening. When the film screened again, I survived it, and I enjoyed the suspense. I liked the monster, too, because at seven year's old, I was oblivious to the zipper up the back.

Even now, I still like "It The Terror From Beyond Space". Clearly, along with van Vogt's 'Voyage of the Space Beagle' (a great novel from a great novelist) and Bava's "Planet of the Vampires", these three works were the inspiration for "Alien". The architecture of "It" clearly wasn't an inspiration for Scott's film, so Scott went and dirtied his ship up instead. And I'd hazard a guess that Bava's footage of the astronauts on the vampire planet is what caught Ridley's attention.

The plot of "It" is akin to "Alien" and so are some of the set-ups. The claustrophobic environment in "It" is still impressive, as is the spare sound design and use of simple sonics.

"It" moves along briskly and features some exciting action sequences as the spaceship's crew members are stalked by the marauding extraterrestrial.

Low budget, sure, but a high concept skilfully realized.

I haven't seen this movie in 46 years, but the thing I remember about it is the fact that I was so terrified watching it, at nine years of age at the Lincoln Theatre in Kearny, NJ, that I had to leave before it ended. I didn't sleep well for many nights after that.

There was a scene I remember where a crew member opened an air duct access hatch (or what, as I recall now, looked like one), and a hand fell down in front of him, obviously belonging to a dead colleague of his. The creature had stuffed the body in the ductwork. That was all I could take. I threw my comic book (I always bought one for 10 cents on my way to the movies on Saturday afternoons. My mom would give me 35 cents, 10 for the comic and a quarter for the double feature with cartoons in between) up in front of my face so I couldn't see, and ran up the center aisle, out the doors, and away from that horror. I saw just about every monster/horror/sci-fi movie made in the 1950's on one or another of those wonderful Saturdays at the Lincoln Theatre, and the only other one that made me run out was House on Haunted Hill.

What I wouldn't give for another chance to see two movies and three cartoons for a quarter, through the unjaded eyes of a nine-year old boy, still able to be scared out of my wits by a guy in a rubber suit.