The Inn of the Sixth Happiness

A lot has been said, both positive and negative, about the main Asian roles played by Caucasian actors in this film. As an Asian of Chinese descent myself, I've learnt not to get too bent up over this, especially when one considers when this movie was made.

I just recently got the DVD and watched it for the second time after a gap of more than 20 years and I still see the magic of the movie and why it remains inspiring. There are, of course, quite a few creative licenses taken at the expense of the actual life of Gladys Aylward (which IMHO is actually much more inspiring) but that is to be expected with cinema.

What surprised me even more was that Robert Donat who played the Mandarin (the literal translation of his title in the movie would be County Governor; ie. Hsien Chang or 縣長) actually spoke better Mandarin than Peter Chong who played Yang the cook who I assume isn't a native Mandarin speaker.

All in all, I thoroughly enjoyed it and felt the same awe and emotions as when I first saw it as a young boy.

In the 30's, the working-class Englishwoman Gladys Aylward (Ingrid Bergman) leaves Liverpool and arrives in London, trying to join the China Missionary Society expecting to be sent to China. However, having only ordinary schooling, her request is turned down due to her lack of qualification to the position. Gladys works hard as a maid and uses all her savings and salaries to buy a train ticket to Tientsin. Then she travels by mule to the remote province of Wangcheng, where she works with the Englishwoman Jeannie Lawson (Athene Seyler) and the Chinese cook Yang (Peter Chong) in the Inn of the Sixth Happiness. When Ms. Lawson has an accident and dies, Gladys has no money to run the establishment and accepts the position of "foot inspector" offered by the Mandarin Hsien Chang (Robert Donat). She is assigned to visit the countryside to promote and enforce the government's law against foot binding Chinese girls. She is successful, changes her nationality to Chinese and her name to Jen-ai (meaning "the one who loves people"), surprising the skeptical bi-racial Captain Lin Nan (Curt Jurgens). When Wangcheng is invaded by the Japanese, Jen-ai travels through the mountains with one hundred children to save them from death.

"The Inn of the Sixth Happiness" is a wonderful and engaging epic based on the true story of the enlightened Gladys Aylward. Her biography romanticized by Hollywood is awesome, and the movie is fantastic. Ingrid Bergman is stunning in the role of a servant in a period of class struggle in London determined to go to China where she believes she belongs and has a mission from God to be accomplished. The colors and the landscapes are impressive, but the cast of Ingrid Bergman as a woman not gorgeous; Curt Jurgens as a Chinese-Caucasian; and Robert Donat as a Chinese is weird, but they have perfect performances and I believe that is what matters in a film. My vote is nine.

Title (Brazil): "A Morada da Sexta Felicidade" ("The Inn of the Sixth Happiness")

Inn of the Sixth Happiness is a great epic. The story is surprisingly a true one - Gladys Aylward was a British servant who believed her calling was to preach in China.

Inn of the Sixth Happiness was done in the old Hollywood style with a bit of romance built in, but that seems to be the only way they deviated from the real story.

Ingrid Bergman does a wonderful job of recreating Gladys and the movie cinematography really captures the old China I knew.

I would highly recommend this to anyone who wants to be entertained, and to anyone with a sense of adventure.

This film concerns the life and achievements of one Gladys Aylward, a Christian woman from Great Britain who conceived early on that her place in the world was in China. She was a remarkable person who let absolutely nothing deter her in her calling. That included a lack of formal education, no support at all from any accredited missionary group and no money of her own. She worked as a maid to get the money to get a one way ticket to China with only an address of an aged female missionary who needed a young assistant.

This film marked Ingrid Bergman's complete return to our fickle public's favor. After the scandal of her affair with Roberto Rosellini and her divorce, the public would not accept her in saintly roles like Joan of Arc and The Bells of St. Mary's. But winning her second Oscar two years earlier cemented her comeback from Europe and this part restored her in our fickle public's affections. We'd never get away with casting her as an Englishwoman today, but she overcomes any accent problems with unbridled talent.

She soon inherits the whole mission when Athene Sayler dies. And she supports it by working as a foot inspector for the local mandarin. In those days of the twenties among other things the Kuomintang government was trying to do was undo the Chinese custom of footbinding females at a young age so they would have petite feet. It met with a lot of local resistance, but she proves up to the task.

The title of the film comes from the idea that Athene Sayler had. Not to open up a formal church as such. Instead she wanted to open an inn in which travelers could stop and hear stories for entertainment. No television in those rooms. The stories they heard were those of the Bible. It was Sayler, Bergman, and their cook Peter Chong who ran the place and soon it was Bergman and Chong.

If Bergman's casting seems bizarre by today's standards, the casting of Curt Jurgens as a Chinese Kuomintang Army Colonel is worse. Jurgens's occidental features are written into the script making him bi-racial, Dutch father and Chinese mother. He's a man with little convictions about spiritual matters, except he comes to believe in Bergman, in her innate decency, her dedication to his people, and what she's trying to accomplish.

The mandarin is even more bizarrely cast. The part calls for an asthetic actor so they got the best around in Robert Donat. This was Mr. Donat's farewell performance, he died while the film was still in theaters. No one would get away with that casting today, but Robert Donat is also that good a player.

I'm sure if the film were remade today, we'd have real oriental players like Russell Wong for the Colonel and James Shigeta for the mandarin and maybe someone like Kate Winslet for Gladys Aylward. But would it be as good as this film?

The subject of missionaries and the good they do is one hotly debated topic. It does take a certain amount of brass to go to a given place and tell everyone your belief system is all wrong.

I suppose the best way to lead is by example and Ingrid Bergman as Gladys Aylward set the best example she could. In fact she did one thing most missionaries, good or bad, wouldn't consider. She gave up her British citizenship and became a Chinese citizen.

The film was helped a great deal by the inclusion of that children's song This Old Man where Ingrid tries to teach her youngest charges some English with it. It was enormously popular back in the day and Mitch Miller's record of it was heard constantly.

The climax of the film and what gave Gladys Aylward her place in history is that trek with a hundred orphans away from the advancing Japanese army. A remarkable achievement indeed from a remarkable dedicated woman who wouldn't listen to anything, but what was inside her soul.

I really liked the old hollywood feel of this movie. NO graphic sex, no graphic language just for the sake of having shock value. This movie pulled you into the characters like a great book and you wanted Gladys to succeed, yet it was not always a sure thing. She is wonderfully flawed in an average way. She has a resilent faith, that enables her to overcome truly epic conditions in a heroic manner. Everyday people with that kind of faith can be heroic. It is a wonderful movie I would love to see transferred to DVD.