The Inn of the Sixth Happiness

I show this film in my classes on leadership. Though some may find it "corny" or condescending, it is a fine and "human" portrayal of how stubbornness, faith, and a sense of justice can lead one toward great acts of courage. It's also simply an extremely interesting story. I understand that the real Gladys Aylward, on whose life the film is based, was embarrassed by the fictional "love story" portion of the film. I'm not sure why I read so many negative reactions to the film. The depictions of how Aylward inspires those around her are timeless. The three main actors, Ingrid Bergman, Robert Donat, and Kurt Jurgens, put in excellent and nuanced performances. Ms. Bergman is at her most beautiful in this film, conveying so much meaning simply with a glance. My Chinese students tend to like the film very much. Perhaps the finest scene occurs when Jen Ai (Aylward's Chinese name in the film) goes to the village to persuade the mothers to unbind their daughters' feet. So many of my students didn't even know about this cruel practice.

In spite of the rejection of her application for missionary work because of her lack of formal education, Gladys Aylward—a strong London domestic in the service of a retired explorer—decides to join an English missionary who has set up a hostelry in the mountains of North China... Here, Sara Lanson (Athene Seyler) takes in muleteers, provides them with food and lodging, and tries by ingenious means to convert them to Christianity...

Gladys saves enough money to travel to China via the Trans-Siberian Railway... Eventually she reaches the inn and Miss Lanson, and becomes her aide...

Gradually, Gladys wins over the people of the area, with her good works and humble, friendly approach... Soon she is known as "Jan-Ai" (The One Who Loves People).

After Miss Lanson's death, Gladys goes to work as a foot inspector (to enforce a government edict against binding of females' foot) at the request of a tired and cynical mandarin (Robert Donat), who is irritated by her meddling and sends her on foot-inspection trips to get rid of her... But upon her return from an arduous journey, he finds himself respectful of her dedication and courage and becomes her friend...

Captain Lin Nan (Curt Jurgens), a Chinese Army officer, comes into the district to enforce discipline in the face of the Japanese 1931 invasion... Gladys meanwhile has succeeded in restoring order in a prison uprising with her healing presence, and when Lin Nan finds it necessary to warn the people of the countryside against the Japanese, Gladys, through bandits she has befriended and are now devoted to her, manages to aid him in his efforts...

Lin and Gladys gradually fall in love, and before he leaves to rejoin the Chinese forces, he gives her a jade ring as a token of his feeling, and promises that they will someday be permanently together...

The Japanese attack, and it becomes necessary to march 100 motherless children to a mission safe in the interior... Before Gladys volunteers for, and leaves on, the mission with the children, the Mandarin offers her a parting gift: his conversion to Christianity.

There is no doubt about the splendor of Ingrid Bergman dramatizing Gladys Aylward, the "woman who wasn't qualified to come to China." With a luminous smile, she fills the screen with radiance, bringing missionary work purity of spirit, challenge, simplicity, frankness, honesty, energy, force and love...

The film, based on the novel "The Small Woman" by Alan Burgess, is a fine adventure story with love, war, religion, comedy, music, and spectacle...

Hollywood took some liberties in romancing the character with a Chinese officer—which was not true—Gladys Aylward (1904-70) was a great 'little woman' who lived a virtuous life full of quality, respect and admiration... She faced the impossible with hope, seeing the world through God's telescope...

This film concerns the life and achievements of one Gladys Aylward, a Christian woman from Great Britain who conceived early on that her place in the world was in China. She was a remarkable person who let absolutely nothing deter her in her calling. That included a lack of formal education, no support at all from any accredited missionary group and no money of her own. She worked as a maid to get the money to get a one way ticket to China with only an address of an aged female missionary who needed a young assistant.

This film marked Ingrid Bergman's complete return to our fickle public's favor. After the scandal of her affair with Roberto Rosellini and her divorce, the public would not accept her in saintly roles like Joan of Arc and The Bells of St. Mary's. But winning her second Oscar two years earlier cemented her comeback from Europe and this part restored her in our fickle public's affections. We'd never get away with casting her as an Englishwoman today, but she overcomes any accent problems with unbridled talent.

She soon inherits the whole mission when Athene Sayler dies. And she supports it by working as a foot inspector for the local mandarin. In those days of the twenties among other things the Kuomintang government was trying to do was undo the Chinese custom of footbinding females at a young age so they would have petite feet. It met with a lot of local resistance, but she proves up to the task.

The title of the film comes from the idea that Athene Sayler had. Not to open up a formal church as such. Instead she wanted to open an inn in which travelers could stop and hear stories for entertainment. No television in those rooms. The stories they heard were those of the Bible. It was Sayler, Bergman, and their cook Peter Chong who ran the place and soon it was Bergman and Chong.

If Bergman's casting seems bizarre by today's standards, the casting of Curt Jurgens as a Chinese Kuomintang Army Colonel is worse. Jurgens's occidental features are written into the script making him bi-racial, Dutch father and Chinese mother. He's a man with little convictions about spiritual matters, except he comes to believe in Bergman, in her innate decency, her dedication to his people, and what she's trying to accomplish.

The mandarin is even more bizarrely cast. The part calls for an asthetic actor so they got the best around in Robert Donat. This was Mr. Donat's farewell performance, he died while the film was still in theaters. No one would get away with that casting today, but Robert Donat is also that good a player.

I'm sure if the film were remade today, we'd have real oriental players like Russell Wong for the Colonel and James Shigeta for the mandarin and maybe someone like Kate Winslet for Gladys Aylward. But would it be as good as this film?

The subject of missionaries and the good they do is one hotly debated topic. It does take a certain amount of brass to go to a given place and tell everyone your belief system is all wrong.

I suppose the best way to lead is by example and Ingrid Bergman as Gladys Aylward set the best example she could. In fact she did one thing most missionaries, good or bad, wouldn't consider. She gave up her British citizenship and became a Chinese citizen.

The film was helped a great deal by the inclusion of that children's song This Old Man where Ingrid tries to teach her youngest charges some English with it. It was enormously popular back in the day and Mitch Miller's record of it was heard constantly.

The climax of the film and what gave Gladys Aylward her place in history is that trek with a hundred orphans away from the advancing Japanese army. A remarkable achievement indeed from a remarkable dedicated woman who wouldn't listen to anything, but what was inside her soul.

I really liked the old hollywood feel of this movie. NO graphic sex, no graphic language just for the sake of having shock value. This movie pulled you into the characters like a great book and you wanted Gladys to succeed, yet it was not always a sure thing. She is wonderfully flawed in an average way. She has a resilent faith, that enables her to overcome truly epic conditions in a heroic manner. Everyday people with that kind of faith can be heroic. It is a wonderful movie I would love to see transferred to DVD.

A lot has been said, both positive and negative, about the main Asian roles played by Caucasian actors in this film. As an Asian of Chinese descent myself, I've learnt not to get too bent up over this, especially when one considers when this movie was made.

I just recently got the DVD and watched it for the second time after a gap of more than 20 years and I still see the magic of the movie and why it remains inspiring. There are, of course, quite a few creative licenses taken at the expense of the actual life of Gladys Aylward (which IMHO is actually much more inspiring) but that is to be expected with cinema.

What surprised me even more was that Robert Donat who played the Mandarin (the literal translation of his title in the movie would be County Governor; ie. Hsien Chang or 縣長) actually spoke better Mandarin than Peter Chong who played Yang the cook who I assume isn't a native Mandarin speaker.

All in all, I thoroughly enjoyed it and felt the same awe and emotions as when I first saw it as a young boy.